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FESTIVALS / PRIX États-Unis / Europe

Des candidats aux European Film Awards et aux Oscars se mettront bientôt en chemin pour le 37e Festival international du film de Palm Springs

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- L'événement californien, organisé du 2 au 12 janvier, a choisi pour film d'ouverture Rue Málaga, de Maryam Touzani, et pour film de clôture Glenrothan, de Brian Cox

Des candidats aux European Film Awards et aux Oscars se mettront bientôt en chemin pour le 37e Festival international du film de Palm Springs
Valeur sentimentale de Joachim Trier

Cet article est disponible en anglais.

Yesterday, the Palm Springs International Film Festival (2-12 January) revealed the full programme for its 37th edition, confirming a distinctly European flavour across its high-profile selections, which include a slew of Oscar contenders. On this occasion, Maryam Touzani’s Calle Málaga [+lire aussi :
critique
interview : Maryam Touzani
fiche film
]
will open proceedings, whilst Brian Cox's Scottish drama Glenrothan will close the event.

(L'article continue plus bas - Inf. publicitaire)

This year, the desert gathering will showcase 168 films from 72 countries, including 53 premieres and 44 titles vying for the Oscar for Best International Feature Film, many of them from Europe – plus a raft of European Film Awards contenders. The Californian event remains one of the key North American showcases for European cinema, strategically positioned in early January, when awards season is in full swing.

Touzani’s Calle Málaga – fresh from its European festival run and widely tipped in the awards race – stars Carmen Maura as an ageing Spanish woman living in Tangier, whose daughter plans to sell the family home. The closing film, Glenrothan, sees Cox and Alan Cumming portray estranged Scottish brothers forced back together by the legacy of their family’s whisky distillery. The cast also boasts Shirley Henderson, Alexandra Shipp, Joanne Thompson and Nicole Ansari-Cox.

Beyond the opening and closing selections, several European productions and co-productions will receive significant exposure. Among the most notable are Elvira Lind’s King Hamlet (USA/Denmark), Teemu Nikki's 100 Liters of Gold [+lire aussi :
critique
interview : Teemu Nikki
fiche film
]
(Finland), Mstyslav Chernov's 2000 Meters to Andriivka [+lire aussi :
critique
bande-annonce
fiche film
]
(Ukraine/USA), Ugo Bienvenu's Arco [+lire aussi :
critique
bande-annonce
interview : Ugo Bienvenu
fiche film
]
(France/USA), Joachim Trier's Sentimental Value [+lire aussi :
critique
bande-annonce
interview : Joachim Trier
fiche film
]
(Norway), Gianfranco Rosi's Below the Clouds [+lire aussi :
critique
bande-annonce
interview : Gianfranco Rosi
fiche film
]
(Italy), Francesco Costabile's Familia [+lire aussi :
critique
bande-annonce
fiche film
]
(Italy), Gabriel Mascaro's The Blue Trail [+lire aussi :
critique
bande-annonce
fiche film
]
(Brazil/Mexico/Chile/Netherlands), Alejandro Amenábar's The Captive [+lire aussi :
critique
bande-annonce
interview : Alejandro Amenábar
fiche film
]
(Spain/Italy), Agnieszka Holland's Franz [+lire aussi :
critique
bande-annonce
interview : Agnieszka Holland
fiche film
]
(Czech Republic/Germany/Poland/France), Tereza Nvotová's Father [+lire aussi :
critique
bande-annonce
interview : Tereza Nvotová
fiche film
]
(Slovakia), Hana Jušić's God Will Not Help [+lire aussi :
critique
bande-annonce
interview : Hana Jušić
fiche film
]
(Croatia/Italy/Romania/Greece/France/Slovenia), György Pálfi's Hen [+lire aussi :
critique
bande-annonce
interview : György Pálfi
fiche film
]
(Greece/Germany/Hungary), Jafar Panahi's Palme d'Or winner It Was Just an Accident [+lire aussi :
critique
bande-annonce
interview : Jafar Panahi
fiche film
]
(France/Luxembourg/Iran), Petra Volpe's Late Shift [+lire aussi :
critique
bande-annonce
interview : Petra Volpe
fiche film
]
(Switzerland), Urška Djukić's Little Trouble Girls [+lire aussi :
critique
bande-annonce
interview : Urška Djukić
fiche film
]
(Slovenia), Anders Thomas Jensen's The Last Viking [+lire aussi :
critique
bande-annonce
interview : Anders Thomas Jensen
fiche film
]
(Denmark), Oliver Laxe's Sirāt [+lire aussi :
critique
bande-annonce
interview : Óliver Laxe
fiche film
]
(Spain), Tarik Saleh's Eagles of the Republic [+lire aussi :
critique
bande-annonce
interview : Tarik Saleh
fiche film
]
(Sweden), László Nemes' Orphan [+lire aussi :
critique
bande-annonce
interview : László Nemes
fiche film
]
(Hungary), Sergei Loznitsa's Two Prosecutors [+lire aussi :
critique
bande-annonce
interview : Sergueï Loznitsa
fiche film
]
(France/Germany/Romania/Latvia/Netherlands/Lithuania) and Rebecca Zlotowski's A Private Life [+lire aussi :
critique
bande-annonce
fiche film
]
(France).

Meanwhile, the festival will also introduce a new retrospective strand, called Gateway Films and curated by actress Diane Kruger, critic Leonard Maltin, Paul Feig, programmer Therese Hayes and the late Udo Kier – the latter a legendary European figure whose legacy the festival continues to honour.

“We can’t wait for audiences to feel that spark that only cinema brings,” said Lili Rodriguez, artistic director of the Palm Springs International Film Society. “From family fun to bold new voices, from international masters to exciting first-time filmmakers, this year’s selections reflect the range and energy of world cinema today.”

Alongside the screenings, the festival will host its high-profile film awards gala on 3 January, with honourees including Ethan Hawke, Michael B Jordan, Adam Sandler, Leonardo DiCaprio, Chloé Zhao and Hamnet [+lire aussi :
critique
bande-annonce
fiche film
]
leads Jessie Buckley and Paul Mescal, as well as the ensemble cast of Sentimental Value.

The full programme is available to peruse here.

(L'article continue plus bas - Inf. publicitaire)

(Traduit de l'anglais)

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