The Huelva Ibero-American Film Festival, which will celebrate its 50th edition from 15th to 23rd November, is strengthening its commitment to Spanish film with a new competitive section, Acento, a selection of the most outstanding feature films of the year by Spanish film makers, such as Afternoons of Solitude [+lire aussi :
critique
bande-annonce
interview : Albert Serra
fiche film], by Albert Serra, winner of the Golden Shell at San Sebastian, and La guitarra flamenca by Yerai Cortés [+lire aussi :
critique
interview : Anton Alvarez
fiche film], the directorial début of Antón Álvarez (C. Tangana), special mention of the New Directors jury, which will be screened outside of the competitive category.

Competing for the Acento Award for Best Director are Catalan Carlos Marques-Marcet with his musical They will be dust [+lire aussi :
critique
bande-annonce
interview : Carlos Marqués-Marcet
fiche film], winner of the Platform Award in Toronto and the Silver Spike at Seminci; Jon Garaño and Aitor Arregi with Marco [+lire aussi :
critique
bande-annonce
interview : Aitor Arregi et Jon Garaño
fiche film], which featured at the Orizzonti in Venice; and the actress Paz Vega with her first project as a Director, the drama about domestic violence Rita [+lire aussi :
critique
bande-annonce
fiche film], which premièred at the Piazza Grande in Locarno. Alexis Morantewill also be contending for this new prize awarded by the public, with his second fiction film, May I Speak with the Enemy? [+lire aussi :
critique
bande-annonce
fiche film] , an anti-war story centred on the youthful experiences of the acclaimed Spanish comedian Miguel Gila, which was screened in San Sebastian; Sandra Romero, with her début feature film As Silence Passes By [+lire aussi :
critique
bande-annonce
interview : Sandra Romero
fiche film], seen in the New Directors category in San Sebastian; Paula Palacios, with My brother Ali [+lire aussi :
bande-annonce
fiche film], a non-fiction feature film recently screened at Seminci; and Laura Hojman, with Un hombre libre [+lire aussi :
critique
fiche film], a documentary about the exiled Spanish playwright and novelist Agustín Gómez Arcos.

In addition to this new section, thirteen films will compete for the Colón de Oro in the Official Feature Film Section, with a representative sample of the current Ibero-American film scene: Memories of a Burning Body [+lire aussi :
critique
bande-annonce
interview : Antonella Sudasassi Furniss
fiche film], by Antonella Sudasassi, winner of the Berlinale Panorama Audience Award for his work on the sex lives of 70-year-old women; Manas [+lire aussi :
critique
bande-annonce
interview : Marianna Brennand
fiche film], by Brazilian newcomer Marianna Brennand, a story of coming-of-age at the mouth of the Amazon and winner of the Giornate degli Autori in Venice; El cuento del lobo, by Spanish director Norberto López Amado, in its world première, a thriller that delves into violence and ethical responsibility, starring Daniel Grao, Lucía Jiménez and Paco Tous; Baby [+lire aussi :
critique
bande-annonce
fiche film], by Brazilian director Marcelo Caetano, about the reality of his homeland embroiled in love, male prostitution and plenty of street vogue, premièred at the Cannes Critics' Week; Mexico 86 [+lire aussi :
critique
interview : César Díaz
fiche film], by César Díaz, presented at the Piazza Grande in Locarno, about a courageous mother played by Bérénice Bejo, torn between her political ideals and her family instincts; Linda [+lire aussi :
critique
bande-annonce
fiche film], Argentinian Mariana Wainstein 's first work, première in Toronto, about a maid who uncovers a family's most intimate erotic secrets and fantasies; Portrait of a Certain Orient [+lire aussi :
critique
interview : Marcelo Gomes
fiche film], by Brazilian director Marcelo Gomes, an adaptation of Milton Hatoumque 's novel of the same name, presented in the Big Screen competition at the IFFR; Uruguay's Agárrame fuerte, by Ana Guevara and Leticia Jorge, winner of the Nora Ephron Award at Tribeca, a story of contemporary sorority between young people trying to overcome grief over the loss of one of their best friends; La bachata de Biónico, by Dominican Yoel Morales, winner of the Audience Award at the South by Southwest Festival, a version of Romeo and Juliet under the effects of psychotropic substances; Betânia, the début feature by Brazilian director Marcelo Botta, also selected for the Berlin Panorama, about a matriarch who returns to a tourist paradise in her country; Sariri, the début feature film by Chilean Laura Donoso, the story of two sisters confronted with the rigid masculine norms that prevail in their mining town; Pierre Saint Martín's Mexican film No nos moverán, about a lawyer who conceives revenge after discovering the soldier who killed her brother in the 1968 student massacre in Tlatelolco; and Igualada, a documentary by Colombian Juan Mejía Botero about his country's first African descended vice-president.