2017 : le box-office progresse de 8,65% en Roumanie
par Ştefan Dobroiu
- En anglais : L'année se termine avec un total d'environ 13,8 millions d'entrées dans les cinémas locaux
Cet article est disponible en anglais.
The Romanian film industry ended 2017 with total earnings amounting to approximately €58.46 million, which equates to an 8.65% growth over 2016's figures (€53.8 million), according to definitive statistics announced by the Romanian National Film Center. The number of admissions increased by 6.47%, from 13,033,687 in 2016 to 13,877,470.
The most popular film of the year was Fast and Furious 8, with circa 677,000 admissions. Pirates of the Caribbean: Dead Men Tell No Tales followed hot on its heels, with 412,000 admissions. Fifty Shades Darker (367,000 admissions), Thor: Ragnarok (348,000) and Beauty and the Beast (303,000) round off the year’s top five.
As for European productions, Romanians rooted for Dunkirk [+lire aussi :
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fiche film] (164,000 admissions) and a host of animations: Leap! [+lire aussi :
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fiche film] (99,000 admissions), The Son of Bigfoot [+lire aussi :
critique
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interview : Ben Stassen
fiche film] (85,000) and Happy Family (77,000). 1.41 million Romanians paid for a ticket to a European film showing in a local cinema, a significant increase from the 1,065,000 admissions recorded in 2016. The market share of European productions increased from 8.17% in 2016 to 10.20% last year, while the market share for American films decreased slightly from 85.65% to 83.95%.
Romanian films fared much worse in 2017 than they did in 2016, racking up a total of 281,000 admissions last year, as against 428,000 in 2016. The market share of local productions dropped from 3.52% in 2016 to 2.19% last year. The year’s most popular domestic release was Serge Ioan Celibidachi’s Octav [+lire aussi :
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fiche film], with 57,800 admissions. Iura Luncaşu’s Unlucky [+lire aussi :
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fiche film] followed, with 53,900 admissions. The top five was completed by Nae Caranfil’s 6.9 on the Richter Scale [+lire aussi :
critique
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interview : Nae Caranfil
fiche film] (32,800 admissions), Daniel Sandu’s One Step Behind the Seraphim [+lire aussi :
critique
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interview : Daniel Sandu
fiche film] (32,500) and Călin Peter Netzer’s Berlinale-selected Ana, Mon Amour [+lire aussi :
critique
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interview : Călin Peter Netzer
fiche film] (29,100).
(Traduit de l'anglais)
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