At the end of October, the ICAA – Spanish Film and Audiovisual Arts Institute published its definitive resolution on the first 2025 selection procedure for general production support for feature-film projects, through which 27 grants will be given out after 50 projects were submitted. The total amount being provided is €26,650,000, attributable to the Fund for Film Protection. What’s more, yesterday, 4 December, saw the publication of the final resolution on the second 2025 selection procedure for general production support for features, whereby aid was granted to 29 titles for a total sum of €28,350,000, also coming from the Fund for Film Protection.

The titles backed to the tune of €1 million in the first procedure were, among others: Bitter Christmas by Pedro Almodóvar (El Deseo – see the news); La bola negra by Javier Calvo and Javier Ambrossi (Suma Content, El Deseo, Telefónica Audiovisual Digital – see the news); Perfectos conocidos by Javier Fesser (Extraños Conocidos AIE, Telecinco Cinema, Nadie es Perfecto, Películas Pendelton – see the news); La Roja by Marcel Barrena, who previously won a Goya Award for The 47 (La Roja AIE, Beta Fiction Spain y Vilaüt Films); Mestres (Maestras) by Judith Colell (Oberon Media, Vilaut Films); Bilbao 1983 by David Pérez Sañudo (Bilbao 1983 Films AIE, Lazona Producciones, La Claqueta); Hiru Olatuak (Las tres olas) by Paul Urkijo (Hiru Olatuak AIE, Irusoin and Ikusgarri Films); Perifèriques by David Ilundain (Inicia Films); Boulevard by Sonia Méndez (Amets Kalea AIE, Espotlight Media, Lightbox Animation Studios, Maitemindua Zinema); Vengo de ese miedo by Violeta Salama (Vengo de ese miedo AIE, Tornasol and Mocosbi); Saldremos de esta by María Pulido (Lapurreta Zinema, AIE); Bypass by Lucía Casañ Rodríguez (Turanga Films, Ciudadano Ciskul); and Si te contara by Alfonso Albacete (221 Studio Baker, Rodar y Rodar, Sevenfor Servicios Audiovisuales). They are joined by the new outings by two non-Spanish filmmakers: Malinche, a film directed by Argentina’s Pablo Trapero (Carancho [+lire aussi :
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fiche film], The Clan [+lire aussi :
critique
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fiche film]), a co-production with Mexico by Morena Films and La noche triste AIE; and Búnker by France’s Florian Zeller (The Father [+lire aussi :
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fiche film], The Son [+lire aussi :
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fiche film], a movie by Isabel Coixet that was previously presented at the most recent Rome and Valladolid Film Festivals, received €650,000. You can peruse the full list of beneficiaries of this first procedure, together with the production companies involved, here (in Spanish).

As for the titles benefiting from funding following the second 2025 procedure, Dreams (Dreams Animation AIE, 4 Cats Pictures, Anangu Grup and Mogambo Productions) is getting €1,200,000, while Mar i cel, an adaptation of the musical by the group Dagoll Dagom being helmed by Paulí Subirà Claramunt (Mr Miyagi Films) and Tot sota el sol (Sábado Películas) each receive €1,020,000. The works getting €1 million, among others, are El malentendido by Álex de la Iglesia (El Malentendido La Película AIE and Pokeepsie Films); Domani by Santos Bacana (Domani E Un Dramma AIE, Little Spain and Elastica Films); Operación Camarón 2 by Carlos Therón (La Pepa La Película AIE); Reina de las hadas by Dani Feixas (Morgana Films AIE, Morena Films and A Contracorriente Films); La dona invisible by Miguel Llorens (Sucedió En Valverde AIE, The Fly Hunter and La Terraza Films); Una casa a la platja by Marisa Crespo and Moisés Romera (Mediacrest Entertainment); Si te he visto no me acuerdo by Mar Olid (Pompon La Película AIE, Castelao Pictures, Bixagu Entertainment); Gloria e Olvido by Paula Cons (Villamiseria AIE and Tandem Films); and Hestia by Jota Linares (Las Películas del Apache and La Filmahora RD). Meanwhile, €900,000 go to Verónica’s Room (Nostromo Pictures and Wasp Network AIE), €445,000 to Narcopiso (Tornasol) and €385,000 to Pueblo chico (Pueblo Chico AIE). The full list for this second procedure, including the works’ respective production companies, can be found here (in Spanish).