De nombreux points de vue différents et une créativité sans bornes au Panorama de Berlin
- Ina Weisse, Mehmet Akif Büyükatalay et Andreas Prochaska repoussent les limites, tandis que la suite de Looking for Langston de Isaac Julien a rejoint les réflexions d'Ira Sachs sur l'art et la vie

Cet article est disponible en anglais.
UPDATE (28 January 2025): The new film by cult filmmaker and queer activist Rosa von Praunheim, The Satanic Sow, a dreamlike and factual hybrid film, both a swan song and a farce at the same time.
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The Panorama section of the Berlinale, running from 13-23 February, will launch with the opening film, Welcome Home Baby by Andreas Prochaska, marking the start of a programme featuring 34 movies from 28 countries. An announcement has just been made to round off the list of titles in the section (see the news). This year’s edition embraces genre cinema, highlights German filmmaking and offers a powerful selection of queer cinema, promising a range of narratives that defy conventions and reflect diverse societal themes.
“The filmmakers in this year’s Panorama programme have developed diverse cinematic strategies to address the unspoken and capture the unimaginable or forgotten,” shared section head Michael Stütz. He emphasised that the selected films delve into societal fractures, precarious health systems, shaky democracies and social terror, while celebrating humanity and solidarity. Themes of desire, perversion and boundaries further underscore the section's ambitious scope.
Austrian director Prochaska (The Dark Valley [+lire aussi :
bande-annonce
fiche film]) sets the tone with his psychological homeland horror Welcome Home Baby, a genre-infused critique of the urban-rural dichotomy. Other genre highlights include the satirical Norwegian body horror The Ugly Stepsister by Emilie Blichfeldt, the Turkish political thriller Confidante by Çağla Zencirci and Guillaume Giovanetti (Sibel [+lire aussi :
critique
bande-annonce
interview : Çağla Zencirci and Guillau…
fiche film]) and the Taiwanese gay gangster ballad Silent Sparks by Ping Chu. Mehmet Akif Büyükatalay, winner of the Best First Feature award in the festival's 2019 edition with Oray [+lire aussi :
critique
bande-annonce
interview : Mehmet Akif Büyükatalay
fiche film], contributes Hysteria [+lire aussi :
interview : Mehmet Akif Büyükatalay
fiche film], a German conspiracy thriller interweaving political intrigue and a film-within-a-film motif. Amalia Ulman (El planeta [+lire aussi :
critique
interview : Amalia Ulman
fiche film]) is also presenting her new film, US-Argentinian sci-fi comedy Magic Farm, starring Chloë Sevigny and Simon Rex.
German cinema occupies a prominent place in the line-up, represented by six productions. Five female directors will be presenting their work: Nele Mueller-Stöfen and Sarah Miro Fischer present their debut features, Delicious and The Good Sister (read news), respectively, while Ina Weisse unveils her deeply personal Cicadas, collaborating once again with Nina Hoss after The Audition [+lire aussi :
critique
bande-annonce
interview : Ina Weisse
interview : Ina Weisse
fiche film],. In the documentary section, Martina Priessner’s The Moelln Letters [+lire aussi :
bande-annonce
fiche film] revisits the aftermath of the 1993 racist arson attacks in Mölln, while Luzia Schmid reflects on recent German history through the lens of the legendary Hildegard Knef in I Want It All.
The international documentary selection broadens the Panorama's perspective. In Under the Flags, the Sun by Juanjo Pereira, archival footage revives the haunting presence of a fallen dictatorship. Bedrock by Kinga Michalska examines Holocaust memorials to explore the resilience of memory. From Poland, Arjun Talwar’s Letters from Wolf Street [+lire aussi :
bande-annonce
fiche film] portrays personal and political changes on Warsaw's Wilcza Street. Meanwhile, Areeb Zuaiter captures life in Gaza before the recent war in Yalla Parkour, following young freerunners navigating everyday challenges.
