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IDFA 2024 Prix

Trains, de Maciej J. Drygas, est élu meilleur film à l'IDFA

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- On trouve aussi parmi les lauréats européens An American Pastoral, Bestiaries, Herbaria, Lapidaries, The Guest et Writing Hawa

Trains, de Maciej J. Drygas, est élu meilleur film à l'IDFA
Les gagnants d'IDFA 2024 (© Roger Cremers)

Cet article est disponible en anglais.

The 37th edition of IDFA (14-24 November) has already named its winners at an awards ceremony that took place in the Internationaal Theater Amsterdam on Thursday 21 November. During the event, Trains [+lire aussi :
critique
interview : Maciej J. Drygas
fiche film
]
by Maciej J Drygas (Poland) was handed the IDFA Award for Best Film, worth €15,000. The jury’s statement praised its “bold and inventive use of archive” and the ways in which it “harnesses the magic of cinema; as an audience, we are haunted by our present historical time, even while we bear witness to the past”. The film also snagged the IDFA Award for Best Editing.

Additionally, the IDFA Award for Best Directing (worth €5,000) in the International Competition was given to Auberi Edler for An American Pastoral (France). The jury’s reasoning highlighted Edler’s ability to, “by simply looking and listening, […] reveal the current complexity at the heart of the United States” in a supporting statement. Moreover, the recipients of the IDFA Award for Best Cinematography in the International Competition were Zvika Gregory Portnoy and Zuzanna Solakiewicz for The Guest (Poland/Qatar).

In the Envision Competition, the IDFA Award for Best Film (worth €15,000) went to Miguel Coyula for Chronicles of the Absurd (Cuba). The jury pointed out the movie’s “radical form that matches and embodies the radical spirit of artists refusing to be silenced”. The jury handed the Best Directing gong (worth €5,000) to Massimo D'Anolfi and Martina Parenti for Bestiaries, Herbaria, Lapidaries [+lire aussi :
critique
bande-annonce
interview : Martina Parenti et Massimo…
fiche film
]
(Italy/Switzerland), while the Award for Outstanding Artistic Contribution was given ex-aequo to Omar Mismar for A Frown Gone Mad (Lebanon) and Yo-Hen So for Park (Taiwan).

This year’s International Competition jury comprised Juliana Fanjul, Sophie Fiennes, Grace Lee, Asmae El Moudir and Kazuhiro Soda, while the Envision Competition jurors were Sam Green, Nduka Mntambo, Kumjana Novakova, B Ruby Rich and Wael Shawky. The IDFA Award for Best First Feature went to CycleMahesh (India) by Suhel Banerjee, and Writing Hawa [+lire aussi :
critique
interview : Najiba Noori et Rasul Noori
fiche film
]
(France/Netherlands/Qatar/Afghanistan) by Najiba Noori won the FIPRESCI Prize.

Only a day earlier, on Wednesday 20 November, the IDFA Forum Awards were announced in the Felix Meritis building. Ibrahim Omar’s project Dry Sky (Sudan/Egypt) won the IDFA Forum Award for Best Pitch, while Lana Y Daher’s Do You Love Me (France/Lebanon) took home the Forum Award for Best Rough Cut, and the DocLab Forum Award went to Amorphous by May Abdalla (UK). The new, inaugural Producers Connection Award went to Looking for the Mermaid by Yara Costa (Mozambique). Each award includes a cash prize of €1,500.

Here is the full list of this year’s award winners:

International Competition

IDFA Award for Best Film
Trains [+lire aussi :
critique
interview : Maciej J. Drygas
fiche film
]
- Maciej J Drygas (Poland)

IDFA Award for Best Directing
An American Pastoral - Auberi Edler (France)

IDFA Award for Best Editing
Maciej J Drygas - Trains

IDFA Award for Best Cinematography
Zvika Gregory Portnoy, Zuzanna Solakiewicz - The Guest (Poland/Qatar)

Envision Competition

IDFA Award for Best Film
Chronicles of the Absurd - Miguel Coyula (Cuba)

IDFA Award for Best Directing
Bestiaries, Herbaria, Lapidaries [+lire aussi :
critique
bande-annonce
interview : Martina Parenti et Massimo…
fiche film
]
- Massimo D'Anolfi, Martina Parenti (Italy/Switzerland)

IDFA Award for Outstanding Artistic Contribution (ex-aequo)
A Frown Gone Mad – Omar Mismar (Lebanon)
Park – Yo-Hen So (Taiwan)

IDFA DocLab Competition for Immersive Non-Fiction

IDFA DocLab Award for Immersive Non-fiction
Me, a Depiction - Lisa Schamlé (Netherlands)
Special Mention
The Liminal - Alaa Al Minawi (Netherlands/Lebanon/Palestine/Norway)

IDFA DocLab Competition for Digital Storytelling

IDFA DocLab Award for Digital Storytelling
Entropic Fields of Displacement - Pegah Tabassinejad (Canada)
Special Mention

Burn from Absence - Emeline Courcier (France/Canada)

IDFA Competition for Short Documentary

IDFA Award for Best Short Documentary
The Flowers Stand Silently, Witnessing - Theo Panagopoulos (UK)
Special Mention
Mama Micra - Rebecca Blöcher (Germany)

IDFA Competition for Youth Film

IDFA Award for Best Youth Film (13+)
Everything Will Be Alright - Eefje Blankevoort, Lara Aerts (Netherlands)
Special Mention
Simply Divine - Mélody Boulissière (France/Romania)

IDFA Award for Best Youth Film (9-12)
What’s the Film About? - Poorva Bhat (India)
Special Mention
The Invisible Ones - Martijn Blekendaal (Netherlands/Belgium)

Other awards

IDFA Award for Best First Feature
CycleMahesh - Suhel Banerjee (India)

IDFA Award for Best Dutch Film
The Propagandist [+lire aussi :
bande-annonce
fiche film
]
- Luuk Bouwman (Netherlands)

Beeld & Geluid IDFA Reframe Award
My Stolen Planet [+lire aussi :
critique
bande-annonce
fiche film
]
- Farahnaz Sharifi (Iran/Germany)
Special Mention
Eight Postcards from Utopia [+lire aussi :
critique
interview : Radu Jude et Christian Fer…
fiche film
]
- Radu Jude, Christian Ferencz-Flatz (Romania)

FIPRESCI Award
Writing Hawa [+lire aussi :
critique
interview : Najiba Noori et Rasul Noori
fiche film
]
- Najiba Noori (France/Netherlands/Qatar/Afghanistan)

IDFA Forum

IDFA Forum Award for Best Pitch
Dry Sky - Ibrahim Omar (Sudan/Egypt)

IDFA Forum Award for Best Rough Cut
Do You Love Me - Lana Y Daher (France/Lebanon)

IDFA DocLab Forum Award
Amorphous - May Abdalla (UK)

IDFA Forum Producers Connection Award
Looking for the Mermaid - Yata Costa (Mozambique)

(Traduit de l'anglais)

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