Nueve propuestas compiten en la sección Immersive de Cannes
por Fabien Lemercier
- La selección incluye obras procedentes de Italia, Portugal, Francia, España, el Reino Unido, Corea del Sur, Taiwán y Filipinas

Este artículo está disponible en inglés.
Nine as-yet unreleased works, hailing from eight countries, will be duking it out for the Best Immersive Work Award at the 79th Cannes Film Festival. The competition will unfold from 12-22 May at the Carlton Hotel and will make use of a technical solution that allows group screenings involving up to 200 participants to be organised.
“From large-scale video projection to virtual reality works, this selection showcases the vitality of an evolving art form – one that constantly reinvents how stories are created, shared and experienced,” say the festival’s representatives.
Here is the full list of works taking part:
Immersive Competition
Katábasis - Ugo Arsac
Production: Zorba (France)
The Black Mirror Experience - David Bardos, Damià Ferràndiz
Production: Banijay Live, Univrse (France/Spain)
Yellowfin - E del Mundo
Production: Screen Asia, Create Cinema (Philippines)
Playing with Fire - Pierre-Alain Giraud
Production: VIVE Arts, Atlas V (UK/France/Taiwan)
Red Planet 3009 - Mariano Leotta, Francesco Fiore/Skycon
Production: Alter Agent (Italy)
Gawd V. The People - Yamil Rodriguez, Ivan Alejandro Diaz Cardenas, Stephen Henderson
Production: Nilor Studio (UK)
The Pirate Queen: No Safe Waters - Eloise Singer
Production: Singer Studios (UK)
Lúcido – Vier
Production: COLA Animation (Portugal)
VOOOOOO---PEEEEEE--- - Hyeunjoo Woo, Jiyun Park
Production: Ubac Studio (South Korea)
(Traducción del francés)
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