With the inspiring slogan "Stay Curious!" as its guiding light, the East-West co-production market connecting cottbus (coco) is commemorating a significant milestone this year – 25 years of effectively forging partnerships and contributing to the world of filmmaking. It thus marks a quarter of a century of nurturing a vibrant cross-cultural dialogue among nations and neighbouring communities. Running from 8-10 November, the market has already announced the projects taking part this year (see the news).

Since its inception in 1999 and coco’s first few years, its activities have been characterised by a heartfelt aspiration to bridge the gaps between individuals who have endured profound separation wounds. This initiative was rooted in a strong desire to foster mutual learning, to promote inclusivity and to engage in collaborative artistic endeavours. Simultaneously, connecting cottbus swiftly evolved into a nurturing environment where emerging filmmakers could lay the foundation for their careers.

Marjorie Bendeck, the director of connecting cottbus, underlines in her welcome note: “Today, the distribution landscape for cinema from Eastern Europe and beyond is starkly impacted, festivals are reducing slots, TV and streamers are flooded [with content], many directors venture into series to secure an income, and not everyone’s lucky enough to live off indie filmmaking. The desire to make films has not decreased – but has our interest in wanting to watch these stories remained? At coco, we strongly believe so and continue to support those who enrich our minds and hearts with their films.”

In terms of coco's success, it's noteworthy that 56% of the projects presented at previous editions have successfully transitioned into feature films. A few significant examples include important titles of the past decades – among them are films such as The World Is Big and Salvation Lurks Around the Corner [+lire aussi :
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fiche film] by Stephan Komandarev (Bulgaria/Germany/Hungary/Slovenia), The Trap [+lire aussi :
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fiche film] by Srdan Golubovic (Serbia/Germany/Hungary), Something Like Happiness [+lire aussi :
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interview : Bohdan Slama
interview : Pavel Strnad
fiche film] by Bohdan Sláma (Czech Republic/Germany) and Tangerines [+lire aussi :
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fiche film] by Zaza Urushadze (Estonia/Georgia), which was nominated for an Academy Award.

Furthermore, a handful of projects from connecting cottbus have premiered in different sections of the Cannes Film Festival. Some of said titles include The High Sun [+lire aussi :
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interview : Dalibor Matanic
fiche film] by Dalibor Matanić (Croatia/Slovenia/Serbia) and One Floor Below [+lire aussi :
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interview : Radu Muntean
fiche film] by Radu Muntean (France/Romania/Germany/Sweden), with both having competed in Un Certain Regard in 2015. Meanwhile, The Load [+lire aussi :
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interview : Ognjen Glavonić
fiche film] by Ognjen Glavonić (Serbia/France/Croatia/Iran/Qatar) premiered in the Directors’ Fortnight in 2018. As for the Berlinale, If I Want to Whistle, I Whistle [+lire aussi :
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interview : Ada Condeescu
fiche film] by Florin Şerban (Romania/Sweden/Germany) was in competition in 2010, The Happiest Girl in the World [+lire aussi :
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fiche film] by Radu Jude (Romania/Netherlands) premiered in the Forum in 2009, and Stop-Zemlia [+lire aussi :
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interview : Kateryna Gornostai
fiche film] by Kateryna Gornostai (Ukraine) was the winner of Generation’s Crystal Bear in 2021.

Other, more recent festival highlights include Brighton 4th [+lire aussi :
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interview : Levan Koguashvili
fiche film] by Levan Koguashvili (Georgia/Russia/Bulgaria/Monaco/USA), which premiered at Tribeca in 2021; Sisterhood [+lire aussi :
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interview : Dina Duma, Antonia Belazel…
fiche film] by Dina Duma (North Macedonia/Kosovo/Montenegro), which was in the East of the West competition at Karlovy Vary in 2021; Woman on the Roof [+lire aussi :
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interview : Anna Jadowska
fiche film] by Anna Jadowska (Poland/Sweden/France), which premiered at Tribeca last year; and Victim [+lire aussi :
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interview : Michal Blaško
fiche film] by Michal Blaško (Slovakia/Czech Republic/Germany), which competed in Venice’s Orizzonti.