Le Festival de Trieste revient sous une forme hybride
par Camillo De Marco
- Le cinéma d’Europe de l’Est et le cinéma italien ont rendez-vous du 21 au 30 janvier, avec Evolution, le nouveau film de Kornél Mundruczó, comme film d’ouverture
Cet article est disponible en anglais.
The 33rd instalment of the Trieste Film Festival will unspool from 21 to 30 January in “hybrid” form, following on from last year’s unavoidably digital edition. Evolution [+lire aussi :
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interview : Kornél Mundruczó et Kata W…
fiche film], the new feature film directed by Kornél Mundruczó, is due to open the event, following the success of Pieces of a Woman [+lire aussi :
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interview : Kornél Mundruczó et Kata W…
fiche film], which not only scooped an award in Venice, but was also nominated for an Oscar. Much acclaimed within the Cannes Premiere section of the most recent Cannes Film Festival, Evolution also boasts Martin Scorsese as executive producer (with its release in Italian cinemas set for 27 January, via Teodora Film), much like its predecessor.
Founded to pay tribute to stars from the world of film who have dedicated their careers to building bridges between East and West, the Eastern Star Award will this year go to Mundruczó himself, while the Cinema Warrior Award will be entrusted to Luciana Castellina.
Eleven titles are set to battle it out within the Feature Film Competition, unfolding within the festival directed by Fabrizio Grosoli and Nicoletta Romeo (the jury comprises film critics Dubravka Lakić and Emanuela Martini, and programmer and selector Edvinas Pukšta): Croatia’s Murina [+lire aussi :
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interview : Antoneta Alamat Kusijanović
interview : Gracija Filipovic
fiche film] by Antoneta Alamat Kusijanović (which won the Golden Camera award for Best First Work at the most recent Cannes Film Festival) uses the tension between a teenage girl and her obsessive father to underline the country’s wider chauvinistic tendencies; a familiar though entirely female story forms the focus of Women Do Cry [+lire aussi :
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interview : Mina Mileva, Vesela Kazakova
fiche film] by Bulgarian directors Mina Mileva and Vesela Kazakova; Stefan Arsenijević is returning to Trieste with As Far as I Can Walk [+lire aussi :
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interview : Stefan Arsenijević
fiche film], which adapts Strahinja Banović’s medieval poem to modern-day Belgrade, as is Romania’s Radu Muntean, who tells a story of a humanitarian mission compromised in Întregalde [+lire aussi :
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interview : Radu Muntean
fiche film]; Bebia. À mon seul désir [+lire aussi :
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interview : Juja Dobrachkous
fiche film] by Juja Dobrachkous pays tribute to women directors working in Georgian film, who are this year’s stars of the "Wild Roses. Women Directors in Europe” section; Serbian movies Celts [+lire aussi :
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interview : Milica Tomovic
fiche film] by Milica Tomović and Darkling [+lire aussi :
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interview : Dušan Milić
fiche film] by Dušan Milić explore the trauma of the Kosovo War; the Balkans are likewise the focus of two female-style tales: The Hill Where Lionesses Roar [+lire aussi :
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interview : Luana Bajrami
fiche film] directed by Luàna Bajrami (presented at Cannes’ Directors’ Fortnight) and Looking for Venera [+lire aussi :
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interview : Norika Sefa
fiche film] by Norika Sefa (rewarded in Rotterdam); bullying is the central theme of Sisterhood [+lire aussi :
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interview : Dina Duma, Antonia Belazel…
fiche film] by Dina Duma, from North Macedonia, while Slovenia also features by way of Matevž Luzar’s Orchestra [+lire aussi :
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fiche film].
Another great name in Hungarian cinema, Ildikó Enyedi, is closing the festival’s in-person screenings by way of The Story of My Wife [+lire aussi :
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interview : Ildikó Enyedi
fiche film], which was presented in competition in Cannes 2021 and stars Léa Seydoux, Gijs Naber, Louis Garrel, Sergio Rubini and Jasmine Trinca in its cast.
An additional six titles are set to screen out of competition: Slovakia’s 107 Mothers [+lire aussi :
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interview : Peter Kerekes
fiche film] by Peter Kerekes; Not So Friendly Neighbourhood Affair [+lire aussi :
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fiche film] by Oscar-winner Danis Tanović; Fabian - Going to the Dogs [+lire aussi :
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interview : Albrecht Schuch
fiche film] by Germany’s Dominik Graf; Small Body [+lire aussi :
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interview : Laura Samani
fiche film], which is the debut film by Italy’s Laura Samani; Vera Dreams of the Sea [+lire aussi :
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interview : Kaltrina Krasniqi
fiche film] by Kosovo’s Kaltrina Krasniqi; and Polish film Leave No Traces [+lire aussi :
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interview : Jan P. Matuszyński
fiche film] by Jan P. Matuszyński.
Twelve titles will be pitted against one another in the Documentary Competition: 1970 [+lire aussi :
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interview : Tomasz Wolski
fiche film] by Tomasz Wolski; Reconstruction of Occupation [+lire aussi :
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fiche film] by Jan Šikl; I’ll Stand by You by Virginija Vareikytė and Maximilien Dejoie; The Case by Nina Guseva; The Balcony Movie [+lire aussi :
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interview : Paweł Łoziński
fiche film] by Paweł Łoziński, which was honoured in Locarno; Never Coming Back by Mikołaj Lizut; Krai [+lire aussi :
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fiche film] by Aleksey Lapin; Looking for Horses [+lire aussi :
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fiche film] by Stefan Pavlović; Museum of the Revolution [+lire aussi :
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interview : Srđan Keča
fiche film] by Srđan Keča; Reconciliation [+lire aussi :
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fiche film] by Marija Zidar; René - The Prisoner of Freedom [+lire aussi :
interview : Helena Třeštíková
fiche film] by Helena Třeštíková; and Factory to the Workers [+lire aussi :
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interview : Srdjan Kovačević
fiche film] by Srđan Kovačević. Seven documentaries are set to be showcased out of competition: Babi Yar. Context [+lire aussi :
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interview : Sergei Loznitsa
fiche film] by Sergej Loznica; Bosnia Express [+lire aussi :
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fiche film] by Massimo D’Orzi; Gorbachev. Heaven [+lire aussi :
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fiche film] by Vitalij Manskij; the short film Freikörperkultur by Alba Zari; The Jungle by Cristian Natoli; Tullio Kezich – A proposito di me by Gioia Magrini; and L'ultimo calore d’acciaio by Francesco De Filippo and Diego Cenetiempo.
The Corso Salani Prize is also on the agenda, presenting five Italian films awaiting distribution: From the Planet of the Humans [+lire aussi :
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interview : Giovanni Cioni
fiche film] by Giovanni Cioni; Des portes et des déserts by Loredana Bianconi; Divided: What Language Do You Express Love in? by Federico Schiavi and Christine Reinhold; Isole by Mario Brenta and Karine de Villers; and Journey into the Twilight [+lire aussi :
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fiche film] by Augusto Contento, in addition to Insultati. Bielorussia by Caterina Shulha, which is screening out of competition.
(Traduit de l'italien)
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