PRODUCTION / FINANCEMENT Allemagne
Der letzte Bär de Peter Meister en pleine postproduction
par Teresa Vena
- Deuxième long-métrage du réalisateur allemand, cette comédie noire se déroule en 1830, alors qu’une chasse à l’ours bat son plein

Cet article est disponible en anglais.
With Der letzte Bär (lit. “The Last Bear”), German director Peter Meister returns to the feature-length format. After his first feature, The Black Square, which, among other prizes, won the German Cinema New Talent Award at the Hof International Film Festival, he went on to present the vampire comedy series Der Upir, starring some of Germany's most prominent contemporary comic actors. For his newest work, he is once again adopting a humorous approach. Der letzte Bär was shot during summer this year in and around Frankfurt, and is now immersed in post-production.
The story is set in a historical context. In the year 1830, somewhere in the German provinces, society senses the changes that will soon follow in the wake of the French Revolution. Crime is on the rise, and violent acts against soldiers are getting more and more common. Under pressure, the authorities look for measures to keep the population distracted. A local general fabricates the story of a massive and dangerous bear on the loose, and places a bounty on its head. And so the hunt begins.
Meister not only directed the film, but also wrote the script for it. He was supported in the making of the drama-comedy by cinematographer Florian Mag (I Was, I Am, I Will Be [+lire aussi :
bande-annonce
fiche film]) and by set designer Manfred Döring (Holy Shit! [+lire aussi :
critique
fiche film]), who was inspired by the first half of the 19th century. Because of the historical setting, the costume design and make-up were also of paramount important, and were handled by Sophie Peters (Punching the World [+lire aussi :
critique
bande-annonce
fiche film]) and Katja Reich, respectively. The editing process will be supervised by Jan Ruschke (Stambul Garden [+lire aussi :
bande-annonce
fiche film], Cortex [+lire aussi :
bande-annonce
fiche film]), with whom Meister already worked on The Black Square. Meister and producer Manuel Bickenbach, from Berlin-based Frisbeefilms, also join forces once again for this second feature.
The cast of Der letzte Bär is no less prominent than the ensemble gathered for The Black Square. This time, the main roles are played by Austrian actor David Scheid (The Devil's Bath [+lire aussi :
critique
bande-annonce
interview : Veronika Franz, Severin Fi…
fiche film]), German thesps Bernard Schütz (Highly Explosive) and Pheline Roggan (Sex & Crime [+lire aussi :
bande-annonce
fiche film]), and Austrian actor Christopher Schärf (Eismayer [+lire aussi :
critique
bande-annonce
interview : David Wagner
fiche film]), with whom the director also already worked on his first feature. They are joined by acclaimed actor Wolfram Koch (More Than Strangers), alongside Aenne Schwarz (A Land Within), Hannes Linder and Maximilian Brauer (Janine Moves to the Country [+lire aussi :
critique
bande-annonce
fiche film]).
Der letzte Bär is production by Frisbeefilms in collaboration with ZDF (Das kleine Fernsehspiel). The funding was secured through Hessen Film & Medien, Nordmedia, Medienförderung Rheinland-Pfalz and Deutscher Filmförderfonds (DFFF). The theatrical release is planned for 2026. Port-au-Prince Pictures is the German distributor.
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(Traduit de l'anglais)
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