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PRODUCTION / FINANCEMENT République tchèque

Le Czech Film Fund soutient Comenius de Václav Kadrnka et Bears de Beata Parkanová

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- Parmi les projets soutenus, on trouve un récit de SF pour enfants, un film d'anthologie principalement féminin et une comédie dramatique sociale sur la désinformation

Le Czech Film Fund soutient Comenius de Václav Kadrnka et Bears de Beata Parkanová
Le réalisatrice Beata Parkanová (© KVIFF)

Cet article est disponible en anglais.

The Czech Film Fund has allocated 60 million Czech crowns (approximately €2,373,600) in support of the production of eight feature-length films. Among these, Comenius, the latest work by acclaimed arthouse director, screenwriter and producer Václav Kadrnka, has secured 12 million crowns (€474,883). This movie comes on the heels of Kadrnka's distinguished film trilogy comprising Eighty Letters, Little Crusader [+lire aussi :
critique
bande-annonce
interview : Václav Kadrnka
fiche film
]
and Saving One Who Was Dead [+lire aussi :
critique
bande-annonce
interview : Václav Kadrnka
fiche film
]
. Set amidst the religious conflicts and the downfall of Protestant forces during the Battle of White Mountain, Comenius explores the life of Moravian thinker and educational reformer John Amos Comenius, often hailed as the father of modern education. Caught in a maelstrom of historical upheaval, Comenius faces a pivotal decision in his life while forming a connection with a young girl plagued by illness and mystical visions. This Czech (via Sirius Films), Slovak (Silverart) and French (Taiweg) co-production has been chosen for the 21st Sofia Meetings (see the news).

(L'article continue plus bas - Inf. publicitaire)

Beata Parkanová (Moments [+lire aussi :
bande-annonce
interview : Beata Parkanová
interview : Beata Parkanová
fiche film
]
, The Word [+lire aussi :
critique
bande-annonce
interview : Beata Parkanová
fiche film
]
), currently one of the Czech Republic's busiest filmmakers, has been granted 8 million crowns (€316,588) for her forthcoming project, a Czech-Slovak anthology titled Bears. The film interlaces five narratives, each centred on a primary female character at a different stage of life, delving into the intrinsic human craving for connection. Bears transports protagonists through a mental hospital, a funeral, a film set, a petrol station and a mountain hotel, presenting five distinct scenarios, relationships and transient moments that have the potential to transform lives. Michal Hogenauer (Calm in the Canopy), another emerging talent, has received 10 million crowns (€395,735) for Around the Fire, a project to be produced by Xova Film, and co-produced with Germany and Poland. Hogenauer's new drama unfolds in a summer camp, a backdrop where the tumultuous forces of adolescent longing and the weight of adult duties dramatically intersect.

A Czech collaboration with Croatia, the Netherlands, Norway and Hungary on the children's sci-fi title GamerGirl by Marina Andree Škop (My Grandpa Is an Alien [+lire aussi :
critique
bande-annonce
interview : Marina Andree Škop et Draž…
fiche film
]
), facilitated through 8Heads Productions, has been bolstered with 13 million crowns’ (€514,456) worth of funding. The story centres on a 12-year-old girl who, after a car accident, finds herself in a realm mirroring her beloved video game. She then embarks on a quest to beat the game and return home. Following the success of The Teacher [+lire aussi :
critique
bande-annonce
interview : Jan Hřebejk
fiche film
]
and after wrapping the Garden Store [+lire aussi :
bande-annonce
fiche film
]
trilogy, director Jan Hřebejk is preparing for the October premiere of his new film, State of Emergency, a social dramedy that has secured 2 million crowns (€79,147) in funding. The film aims to explore the repercussions of misinformation in today’s hyper-connected society.

Additional projects receiving support include Timemasters by Jan Haluza, awarded 8.9 million crowns (€352,205), a time-travel adventure seen through the eyes of a young man who stumbles upon a murder during a live stream; Jakub Červenka's biopic Nepela, depicting the iconic Czechoslovak figure skater Ondrej Nepela during the 1973 World Figure Skating Championships in Bratislava, which received 5 million crowns (€197,867); and Milan Klepikov’s Spikes, inspired by poet Petr Král’s work. This project, which fuses cinema verité with actor improvisation to examine youths’ perspectives on the challenges of civilisation, was bolstered with 1.1 million crowns (€43,530).

(L'article continue plus bas - Inf. publicitaire)

(Traduit de l'anglais)

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