Toronto dévoile un programme Centrepiece riche et varié
par Elena Lazic
- La section autrefois nommée Contemporary World Cinema regorge de (co) productions européennes

Cet article est disponible en anglais.
Formerly known as Contemporary World Cinema, the Centrepiece Programme of the upcoming Toronto International Film Festival (taking place from 7-17 September 2023) showcases 47 titles from filmmakers representing 45 countries. Of these, seven are European (co-)productions having their world premiere at the festival.
Norwegian director Hisham Zaman will be back in Toronto with his third feature, A Happy Day [+lire aussi :
critique
bande-annonce
fiche film], centred on three teenage boys at a remote centre for young asylum seekers in Norway planning their escape.
In Holiday [+lire aussi :
critique
bande-annonce
interview : Edoardo Gabbriellini
fiche film], by Italian director Edoardo Gabbriellini, a young woman is found innocent of a brutal double murder after a long trial, in what is described as a subtle cat-and-mouse game.
A co-production between Canada and Poland, Louise Archambault’s Irena’s Vow centres on a former nurse who shelters a dozen Jewish men and women during WWII in occupied Poland.
Canadian director Henri Pardo’s Kanaval [+lire aussi :
critique
fiche film], a co-production between Canada and Luxembourg, tells the story of a young boy and his mother who settle in Quebec after leaving their small port town on the coast of Haiti in 1975.
The Reeds [+lire aussi :
bande-annonce
fiche film], the fifth feature from Turkish director Cemil Ağacıkoğlu, is set in an Anatolian village where a man finds himself engaged in a battle between good and evil when livelihood is threatened by local gangs.
Gangs are also central to the plot of Toll [+lire aussi :
critique
bande-annonce
fiche film], from São Paulo-based director Carolina Markowicz. Co-produced with Portugal, the film centres on a Brazilian mother who falls in with some thieves in order to raise money to send her son to an expensive gay conversion workshop.
Completing the European world-premieres in the Centrepiece Programme is Woodland [+lire aussi :
critique
fiche film] from Austrian director Elisabeth Scharang. Inspired by Wald, a 2015 novel by the bestselling author Doris Knechtentred, the film centres on a traumatised woman who finds refuge in a secluded house in the woods.
Several films which had their world premiere in Cannes are also present in the Centrepiece Programme, among them Wim Wenders’ Perfect Days [+lire aussi :
critique
bande-annonce
fiche film], Nuri Bilge Ceylan’s Best Actress winner About Dry Grasses [+lire aussi :
critique
bande-annonce
interview : Nuri Bilge Ceylan
fiche film], Ramata-Toulaye Sy’s Cannes Competition contender Banel & Adama [+lire aussi :
critique
bande-annonce
interview : Ramata-Toulaye Sy
fiche film], Aki Kaurismäki’s Jury Prize winner Fallen Leaves [+lire aussi :
critique
bande-annonce
fiche film], Víctor Erice’s Cannes Premiere title Close Your Eyes [+lire aussi :
critique
bande-annonce
fiche film], Amjad Al Rasheed’s Critics’ Week entry Inshallah A Boy [+lire aussi :
critique
bande-annonce
fiche film], and Pablo Berger’s Special Screening Robot Dreams [+lire aussi :
critique
bande-annonce
fiche film]. Three films from Un Certain Regard are also in the selection: Rodrigo Moreno’s The Delinquents [+lire aussi :
critique
bande-annonce
interview : Rodrigo Moreno
fiche film], Monia Chokri’s The Nature of Love [+lire aussi :
critique
bande-annonce
interview : Monia Chokri
fiche film], and Felipe Gálvez Haberle’s The Settlers [+lire aussi :
critique
bande-annonce
interview : Felipe Gálvez
fiche film].
Fresh from Venice will be Agnieszka Holland’s Green Border [+lire aussi :
critique
bande-annonce
fiche film] from the Competition, and from Orizzonti, City of Wind [+lire aussi :
critique
bande-annonce
fiche film] by Mongolian director Lkhagvadulam Purev-Ochir, and Upon Open Sky [+lire aussi :
critique
bande-annonce
fiche film] by Mariana and Santiago Arriaga. Sira [+lire aussi :
critique
bande-annonce
interview : Apolline Traoré
fiche film], from Burkinabé director Apolline Traoré, won the Panorama Audience Award for Best Feature in Berlin, while Ilker Çatak’s The Teacher’s Lounge [+lire aussi :
critique
bande-annonce
interview : İlker Çatak
interview : Leonie Benesch
fiche film] was awarded in the same section.
Je’vida [+lire aussi :
critique
bande-annonce
fiche film] by Finnish director Katja Gauriloff premiered at Tribeca, while They Shot the Piano Player [+lire aussi :
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bande-annonce
fiche film] by Fernando Trueba and Javier Mariscal will be premiering at San Sebastián. Amsterdam-based Bosnian filmmaker Ena Sendijarević will be presenting Sweet Dreams [+lire aussi :
critique
bande-annonce
interview : Ena Sendijarević
fiche film], which has just premiered at Locarno. Also in the selection are Janis Pugh’s Chuck Chuck Baby [+lire aussi :
critique
bande-annonce
fiche film], which premiered in Edinburgh, and The Monk and the Gun from Bhutanese director Pawo Choyning Dorji (Lunana: A Yak in the Classroom).