Queer cinema remains a strong focal point, with entries spanning artistic portraits, identity dramas and genre hybrids. Monk in Pieces by Billy Shebar explores the legacy of a queer artist, while Queerpanorama by Jun Li offers a sex-positive take on identity theft. Berlinale veterans Sir Isaac Julien and Ira Sachs bring prestige to the programme with their works: Julien presents his seminal Looking for Langston alongside its sequel, a medium-length film titled Once Again... (Statues Never Die), while Sachs reflects on life and friendship in Peter Hujar’s Day [+lire aussi :
critique
fiche film].
The section also encompasses the 39th Teddy Award, honouring queer cinema, with a highlight being a Lifetime Achievement Award for Todd Haynes, who serves as the Berlinale jury president this year (see the news). Additionally, audiences will participate in awarding the Panorama Audience Award for their favourite fiction and documentary features during the Berlinale’s closing weekend.
Here is the full list of titles:
Panorama
Welcome Home Baby - Andreas Prochaska (Austria/Germany) (opening film)
Hysteria [+lire aussi :
interview : Mehmet Akif Büyükatalay
fiche film] - Mehmet Akif Büyükatalay (Germany)
1001 Frames - Mehrnoush Alia (USA)
The Incredible Snow Woman [+lire aussi :
bande-annonce
fiche film] - Sébastien Betbeder (France)
The Ugly Stepsister - Emilie Blichfeldt (Norway/Poland/Sweden/Denmark)
Silent Sparks - Ping Chu (Taiwan)
Paul - Denis Côté (Canada)
Olmo - Fernando Eimbcke (USA/Mexico)
Dreams in Nightmares - Shatara Michelle Ford (USA/Taiwan/UK)
The Longing - Toshizo Fujiwara (Japan)
Dreamers - Joy Gharoro-Akpojotor (UK)
The Heart Is a Muscle - Imran Hamdulay (South Africa/Saudi Arabia)
Lesbian Space Princess - Emma Hough Hobbs, Leela Varghese (Australia)
Once Again... (Statues Never Die) - Isaac Julien (UK) (medium-length film)
Queerpanorama - Jun Li (USA/Hong Kong/China)
Deaf [+lire aussi :
bande-annonce
fiche film] - Eva Libertad (Spain)
Bedrock - Kinga Michalska (Canada)
The Good Sister - Sarah Miro Fischer (Germany/Spain)
Delicious - Nele Mueller-Stöfen (Germany)
Beginnings - Jeanette Nordahl (Denmark/Sweden/Belgium)
Under the Flags, the Sun - Juanjo Pereira (Paraguay/Argentina/USA/France/Germany)
Home Sweet Home - Frelle Petersen (Denmark)
The Satanic Sow - Rosa von Praunheim (Germany)
The Moelln Letters [+lire aussi :
bande-annonce
fiche film] - Martina Priessner (Germany)
Night Stage - Marcio Reolon, Filipe Matzembacher (Brazil)
Peter Hujar's Day [+lire aussi :
critique
fiche film] - Ira Sachs (USA/Germany)
Khartoum - Anas Saeed, Rawia Alhag, Ibrahim Snoopy, Timeea M Ahmed, Phil Cox (Sudan/UK/Germany/Qatar)
I Want It All - Luzia Schmid (Germany)
Other People's Money - Jan Schomburg, Dustin Loose, Kaspar Munk (Germany/Denmark/Austria) (series)
Monk in Pieces - Billy Shebar (USA)
Letters from Wolf Street [+lire aussi :
bande-annonce
fiche film] - Arjun Talwar (Poland/Germany)
Magic Farm - Amalia Ulman (USA/Argentina)
Cicadas - Ina Weisse (Germany/France)
Confidante - Çağla Zencirci, Guillaume Giovanetti (Turkey/France/Luxembourg)
Yalla Parkour - Areeb Zuaiter (Sweden/Qatar/Saudi Arabia/Palestine)
(Traduit de l'anglais)
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