The Riga International Film Festival (17-27 October) begins tomorrow, with the event based in Latvia’s capital promising a feast of films alongside a raft of industry offerings. Audiences will get the opportunity to discover new works from local talents as well as indulge in some of the latest festival hits, whilst industry guests will be afforded a number of events at which they can unearth new leading lights in cinema.

The centrepiece will be the RIGA IFF Feature Film Competition, with ten striking and diverse films from the Baltic Sea region and the Scandinavian countries. The selection will include world premieres of documentaries from the leading lights of Latvian filmmaking. Māra Maskalāns will unveil The End, a nature-based documentary about life and death, while doyenne of Latvian documentary Laila Pakalniņa will show off Termini [+lire aussi :
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interview : Laila Pakalnina
fiche film], which pays tribute to the final destinations of the streetcars of Riga and praises public transport as a home amongst strangers. Other Baltic films in competition include Lithuania’s Toxic [+lire aussi :
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interview : Directors Talks @ European…
interview : Saulė Bliuvaitė
fiche film], Saulė Bliuvaitė’s movie that recently won the Golden Leopard at Locarno, and Drowning Dry [+lire aussi :
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interview : Laurynas Bareiša
fiche film], which also garnered Locarno plaudits, with a Best Director gong for Laurynas Bareiša. 8 Views of Lake Biwa [+lire aussi :
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fiche film] from Marko Raat will represent Estonia.

Other pictures in competition include the Ukrainian documentary Songs of Slow Burning Earth [+lire aussi :
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interview : Olha Zhurba
fiche film], fresh from its world premiere at Venice, and Magnus van Horn’s hopeful for the Palme d’Or The Girl With the Needle [+lire aussi :
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interview : Besir Zeciri
interview : Directors Talks @ European…
interview : Magnus von Horn
fiche film]. The festival’s Short Film Competition, meanwhile, will see one film garner the European Film Awards candidacy for nomination for Best European Short.

Out of competition, there’s a surfeit of festival favourites, such as Andrea Arnold’s Bird [+lire aussi :
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fiche film], Pedro Almodóvar’s The Room Next Door [+lire aussi :
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fiche film] and The Second Act [+lire aussi :
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fiche film] by Quentin Dupieux, while movies such as Lukas Moodysson’s Together 99 [+lire aussi :
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fiche film] and Rúnar Rúnarsson’s When the Light Breaks [+lire aussi :
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interview : Elín Hall
interview : Rúnar Rúnarsson
fiche film] will make up a selection of Nordic Highlights.

The focus on German cinema will include a newly restored version of Wim Wenders’ classic road movie Paris, Texas, while a retrospective will also be afforded to legendary Czech animator and surrealist Jan Švankmajer.

For attending industry delegates, the third edition of the Riga IFF Showcase co-production market will be made up of eight features and eight series from the Baltics and Eastern as well as Central Europe. The line-up will feature the second season of the acclaimed TV show Soviet Jeans [+lire aussi :
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interview : Kārlis Arnolds Avots
fiche série], created by Staņislavs Tokalovs. It will also include the latest work by the aforementioned Laila Pakalniņa, Cat on My Mind, as well as the upcoming feature Times New Roman by Ukrainian director Philip Sotnychenko, whose debut, La Palisiada [+lire aussi :
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interview : Philip Sotnychenko
fiche film], was recently announced as Ukraine’s entry for the Oscars (see the news).

Projects included in the line-up will be evaluated by an international jury consisting of Frédéric Lavigne, artistic director of Series Mania; Daria Badior, Kyiv Critics’ Week co-curator and film critic; Marija Razgutė, producer and M-films founder; Geoffrey Macnab, film critic at The Independent and Screen International; and Jānis Kalējs, producer and co-founder of Film Angels Studio. The winning project will receive a cash prize of €5,000. The jury will also select the project to be presented at NEM Zagreb in December.