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PRODUCTION / FINANCEMENT Espagne / Luxembourg

Jorge Dorado s'essaie au mélodrame historique avec Las vidas posibles de mi madre

par 

- Après plusieurs thrillers, notamment Mindscape, le cinéaste espagnol aborde son projet le plus personnel, né du journal intime de sa mère, avec Marina Guerola, Ana Wagener et Quim Àvila

Jorge Dorado s'essaie au mélodrame historique avec Las vidas posibles de mi madre
Le réalisateur Jorge Dorado et l'actrice Marina Guerola sur le tournage de Las vidas posibles de mi madre (© Quim Vives/Fasten Films)

Cet article est disponible en anglais.

Shooting is currently under way for The Possible Lives of My Mother, a film directed by Jorge Dorado (a habitual director of thrillers such as Lost & Found [+lire aussi :
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and Mindscape [+lire aussi :
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as well as series in the same genre, such as The Head [+lire aussi :
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and Giants), which was born of a manuscript and photos that he found in his mother’s house. Through this discovery, the filmmaker has embarked on an intimate journey to reconstruct the life of a woman (and those of her generation) who had to confront the prejudices, the passions and the society of her time.

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The cast is made up of Marina Guerola (nominated for a Goya Award for Glimmers [+lire aussi :
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interview : Pilar Palomero
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and seen recently in the series Yakarta [+lire aussi :
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), Aida de la Cruz (Marisa in the Woods [+lire aussi :
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, the series Tramps), Mercedes Sampietro (a Goya winner for Common Ground, glimpsed this year in My Friend Eva [+lire aussi :
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), Ana Wagener (a Goya winner for The Sleeping Voice [+lire aussi :
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, seen recently in the series Bellas Artes [+lire aussi :
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), Quim Àvila (the series Burning Body, I, Addict [+lire aussi :
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and See You in Another Life [+lire aussi :
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interview : Jorge et Alberto Sánchez-C…
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, appearing in this year’s Another Man [+lire aussi :
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), Eugénie Anselin, Mónica López, Etienne Halsdorf, Nicholas Lech, Joan Solé, Isak Férriz and Maitane San Nicolá.

In the story, written by Dorado, Natxo López and Teresa de Pelegrí, we see a woman driving the wrong way down a road. Her name is Luisa, she is 80 years old and her memory is starting to get blurry. After becoming disorientated, she crashes. Her youngest son, Jorge, is a director going through a rough patch, and is accustomed to shooting series and commissioned films. Eva, her eldest daughter, harbours an old grudge: that her mother didn’t always make room for her. They have both been distant from Luisa for some time, and there is also a distance between the two siblings that seems irreconcilable. However, the accident forces them to come together again.

In the director’s own words, “The Possible Lives of My Mother is the rediscovery of a woman and, through her, the rediscovery of a whole century’s worth of emotions, silence and memories. In 2011, my mother took the wrong lane when taking a detour on a dual carriageway, and she drove the wrong way for several miles. I got scared, so I took her to various doctors, and they all agreed on the diagnosis: Alzheimer’s, an illness that she had gone to great lengths to hide from me and my siblings. As she couldn’t live alone any more, we had to empty her house. Among the documents that ended up in my possession were photo albums and a floppy disk with a handwritten label that said: ‘Biography’.

“At that moment,” continues Jorge Dorado, “I found out that she had led an intense life, full of crossroads, brave decisions and contradictions. At the age of 22, she became a single mother in Paris after fleeing her parents’ house while pregnant, as she led a stifling existence there. During the 1960s and 1970s, she lived through impossible love affairs, political struggles, social changes and a constant yearning for freedom. In Paris and Madrid, she met artists, actors, soldiers and intellectuals who strove to change the world… I never imagined that she could have borne witness to the history of Spain by – sometimes unintentionally – forming part of some of the most important events of that era,” he sums up.

The Possible Lives of My Mother is a production by Adrià Monés for Fasten Films and Borja Pena for Vaca Films, together with Alexandra Hoesdorff and Desirée Nosbusch for Deal Productions (Luxembourg). It boasts funding from the ICAA, ICECCreative Europe – MEDIA and Film Fund Luxembourg, as well as the involvement of RTVEMovistar Plus+ and Netflix. 

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(Traduit de l'espagnol)

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