Principal photography on Gli ultimi giorni di vita di Leonardo Revelli, figlio unico has wrapped in Turin, after a four-week shoot that began on 20 October. It marks the feature film debut of Stefano Grasso, a screenwriter who was a finalist for the 2010 Premio Solinas with Più buio di mezzanotte non può fare, which later became a 2014 film directed by Sebastiano Riso, whose English title is Darker Than Midnight [+lire aussi :
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fiche film].

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Written by Stefano Grasso, Massimo Gaudioso, Giuditta Avossa and Caterina Venturini, the film stars one of the most recognisable faces in Italian cinema, Valerio Mastandrea, a four-time David di Donatello winner for The First Beautiful Thing [+lire aussi :
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fiche film], Balancing Act [+lire aussi :
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fiche film], Long Live Freedom [+lire aussi :
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interview : Roberto Andò
fiche film] and Fiore [+lire aussi :
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Q&A : Claudio Giovannesi
fiche film], who’s currently touring Italian cinemas in Five Seconds [+lire aussi :
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fiche film]. He’s joined by young Francesco Gheghi, who was the break-out star of the Venice Film Festival last year, where he won the Orizzonti Award for Best Actor via Familia [+lire aussi :
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fiche film], a movie representing Italy in the race to appear on the Academy’s longlist of its 15 favourite international films, which is due to be revealed on 16 December. The female lead is actress and director Valeria Bruni Tedeschi (the proud owner of four Best Actress David di Donatello awards, thanks to La seconda volta, La parola amore esiste, Human Capital [+lire aussi :
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interview : Paolo Virzì
fiche film] and Like Crazy [+lire aussi :
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Q&A : Paolo Virzì
fiche film], and one Best Supporting Actress trophy for The Art of Joy [+lire aussi :
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fiche série], as well as being a six-time nominee at France’s César Awards and also currently gracing Five Seconds).

The film follows Leonardo Revelli who has everything he needs to be happy: the first film he wrote is about to hit cinemas, he’s in love with a French girl who loves him back, and he has two parents who have always made him feel special. So special, in fact, that Leonardo has ended up believing it. Prominent psychoanalysts in Turin, Giovanni and Laura have created a family unit for their son based on a very particular idea: mediocrity of any kind is not tolerated and pain is not allowed. When Laura is struck down by a serious illness, her husband sinks unrecognisably into despair. Stripped of all inhibitions, he shows himself for what he really is: a misfit both in his practical and emotional lives. Leonardo suddenly finds himself without certainties or bearings, in a two-way relationship with his father which shows that he’s just like everyone else. 

The crew includes cinematographer Luca Bigazzi, editor Stefano Cravero and production designer Alessandra Mura. Costumes are by Silvia Nebiolo while the film’s original score comes courtesy of Giulia Tagliavia.

Gli ultimi giorni di vita di Leonardo Revelli, figlio unico is being produced by Andrea Occhipinti for Lucky Red and by Alessandro Giacobbe for Academy Two in league with RAI Cinema, with the support of the Film Commission Torino Piemonte and with backing from the Italian Ministry of Culture’s Film and Audiovisual Investment Development Fund. Italian distribution will be handled by Vision Distribution with world sales falling to Vision Distribution and True Colours.