Home Sweet Home se alza con cinco Águilas del cine polaco
por Ola Salwa
- La cinta de Wojciech Smarzowski sobre la violencia doméstica se ha alzado con los galardones a mejor película, dirección, actor, actriz y música; y Sirāt con el de mejor película europea

Este artículo está disponible en inglés.
Wojciech Smarzowski and his dark, disquieting drama about domestic violence, Home Sweet Home, have emerged as the big winners of the 26th Polish Film Awards, aka the Eagles. When the winning names in the final categories – Best Actor (Tomasz Schuchardt), Best Actress (Agata Turkot), Best Director (Wojciech Smarzowski), Best Film and Best Music (Mikołaj Trzaska) – were announced, the audience reacted with a huge round of applause. The film stoked a nationwide debate about the abuse of women, was a box-office hit and proved to be the most popular local title of 2025 (see the news).
Smarzowski is a very popular figure in the industry, and both leading performances were highly praised by the audience and critics alike, garnering many accolades – including a shared one for Turkot and Schuchardt at the Warsaw Film Festival, where Home Sweet Home was shown in the International Competition. There is an additional context to this enthusiasm: the film won nothing at the previously held 50th Polish Film Festival, which many deemed unfair. Traditionally, the Polish Film Awards are considered by part of the industry to be a form of compensation for being overlooked by the festival’s jury. In his acceptance speech, Smarzowski announced that he was currently working on a project about the Slavs.
One of the other main winners of the night was Chopin, A Sonata in Paris, which snagged four Eagles in the “aesthetic categories”: Best Costumes (Magdalena Biedrzycka and Justyna Stolarz), Best Production Design (Katarzyna Sobańska and Marcel Sławiński), Best Make-up (Dariusz Krysiak) and Best Sound (Marcin Matlak, Marcin Kasiński and Filip Krzemień). The Altar Boys [+lee también:
crítica
entrevista: Piotr Domalewski
ficha de la película] took home Best Screenplay (Piotr Domalewski) and the Audience Award, while the Polish Oscar entry, Agnieszka Holland’s Franz [+lee también:
crítica
tráiler
entrevista: Agnieszka Holland
ficha de la película], won Best Cinematography. The found-footage title, and 2024 IDFA winner, Trains [+lee también:
crítica
entrevista: Maciej J. Drygas
ficha de la película] went home clutching awards in the same categories as it did at the Amsterdam-based event: Best Documentary (Maciej J Drygas) and Best Editing (Rafał Listopad). Actor Andrzej Konopka, who was also hosting the show and is well known for his theatre and cabaret persona, pocketed Best Actor in a Supporting Role for LARP. No Ghosts on Good Street [+lee también:
crítica
ficha de la película], the impressive debut by Emi Buchwald, which opens locally on 13 March after screening at Kino Pavasaris in Vilnius, left with two Eagles: Discovery of the Year for the director and Best Actress in a Supporting Role (Karolina Rzepa).
Sirāt [+lee también:
crítica
tráiler
entrevista: Óliver Laxe
entrevista: Sergi López
ficha de la película] by Oliver Laxe was given the title of Best European Film, while veteran Polish actress Krystyna Janda, who won a Palme d’Or in 1990 for her performance in Ryszard Bugajski’s Interrogation and is most widely known for working with Andrzej Wajda, was presented with the Lifetime Achievement Award.
Here is the full list of award winners:
Best Film
Home Sweet Home - Wojciech Smarzowski (Poland)
Best Director
Wojciech Smarzowski – Home Sweet Home
Best Screenplay
Piotr Domalewski – The Altar Boys [+lee también:
crítica
entrevista: Piotr Domalewski
ficha de la película] (Poland)
Best Actress
Agata Turkot – Home Sweet Home
Best Actor
Tomasz Schuchardt – Home Sweet Home
Best Supporting Actress
Karolina Rzepa – No Ghosts on Good Street [+lee también:
crítica
ficha de la película] (Poland)
Best Supporting Actor
Andrzej Konopka – LARP (Poland)
Best Sound
Marcin Matlak, Marcin Kasiński, Filip Krzemień – Chopin, A Sonata in Paris (Poland)
Best Cinematography
Tomasz Naumiuk – Franz [+lee también:
crítica
tráiler
entrevista: Agnieszka Holland
ficha de la película] (Czech Republic/Germany/Poland/France)
Best Editing
Rafał Listopad – Trains [+lee también:
crítica
entrevista: Maciej J. Drygas
ficha de la película] (Poland)
Best Music
Mikołaj Trzaska – Home Sweet Home
Best Costumes
Magdalena Biedrzycka, Justyna Stolarz – Chopin, A Sonata in Paris
Best Make-up
Dariusz Krysiak – Chopin, A Sonata in Paris
Best Production Design
Katarzyna Sobańska, Marcel Sławiński – Chopin, A Sonata in Paris
Audience Award
The Altar Boys - Piotr Domalewski
Best Documentary
Trains – Maciej J Drygas
Discovery of the Year
Emi Buchwald – director of No Ghosts on Good Street
Lifetime Achievement Award
Krystyna Janda
Best European Film
Sirāt [+lee también:
crítica
tráiler
entrevista: Óliver Laxe
entrevista: Sergi López
ficha de la película] – Oliver Laxe (France/Spain)
Best TV Series
Heweliusz – Jan Holoubek (Poland)
(Traducción del inglés)
¿Te ha gustado este artículo? Suscríbete a nuestra newsletter y recibe más artículos como este directamente en tu email.















