In early December, Spain’s Ministry of Culture and Sport published a resolution setting out this year’s round of general production grants, awarded to films that are currently in development. The Institute of Cinematography and Audiovisual Arts (ICAA) has earmarked a total of €40,000,000 in 2020: €5 million more than in 2019. What’s more, 35.5% of the funding will go to projects directed by women, comfortably exceeding the new target introduced this year (20%). Five animated films will share 17.1% of the grant money available, again overshooting the ICAA’s target of 8%.

Note also that 18 of the selected projects will be co-produced with international partners: 12 European, five Latin American and one Chinese. Twelve of the projects are to be directed by women, including one animated film, nine are based on a script by female writers, 22 have appointed women to the senior production team and 35 have at least 40% women on their crew. For all selected projects, women are represented in at least one of these categories, while eight are being written and directed by an all-female team.

Among the titles awarded a grant of €1,200,000 — which, unless stated otherwise, will be released to the project’s AIE (Economic Interest Group) — are Robot Dreams [+lire aussi :
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fiche film], an animated fantasy film directed by Pablo Berger and produced by Arcadia Motion Pictures, S.L.; Dragonkeeper [+lire aussi :
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interview : Salvador Simó
fiche film], by Salvador Simó; 21 prisioneras (Mr. Miyagi Films, S.L.), by Elena Ruíz; Maixabel [+lire aussi :
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interview : Icíar Bollaín
fiche film], by Icíar Bollaín; Irati, by Paul Urkijo; Objetos [+lire aussi :
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fiche film], a thriller from Jorge Dorado; Lobo feroz, by Gustavo Hernández; La casa entre los cactus [+lire aussi :
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fiche film], by Carlota González-Adrio; De Caperucita a loba en solo seis tíos, by Marta González de la Vega; El refugio [+lire aussi :
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fiche film], by Macarena Astorga; Idiotizadas, the directorial debut from Eva Hache; and ¡A todo tren! Destino Asturias [+lire aussi :
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fiche film], by Santiago Segura.

Also in this category are: Mummies, by Juan Jesús García Galocha; El faro (Mr. Mmuiyagi Films S.L.), by Ángeles Hernández; Camera Café - La película [+lire aussi :
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fiche film], the debut film from comedian Ernesto Sevilla; El comensal [+lire aussi :
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fiche film], by Ángeles González Sinde; Stories Not to Be Told [+lire aussi :
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interview : Cesc Gay
fiche film], by Cesc Gay; Las leyes de la frontera [+lire aussi :
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fiche film], by Daniel Monzón; Un novio para mi mujer, by Laura Maña; and De perdidos a río [+lire aussi :
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fiche film] (Pecado Films, S.L.), by Joaquín Mazón.

And finally: Mamá está en tinder, by Daniela Fejerman; Tin & Tina [+lire aussi :
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fiche film], by Rubin Stein; El viaje, by Álex de la Iglesia; El viaje de Hamida y Vuelta, by Emilio Martínez Lázaro; Tadeo Jones 3. La maldición de la momia, by Enrique Gato; One Year, One Night [+lire aussi :
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interview : Isaki Lacuesta
fiche film], by Isaki Lacuesta; Código emperador [+lire aussi :
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fiche film] (título provisional: Proyecto Emperador), by Jorge Coira; Alegría [+lire aussi :
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fiche film], by Violeta Salama; La vida padre (Mod Producciones), by Joaquín Mazón; and Parallel Mothers [+lire aussi :
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Meanwhile, Los héroes del barrio by Molina Encinas will receive €1 million, Asedio, by Miguel Ángel Vivas, €109,720; La maniobra de la tortuga [+lire aussi :
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interview : Juan Miguel del Castillo
fiche film], by Juan Miguel del Castillo, €927,669; Poliamor para principiantes [+lire aussi :
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fiche film], a comedy directed by Fernando Colomo, €1,142,609; and Wild Flowers [+lire aussi :
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interview : Jaime Rosales
fiche film] (A Contracorriente Films), by Jaime Rosales, €900,000.

For further details (in Spanish), click here.