Cinéastes consacrés et nouveaux talents se donnent rendez-vous à Gijón
par Alfonso Rivera
- La 62e édition du festival espagnol accueillera les nouveaux travaux de Radu Jude, Bruno Dumont ou encore Claire Simon, ainsi que ceux d'auteurs émergents

Cet article est disponible en anglais.
Gijón/Xixón International Film Festival (FICX) celebrates its 62nd edition from 15 to 23 November, screening a wide selection including 75 Spanish (co-)productions (feature films and short films), which reinforces its commitment to Spanish cinema.
One of its two main competitive sections the Official Albar Section, will feature French filmmakers Emmanuel Mouret, returning to the event for the third time with Three Friends [+lire aussi :
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fiche film]; Patricia Mazuy with Visiting Hours [+lire aussi :
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interview : Patricia Mazuy
fiche film]; brothers Arnaud and Jean-Marie Larrieu with Jim's Story [+lire aussi :
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interview : Arnaud et Jean-Marie Larrieu
fiche film]; Boris Lojkine with The Story of Souleymane [+lire aussi :
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interview : Boris Lojkine
fiche film], winner of the Jury Prize and Best Actor at Un Certain Regard in Cannes; veteran Bruno Dumont with The Empire [+lire aussi :
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interview : Bruno Dumont
fiche film], which won him the Jury Prize at the Berlinale; and the great master Claire Simon with her new documentary Elementary [+lire aussi :
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fiche film]. Alongside them, German director Matthias Glasner competes with Dying [+lire aussi :
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interview : Matthias Glasner
interview : Tapis rouge @ European Fil…
fiche film], which won him the Silver Bear for Best Screenplay at the Berlinale and several German Film Lola Awards; Iceland's Rúnar Rúnarsson (winner of the Golden Shell at San Sebastian in 2015 for Sparrows [+lire aussi :
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interview : Rúnar Rúnarsson
fiche film]) competes with When the Light Breaks [+lire aussi :
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interview : Elín Hall
interview : Rúnar Rúnarsson
fiche film], with which he opened Un Certain Regard at Cannes; and Romania's Radu Jude competes with Eight Postcards from Utopia [+lire aussi :
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interview : Radu Jude et Christian Fer…
fiche film], which he made together with the philosopher Christian Ferencz-Flatz. The Spanish title in the section is Retaguardia, by Asturian director Ramón Lluís Bande. It presents the archaeology of a possibility, at the same time that on the screen this possibility, this potential, is transformed into cinema. And finally, from outside Europe comes the Argentinian Matías Piñeiro with You Burn Me [+lire aussi :
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interview : Matías Piñeiro
fiche film] (a co-production with Spain), the American Joel Potrykus with Vulcanizadora, and the South Korean Hong Sang-soo, very much loved by this festival (in whose official section he has triumphed on several occasions), who presents By the Stream, for which Kim Minhee won the Leopard for Best Performance at Locarno film festival this year.
The Retueyos Official Selection, which focuses on new creators, will include the European films Peaches Goes Bananas [+lire aussi :
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interview : Marie Losier
fiche film], the latest work by French director Marie Losier about the famous Canadian singer Peaches; January 2 [+lire aussi :
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fiche film], the second feature film by Hungarian director Zsófia Szilágyi; Fire of Wind [+lire aussi :
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fiche film] produced by Pedro Costa and directed by the Portuguese Marta Mateus, and the British contemplative documentary Mother Vera [+lire aussi :
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fiche film] by Cécile Embleton and Alys Tomlinson. They will be joined by a Spanish film, Luna, the second feature film by Pablo Casanueva from Asturias, which explores the memory of his family who were almost exterminated during the Civil War and Franco's regime. The section is completed by the European co-productions I Saw Three Black Lights [+lire aussi :
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fiche film] (Colombia/Mexico/Germany/France), the second full-length film by the Colombian Santiago Lozano Álvarez; Something Old, Something New, Something Borrowed [+lire aussi :
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fiche film] (Argentina/Spain/Portugal), by the Argentinian Hernán Rosselli; El placer es mío (Argentina/Brazil/France), Argentinian Sacha Amaral’s debut and Grand Prize at the Buenos Aires International Film Festival BAFICI; along with the new film by Elizabeth Lo (who won the Best Film Award for Stray in this same section in 2020), Mistress Dispeller (China/USA); the Japanese film River Returns, the third feature by Masakazu Kaneko, in its world premiere, and the debut feature by Australian Jaydon Martin, Flathead. The medium-length film What Mary Didn't Know (Greece/France/Sweden), premiered at Locarno and directed by Greek director Konstantina Kotzamani, will be screened out of competition.
Finally, underground veteran Ado Arrieta and the young talent Celia Rico Clavellino (Journey to a Mother's Room [+lire aussi :
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interview : Celia Rico Clavellino
fiche film], Little Loves [+lire aussi :
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fiche film]) will star in the festival's Spotlights, along with visual artist Gala Hernández López. And the always controversial Albert Serra will present Afternoons of Solitude [+lire aussi :
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interview : Albert Serra
fiche film] (Golden Shell at San Sebastian), as part of the festival's special screenings. Also featured, among others, the latest works by Spaniards Pablo Hernando (A Whale [+lire aussi :
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fiche film]) and Andrea Jaurrieta (Nina [+lire aussi :
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interview : Andrea Jaurrieta
fiche film]), and the debut film by Enrique Buleo (Still Life with Ghosts [+lire aussi :
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interview : Enrique Buleo
fiche film]).
(Traduit de l'espagnol)
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