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GÖTEBORG 2025

Göteborg dévoile le programme de son édition 2025

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- Il comprend des bijoux nordiques, la remise de prix honorifiques à Thomas Vinterberg et Julie Delpy, et un volet thématique, "Désobéissance", où apparaît notamment le nom de Mohammad Rasoulof

Göteborg dévoile le programme de son édition 2025
Safe House d'Eirik Svensson (© TrustNordisk)

Cet article est disponible en anglais.

Freshly unveiled today, 270 titles from 83 countries are getting ready to grace screens at the 48th edition of the Göteborg Film Festival, taking place from 24 January-2 February. The tenure of new artistic director Pia Lundberg, succeeding Jonas Holmberg’s ten-year stint, bodes well for the maintenance of the festival as a true stronghold of the Nordic region, yet with a universal perspective.

The festival will open with the Norwegian title Safe House, directed by Eirik Svensson and starring Kristine Kujath Thorp (Sick of Myself [+lire aussi :
critique
bande-annonce
interview : Kristine Kujath Thorp
interview : Kristoffer Borgli
fiche film
]
) as a Doctors Without Borders medic who gives shelter to a Muslim refugee during the Central African Republic civil war in 2013. Alexander Karim (Gladiator II) and Alma Pöisty (Tove [+lire aussi :
critique
bande-annonce
interview : Zaida Bergroth
fiche film
]
) co-star. Svensson’s film is one of the nine contenders for this years’ Nordic Competition, which also include the first features by Swedes Maria Eriksson-Hecht, the coming-of-age tale Kevlar Soul [+lire aussi :
critique
interview : Maria Eriksson-Hecht
fiche film
]
, and Fanny Ovesen, whose Live a Little [+lire aussi :
critique
interview : Fanny Ovesen
fiche film
]
follows two female friends couchsurfing through Europe. From Denmark comes Sauna [+lire aussi :
critique
bande-annonce
interview : Mathias Broe
fiche film
]
, a queer love story by Mathias Broe, and Sylvia Le Fanu’s debut feature, My Eternal Summer [+lire aussi :
critique
bande-annonce
interview : Sylvia Le Fanu
fiche film
]
. Also competing in this section for a first prize of 400,000 SEK (roughly €35,000) is Magnus von Horn’s The Girl with the Needle [+lire aussi :
critique
bande-annonce
interview : Besir Zeciri
interview : Directors Talks @ European…
interview : Magnus von Horn
fiche film
]
, Rúnar Rúnarsson’s When the Light Breaks [+lire aussi :
critique
bande-annonce
interview : Elín Hall
interview : Rúnar Rúnarsson
fiche film
]
, Dag Johan Haugerud’s Love [+lire aussi :
critique
bande-annonce
interview : Dag Johan Haugerud
fiche film
]
and Pirjo Honkasalo’s Orenda [+lire aussi :
critique
bande-annonce
fiche film
]
.

In all, 26 features will world-premiere, including Ragnhild Ekner’s study of Swedish football supporters, Ultras [+lire aussi :
critique
interview : Ragnhild Ekner
fiche film
]
; Norwegian helmer Trond Kvig Andreassen’s Kyiv Soloists, about a Ukrainian music ensemble that, while touring in Italy, receives news of the war at home and decides to remain on the road; and Swedish filmmaker Susanna Edwards’ account of the special force assigned to act as a buffer zone between activists and police during demonstrations, The Dialogue Police. All three are entered in the Nordic Documentary Competition section. Additional Nordic treats include Tomas Alfredson’s series adaptation of Ingmar Bergman and Liv Ullmann’s Faithless, Jimmy Olsson’s absurdist new miniseries starring Anna Odell and Tuva Novotny At Arm’s Length, and veteran auteur Jan Troell’s ongoing essay project Once Upon a Time, There Was a Now.

Special career honours will be bestowed upon Julie Delpy and Thomas Vinterberg, both in attendance, as will be Mohammad Rasoulof, bringing along his Cannes-awarded The Seed of the Sacred Fig [+lire aussi :
critique
bande-annonce
interview : Directors Talks @ European…
interview : Mohammad Rasoulof
fiche film
]
, which is also highlighted among the 14 feature-length entries in this year’s special Göteborg focus, dubbed “Disobedience”. Other titles represented here are Havana Marking’s Undercover: Exposing the Far Right, Nishtha Jain’s Farming the Revolution, Dea Kulumbegashvili’s April [+lire aussi :
critique
bande-annonce
interview : Dea Kulumbegashvili
fiche film
]
and Alessandra Celesia’s The Flats [+lire aussi :
critique
interview : Alessandra Celesia
fiche film
]
.

“We will twist and turn the concept of disobedience. When does it go too far, and is the disregard for laws and rules a reasonable price for change in a democratic society?” ponders the presentation of this theme, continuing: “We hope and believe that the films and conversations in this focus will be able to inspire hope by showing that every individual has the power to exert an influence, and that every courageous ‘no’ can be the beginning of something greater. We are ready for it now.”

The full programme is available to peruse here.

(Traduit de l'anglais)

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