Montreal’s Fantasia, taking place from 20 July-9 August, has finally revealed its three waves of titles, unveiling some European highlights as well. From the UK, Sam H Freeman and Ng Choon Ping’s Femme [+lire aussi :
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interview : Sam H. Freeman, Ng Choon P…
fiche film], Graeme Arnfield’s Home Invasion and Paris Zarcilla’s Raging Grace will all be shown, alongside Mami Wata by CJ “Fiery” Obasi, co-produced with Nigeria and France. George Kane’s Apocalypse Clown [+lire aussi :
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fiche film], about a troupe of clowns and a reporter embarking on a road trip after a mysterious solar event, is bound to delight, described as possibly “the funniest (and only) clowns-and-catastrophe movie ever made”, as per the organisers.

Interestingly enough, the fest will show Ukraine’s “screenlife thriller” Stay Online [+lire aussi :
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fiche film] as well as the Russian-US spectacle Empire V. In the former, which is Eva Strelnikova’s debut, shot against the backdrop of the invasion, a volunteer from Kyiv uses a laptop donated to the resistance and comes into contact with the son of its original owner, desperately in search of his missing parents. Meanwhile, the latter movie, banned by Russia’s Ministry of Culture, has been dubbed Victor Ginzburg’s “Matrix of vampire cinema” and was shot by Come and See cinematographer Aleksei Rodionov.

Austin Jennings’ Eight Eyes, about a couple taking a trip through Serbia with some disastrous results, is set to celebrate its world premiere, while Spain’s The Fantastic Golem Affairs [+lire aussi :
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interview : Burnin’ Percebes
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interview : Ann Oren
fiche film] by Ann Oren and Skin Deep [+lire aussi :
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interview : Alex Schaad
fiche film] by Alex Schaad will be introduced to local audiences, too. Other highlights include France’s Pandemonium [+lire aussi :
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fiche film] by Jimmy Laporal-Trésor (set during the rise of the skinhead movement that swept through Paris in the 1980s) and The Visitor from the Future [+lire aussi :
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fiche film] by François Descraques, plus the Cannes revelations Vincent Must Die [+lire aussi :
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interview : Stéphan Castang
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interview : Amanda Nell Eu
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“I love, love, love genre, and I am so happy that people are more receptive to it now. It’s something I will keep doing because genre doesn’t take itself too seriously, and yet you can use it to talk about many issues that are close to you. I just think it’s always more fun to talk about them with some blood and gore,” Tiger Stripes director Amanda Nell Eu told Cineuropa.

While the closing film from collective RKSS We Are Zombies [+lire aussi :
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interview : Robert Hloz
fiche film] (Czech Republic/Slovakia/Poland/Serbia), in just 20 years’ time, you won’t have to die, as long as you remember to back up your personality every two days.

“We are bringing sci-fi to our region, which is not very common. At the beginning, there were very few people who believed it would be possible. The problem was that there had been several similar attempts in Czech cinema already, and they failed miserably. The key was to convince everyone this was a realistic project taking place 20 years from now, so not much has changed. There are no lasers or flying cars,” said director Robert Hloz, excited for the upcoming screening. “The audience is so welcoming at genre festivals. And cheerful!”

Finally, while turning to some older propositions like Joe D’Amato’s Emanuelle in America and Luc Besson’s Taxi, the event will also celebrate Slovak director Juraj Herz, showing his Beauty and the Beast, Morgiana, The Ninth Heart and Ferat Vampire. Herz, who sadly passed away in 2018, is best known for the celebrated The Cremator.

You can find the full list of titles here.