A pre-opening slot occupied by Francis Ford Coppola’s Megalopolis, a competition featuring 18 titles hailing from 29 countries, an array of world premieres, and lifetime achievement awards set to be bestowed upon Viggo Mortensen and Johnny Depp - who’ll be presenting his directorial debut, Modi – Three Days on the Wing of Madness, toplined by Riccardo Scamarcio - are just a few of the highlights from the upcoming Rome Film Fest, whose 19th edition is unspooling 16 – 27 October in the Auditorium Parco della Musica and in various other venues across the Italian capital. It will be an “international public celebration unlike any other, with a generous and all-encompassing line-up”, according to the brand-new president of Rome’s Film Foundation Salvatore Nastasi, who joined artistic director Paola Malanga last Friday to present the festival programme at one of the festival venues, the Teatro Olimpico.

There’ll be 100 titles from 48 countries in this latest edition of the event, which was pulled together with a budget of 8.5 million euros. One of the movies showcased by the Progressive Cinema Competition will be Finnish director Teemu Nikki’s new work, 100 Litres of Gold [+lire aussi :
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interview : Teemu Nikki
fiche film], co-produced with Italy and set to be screened in a world premiere. It tells the story of two sisters who manufacture beer and who find themselves in trouble when their third sister orders one hundred litres of the stuff for her wedding. Other world premieres include that of opening film, The Great Ambition [+lire aussi :
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bande-annonce
fiche film] by Andrea Segre, starring Elio Germano in the shoes of the legendary PCI secretary Enrico Berlinguer; Sara Petraglia’s first work L’albero [+lire aussi :
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fiche film], a poetic and scathing portrait of modern-day twenty-year-olds, starring Tecla Insolia and Carlotta Gamba; claustrophobic thriller (and remake of Locke [+lire aussi :
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bande-annonce
fiche film]) Le Choix [+lire aussi :
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bande-annonce
fiche film] by Gilles Bourdos, starring Vincent Lindon, who was recently awarded the Volpi Cup in Venice, and Reading Lolita in Tehran [+lire aussi :
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fiche film], an Italian-Israeli co-production based upon Azar Nafisi’s 2003 bestseller and helmed by the director of The Syrian Bride Eran Riklis. There’ll also be Paradiso in vendita by Luca Barbareschi, telling the story of an imaginary Sicilian island which the bankrupt Italian government decides to sell to France, and L’isola degli idealisti by Elisabetta Sgarbi, which is based upon Giorgio Scerbanenco’s novel of the same name. Another world premiere comes in the form of Tony Kaye’s grotesque US comedy The Trainer, starring Vito Schnabel, with the competition likewise boasting Christopher Andrews’s directorial debut Bring them Down [+lire aussi :
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fiche film], which is a complex drama about family feuds in rural Ireland starring Barry Keoghan; Spirit World by Eric Khoo, starring Catherine Deneuve; They Will Be Dust [+lire aussi :
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bande-annonce
interview : Carlos Marqués-Marcet
fiche film] by Carlos Marques-Marcet; Art or Fart [+lire aussi :
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interview : Stefan Liberski
fiche film] by Stefan Liberski, and first works About Luis by Germany’s Lucia Chiarla and Night Call [+lire aussi :
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interview : Michiel Blanchart
fiche film] by Belgian Michiel Blanchart.

World premieres in the non-competitive Freestyle section - whose name refers to the movies’ forms and style - include Ciao bambino [+lire aussi :
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interview : Edgardo Pistone
fiche film] by Edgardo Pistone, which is one of the final films produced by the late Gaetano Di Vaio of Bronx Film; Marko Polo by Elisa Fuksas, which sees the director travelling to Medjugorje and thinking about faith, and Natale fuori orario by Gianfranco Firriolo, which is part-road-movie and part-concert-film and stars singer-songwriter Vinicio Capossela. There’s also room for series, including the fourth and final chapter of My Brilliant Friend [+lire aussi :
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fiche série] - Storia della bambina perduta, directed by Laura Bispuri; This Is Not Hollywood - Avetrana [+lire aussi :
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fiche série] by Pippo Mezzapesa, exploring the murder in Apulia of 15-year-old Sarah Scazzi; Il conte di Montecristo by Bille August, and Miss Fallaci by Luca Ribuoli.

The non-competitive Grand Public section dedicated to mainstream films will be showcasing an array of works, including Luca Zingaretti’s directorial debut La casa degli sguardi [+lire aussi :
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fiche film]; Eterno visionario [+lire aussi :
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bande-annonce
fiche film] by Michele Placido, which stars Fabrizio Bentivoglio in the shoes of Luigi Pirandello; Gabriele Muccino’s action movie, Fino alla fine [+lire aussi :
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bande-annonce
fiche film], boasting an international cast; Hey Joe [+lire aussi :
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fiche film] by Claudio Giovannesi, starring James Franco; The Return [+lire aussi :
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bande-annonce
fiche film] by Uberto Pasolini; The Children’s Train by Cristina Comencini, U.S. Palmese [+lire aussi :
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fiche film] by the Manetti Bros, and Mauro Mancini's sophomore feature, Mani nude

Rounding off the festival agenda, we’ll find the Best of 2024 line-up, showcasing the best films from other international festivals, the tribute set to be paid to Marcello Mastroianni who would have celebrated his 100th birthday this year, and the two sections dedicated to Q&As with the audience - Paso Doble and Absolute Beginners – whose protagonists will be announced in the coming days.