The full selection:
100 Yards - Xu Haofeng, Xu Junfeng (China)
About Dry Grasses [+lire aussi :
critique
bande-annonce
interview : Nuri Bilge Ceylan
fiche film] - Nuri Bilge Ceylan (Turkey/France/Germany/Sweden)
A Happy Day [+lire aussi :
critique
bande-annonce
fiche film] - Hisham Zaman (Norway/Denmark)
A Ravaging Wind - Paula Hernández (Argentina/Uruguay)
A Road to A Village - Nabin Subba (Nepal)
Banel & Adama [+lire aussi :
critique
bande-annonce
interview : Ramata-Toulaye Sy
fiche film] - Ramata-Toulaye Sy (France/Senegal/Mali)
Chuck Chuck Baby [+lire aussi :
critique
bande-annonce
fiche film] - Janis Pugh (UK)
City of Wind [+lire aussi :
critique
bande-annonce
fiche film] - Lkhagvadulam Purev-Ochir (France/Mongolia/Portugal/Netherlands/Qatar/Germany)
Close Your Eyes [+lire aussi :
critique
bande-annonce
fiche film] - Víctor Erice (Spain/Argentina)
Death of a Whistleblower - Ian Gabriel (South Africa)
Fallen Leaves [+lire aussi :
critique
bande-annonce
fiche film] - Aki Kaurismäki (Finland/Germany)
Fitting In - Molly McGlynn (Canada)
Green Border [+lire aussi :
critique
bande-annonce
fiche film] - Agnieszka Holland (Poland/Czech Republic/France/Belgium)
Hey, Viktor! - Cody Lightning (Canada)
Holiday [+lire aussi :
critique
bande-annonce
interview : Edoardo Gabbriellini
fiche film] - Edoardo Gabbriellini (Italy)
Humanist Vampire Seeking Consenting Suicidal Person - Ariane Louis-Seize (Canada)
I Do Not Come To You By Chance - Ishaya Bako (Nigeria)
In Flames - Zarrar Kahn (Canada/Pakistan)
Inshallah a Boy [+lire aussi :
critique
bande-annonce
fiche film] - Amjad Al Rasheed (Jordan/France/Saudi Arabia/Qatar/Egypt)
Irena’s Vow - Louise Archambault (Canada/Poland)
Je’vida [+lire aussi :
critique
bande-annonce
fiche film] - Katja Gauriloff (Finland)
Kanaval [+lire aussi :
critique
fiche film] - Henri Pardo (Canada/Luxembourg)
Limbo - Ivan Sen (Australia)
Lost Ladies - Kiran Rao (India)
Mountains - Monica Sorelle (USA)
National Anthem - Luke Gilford (USA)
Perfect Days [+lire aussi :
critique
bande-annonce
fiche film] - Wim Wenders (Japan/Germany)
Robot Dreams [+lire aussi :
critique
bande-annonce
fiche film] - Pablo Berger (Spain/France)
Shadow of Fire - Shinya Tsukamoto (Japan)
Shayda - Noora Niasari (Australia)
Sira [+lire aussi :
critique
bande-annonce
interview : Apolline Traoré
fiche film] - Apolline Traoré (Burkina Faso/Senegal/France/Germany)
Snow Leopard - Pema Tseden (China)
Sweet Dreams [+lire aussi :
critique
bande-annonce
interview : Ena Sendijarević
fiche film] - Ena Sendijarević (Netherlands/Sweden/Indonesia/France)
The Breaking Ice - Anthony Chen (China)
The Delinquents [+lire aussi :
critique
bande-annonce
interview : Rodrigo Moreno
fiche film] - Rodrigo Moreno (Argentina/Brazil/Luxembourg/Chile)
The Feeling That the Time for Something Has Passed - Joanna Arnow (USA)
The Monk and the Gun - Pawo Choyning Dorji (Bhutan/France/USA/Taiwan)
The Nature of Love [+lire aussi :
critique
bande-annonce
interview : Monia Chokri
fiche film] - Monia Chokri (Canada/France)
The Reeds [+lire aussi :
bande-annonce
fiche film] - Cemil Ağacıkoğlu (Turkey/Bulgaria)
The Settlers [+lire aussi :
critique
bande-annonce
interview : Felipe Gálvez
fiche film] - Felipe Gálvez Haberle (Chile/Argentina/France/Denmark/UK/Taiwan/Sweden/Germany)
The Teachers’ Lounge [+lire aussi :
critique
bande-annonce
interview : İlker Çatak
interview : Leonie Benesch
fiche film] - Ilker Çatak (Germany)
They Shot the Piano Player [+lire aussi :
critique
bande-annonce
fiche film] - Fernando Trueba, Javier Mariscal (Spain/France)
Toll [+lire aussi :
critique
bande-annonce
fiche film] - Carolina Markowicz (Brazil/Portugal)
Upon Open Sky [+lire aussi :
critique
bande-annonce
fiche film] - Mariana Arriaga, Santiago Arriaga (Mexico/Spain)
We Grown Now - Minhal Baig (USA)
Woodland [+lire aussi :
critique
fiche film] - Elisabeth Scharang (Austria)
Your Mother’s Son - Jun Robles Lana (Philippines)
(Traduit de l'anglais)
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