Critique série : Celeste
par Alfonso Rivera
- Avec la complicité de Carmen Machi et d’Elena Trapé à la mise en scène, Diego San José démontre que l’humour n’est pas incompatible avec certaines professions, et encore moins avec le reggaeton
Cet article est disponible en anglais.
Presented in the Velodrome at the last San Sebastian International Film Festival and due for release on Spain's Movistar Plus+ on 14 November, Celeste [+lire aussi :
bande-annonce
fiche série] is a series that, stealthily and silently - unlike other much more hysterical ones this season - achieves something as magical as conquering the heart, the understanding and the smile of its viewer with each new episode. We are talking about just six 30-minute episodes. This is enough for us to fall to our knees before the talent of series creator Diego San José (whose name is behind not only blockbusters like Spanish Affair [+lire aussi :
bande-annonce
fiche film], but also series like Vote for Juan, Vamos Juan and Venga Juan [+lire aussi :
bande-annonce
fiche série]), the direction by Elena Trapé (currently talked about for I, addict [+lire aussi :
critique
bande-annonce
fiche série], also premièred in Donosti) and Carmen Machi's incarnation of the main character, outdoing her great recent work in the recent Piggy [+lire aussi :
critique
bande-annonce
interview : Carlota Pereda
fiche film], The Volunteer [+lire aussi :
critique
fiche film], or even La Mesías [+lire aussi :
critique
bande-annonce
fiche série].
It is not easy to seduce the viewer when you are Sara Santano, such a grey, miserable women with hardly any friends... and to make matters worse, the very incarnation of the recurring nightmare for most for Spanish people: a tax office inspector, the same one who if she knocks at your door, you won't be able to escape through any window.
The title character had to be a Latin pop star (played by Mexican artist Andrea Bayardo and based on the real-life case of Colombian singer Shakira and her problems with the Spanish treasury) who falls under scrutiny because for the past year she hasn't paid her taxes in this country that loves her so much. So, the earnest, willowy and unsympathetic heroine of this series will have to prove that the celebrity has been living in this country for at least half the year plus one day... and get her to pay the 20 million euros due on her gigantic income from multitudinous concerts, ever-present advertising and the sale of her range of cosmetics.
Good old Sara, who is on the verge of retirement, rises from the ashes, spurred on by this impossible task and fearlessly takes on her enemy with the determination of an ox, fuelled by years of experience scavenging through other people's finances. During the investigation, where she teams up with a paparazzo (played cunningly by a dedicated Manolo Solo), she may - or may not (better watch the series) - that Celeste has lived here long enough to pay taxes like anyone else, and discovers not only hidden aspects of the reggaeton diva but - in parallel with her own anodyne life as a sad, dark and withdrawn widow - new ways of leading her life from now on.
With spectacular dialogues (the script is written by San José, Daniel Castro and Oriol Puig), recognisable yet hilarious situations and brilliant cast-focused directing, this series harmoniously combines comedy and thriller also shows how neither fame nor money are a guarantee for happiness, that even the most glamorous builds up her own consumer-based character and that you are never too old to change not only your hairstyle but also your attitude.
Celeste is an original Movistar Plus+ series, co-produced with 100 Balas (The Mediapro Studio). International sales are handled by The Mediapro Studio Distribution.
(Traduit de l'espagnol)
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