email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

TURIN 2018

Des films noirs, des comédies et des thèmes divers et variés au Festival de Turin

par 

- Parmi les films au programme du 36e TFF (23 novembre-1er décembre) figure le documentaire de Nanni Moretti sur le coup d'État au Chili et le premier film comme réalisateur de Valerio Mastandrea

Des films noirs, des comédies et des thèmes divers et variés au Festival de Turin
Ride de Valerio Mastandrea

Cet article est disponible en anglais.

The 36th edition of Torino Film Festival scheduled to run from 23 November to 1 December – will open with Jason Reitman's The Front Runner, about the sexual scandal that overwhelmed the American presidential candidate Gary Hart, and will close with Nanni Moretti's documentary about the coup in Chile, Santiago, Italia [+lire aussi :
critique
bande-annonce
fiche film
]
(read the news here). A total of 133 features, including 34 world premieres and 23 international premieres, have been programmed by the director Emanuela Martini, currently in her fifth year. "A lot of European films, a varied and diverse mix, both in terms of theme and style, with numerous noir and comedy films," specified Martini during the programme presentation in Rome yesterday, which also includes 15 first and second features (and a third opera), and will be hosting, as usual, the broad Festa Mobile section, dedicated to Italian and international documentaries, and the experimental Onde section and somewhat darker After Hours section.

(L'article continue plus bas - Inf. publicitaire)

Among the films in the Torino 36 competition are the directorial debut by the popular actor Valerio Mastandrea, Ride [+lire aussi :
critique
bande-annonce
interview : Valerio Mastandrea
fiche film
]
, a bewildering drama on the theme of mourning that promises both laughter and emotion, The Mover [+lire aussi :
bande-annonce
fiche film
]
by the German director David Nawrath, a first feature with elements of noir and a lot of feeling, Head Above Water [+lire aussi :
critique
bande-annonce
fiche film
]
, the directorial debut by the young French photographer Margaux Bonhomme, the Hungarian comedy Bad Poemsby Gábor Reisz on the impossibility of being happy, as well as 53 Wars [+lire aussi :
critique
bande-annonce
interview : Ewa Bukowska
fiche film
]
by the Polish director Ewa Bukowska, Angel [+lire aussi :
critique
bande-annonce
interview : Markus Schleinzer
fiche film
]
by the Austrian director Markus Schleinzer, the Danish film The Guilty [+lire aussi :
critique
bande-annonce
interview : Gustav Möller
fiche film
]
by Gustav Möller and the rough Vulturesby Börkur Sigthórsson, which reveals the dark side of Icelandic society.

There are numerous Italian films in the Festa Mobile section, including The Man Who Stole Banksy [+lire aussi :
critique
bande-annonce
fiche film
]
by Marco Proserpio, Wherever You Are [+lire aussi :
critique
bande-annonce
fiche film
]
by Bonifacio Angius, the story of unrequited love, halfway between a mélo and a road movie, Bulli e pupe by Steve Della Casa and Chiara Ronchini, a biographical documentary post-World War II Italy told through images and Sex Story by Cristina Comencini and Roberto Moroni, which focuses on the evolution of images of women, from the 50s to the present, using Italian TV footage. In the same section is Colette [+lire aussi :
critique
bande-annonce
fiche film
]
by Wash Westmoreland, starring Keira Knightley, Dovlatov [+lire aussi :
critique
bande-annonce
interview : Milan Maric
fiche film
]
by Aleksey German Jr. (winner of the Silver Bear at Berlin), the entertaining Papi Chulo [+lire aussi :
critique
bande-annonce
fiche film
]
by John Butler, Ulysses & Mona [+lire aussi :
critique
bande-annonce
fiche film
]
by Sébastien Betbeder and The White Crow [+lire aussi :
critique
bande-annonce
interview : Ralph Fiennes
fiche film
]
by Ralph Fiennes, about the great Russian dancer Rudolf Nureyev. The TorinoFilmLab selection includes the new film by the Hungarian director György Pálfi, His Master's Voice [+lire aussi :
bande-annonce
fiche film
]
and the Italian director Duccio Chiarini’s The Guest [+lire aussi :
critique
bande-annonce
interview : Duccio Chiarini
fiche film
]
.

The director Pupi Avati – this edition's "guest director" – will curate the Unforgettables section, with a selection of films related to jazz-swing music. While the After Hours section will be screening Unthinkable, the catastrophic thriller by the Swedish collective Crazy Pictures, L'ultima notte by Francesco Barozzi – an oppressive and unhealthy horror film that starts with a crime story – and In Fabric [+lire aussi :
critique
bande-annonce
interview : Peter Strickland
fiche film
]
by Peter Strickland, whose protagonist is a "killer" in a red dress. 

The Torino 36 competition jury is chaired by the Chinese director Jia Zhang-ke and is composed of the producer Marta Donzelli (Italy), the directors Miguel Gomes (Portugal) and Andreas Prochaska (Austria), and the founder of IMDb Col Needham. This year's Torino Grand Prix goes to the iconic actor Jean-Pierre Léaud.

(L'article continue plus bas - Inf. publicitaire)

(Traduit de l'italien)

Vous avez aimé cet article ? Abonnez-vous à notre newsletter et recevez plus d'articles comme celui-ci, directement dans votre boîte mail.

Privacy Policy