L’IFFR dévoile une sélection de films éclectique pour l’édition 2026
par David Katz
- Les compétitions Tiger et Big Screen du festival néerlandais comptent chacune 12 longs-métrages, reflétant la grande diversité géographique des productions

Cet article est disponible en anglais.
International Film Festival Rotterdam (IFFR) has revealed the competition line-ups for its 55th edition, running from 29 January-8 February next year. Festival director Vanja Kaludjercic hosted a live-streamed press conference this morning, where she unveiled and gave short descriptions of the 12 films each making up the Tiger and Big Screen competition slates.
The international spread of the Tiger Competition is immediately noteworthy. New Georgian cinema at A-list festivals often stands out, and the Caucasus nation is represented by Supporting Role [+lire aussi :
critique
bande-annonce
interview : Ana Urushadze
fiche film], the new film by Ana Urushadze after her Locarno and Sarajevo winner Scary Mother [+lire aussi :
critique
bande-annonce
interview : Ana Urushadze
fiche film]. A meaty character study running at 139 minutes, the movie follows a faded Georgian film star (Dato Bakhtadze, in a self-reflexive role) granted a second chance after he auditions for a debut feature by an up-and-coming female director. The European contingent is rounded off by A Messy Tribute to Motherly Love [+lire aussi :
critique
bande-annonce
fiche film] by British filmmaker Dan Geesin, A Fading Man [+lire aussi :
critique
fiche film] by Germany’s Welf Reinhart and La belle année [+lire aussi :
critique
bande-annonce
interview : Angelica Ruffier
fiche film] by Sweden’s Angelica Ruffier, as well as co-productions Variations on a Theme [+lire aussi :
critique
fiche film] by Jason Jacobs and Devon Delmar, and Unerasable! [+lire aussi :
critique
fiche film], a work signed by a filmmaker under the pseudonym Socrates Saint-Wulfstan Drakos.
The section boasts a large presence of films from the Global South and independent works sitting alongside co-productions covering many borders, as well as a US indie flick not fitting the market-ready Sundance mould, a genre with a great history at Rotterdam. Charlotte Glynn’s The Gymnast takes up the mantle this year: the 1993-set film stars newcomer Britney Wheeler as a young gymnast aiming to compete in the Olympics.
This year’s jury for the Tiger Award includes Iranian actress Soheila Golestani, Brazilian director Marcelo Gomes, Greek-French actress and director Ariane Labed, BFI London Film Festival director Kristy Matheson, and Croatian author and critic Jurica Pavičić.
The Big Screen Competition, focusing on more commercially appealing titles, features talent already well known to festival audiences in front of and behind the camera. Itonje Søimer Guttormsen’s Butterfly [+lire aussi :
critique
interview : Itonje Søimer Guttormsen
fiche film] stars Renate Reinsve as one of two half-sisters who grow up as the only resident children at an all-inclusive resort on Gran Canaria; 25 years later, they reunite on the island following the death of their mother. Søimer Guttormsen’s previous feature, Gritt [+lire aussi :
critique
bande-annonce
interview : Itonje Søimer Guttormsen
fiche film], also launched at Rotterdam in 2021, inaugurating a successful festival run. Projecto Global [+lire aussi :
critique
interview : Ivo M. Ferreira
fiche film], the new film by Portugal’s Ivo M Ferreira (Letters from War [+lire aussi :
critique
bande-annonce
Q&A : Ivo M. Ferreira
fiche film]), made the cut, as did the first directorial effort by actress Marijana Janković, Home [+lire aussi :
critique
bande-annonce
interview : Marijana Jankovic
fiche film], and titles from the UK’s Sean Dunn (The Fall of Sir Douglas Weatherford [+lire aussi :
critique
fiche film]), Poland’s Łukasz Ronduda (Tell Me What You Feel [+lire aussi :
critique
bande-annonce
interview : Łukasz Ronduda
fiche film]), Belgium’s Volkan Üce (2m² [+lire aussi :
critique
bande-annonce
interview : Volkan Üce
fiche film]) and Algeria’s Malek Bensmail (The Arab [+lire aussi :
critique
fiche film]).
The section is rounded off by films from South America and Asia, including Isabel Sandoval’s “romantic noir” Moonglow, her follow-up to Lingua Franca, in which the Filipina director herself stars as a police officer in 1970s Manila, who when faced with the corruption around her, decides to commit a heist. The section will be judged by Sara Ishaq, Loes Luca, Chris Oosterom, Mila Schlingemann and Jan-Willem van Ewijk.
The opening-night film is the innovative literary adaptation Providence and the Guitar [+lire aussi :
critique
bande-annonce
fiche film] by Portugal’s João Nicolau (Technoboss [+lire aussi :
critique
bande-annonce
interview : João Nicolau
fiche film]); Rémi Bezançon’s crime-comedy Murder in the Building [+lire aussi :
critique
fiche film] takes the closing-night slot. Kaludjercic’s announcement also highlighted the Displacement Film Fund, which the festival has been launching with some fanfare this past year, in collaboration with UNHCR Goodwill Ambassador Cate Blanchett. Mohammad Rasoulof, Mo Harawe and Maryna Er Gorbach are among the first directors to have shorts funded by the programme.
The competition titles announced so far are as follows:
Tiger Competition
A Messy Tribute to Motherly Love [+lire aussi :
critique
bande-annonce
fiche film] - Dan Geesin (Netherlands/Germany/Belgium)
The Gymnast - Charlotte Glynn (USA)
Variations on a Theme [+lire aussi :
critique
fiche film] - Jason Jacobs, Devon Delmar (South Africa/Netherlands/Qatar)
O profeta - Ique Langa (Mozambique/South Africa/Qatar)
Yellow Cake - Tiago Melo (Brazil)
Roid - Mejbaur Rahman Sumon (Bangladesh)
A Fading Man [+lire aussi :
critique
fiche film] - Welf Reinhart (Germany)
La belle année [+lire aussi :
critique
bande-annonce
interview : Angelica Ruffier
fiche film] - Angelica Ruffier (Sweden/Norway)
Unerasable! [+lire aussi :
critique
fiche film] - Socrates Saint-Wulfstan Drakos (Belgium/Thailand/Sweden)
My Semba - Hugo Salvaterra (Angola)
Nangong Cheng - Shao Pan (China)
Supporting Role [+lire aussi :
critique
bande-annonce
interview : Ana Urushadze
fiche film] - Ana Urushadze (Georgia/Estonia/Turkey/Switzerland/USA)
Big Screen Competition
The Arab [+lire aussi :
critique
fiche film] - Malek Bensmail (Algeria/France/Switzerland/Saudi Arabia/Belgium)
Talking to a Stranger - Adrián García Bogliano (Mexico)
The Fall of Sir Douglas Weatherford [+lire aussi :
critique
fiche film] - Sean Dunn (UK)
Projecto Global [+lire aussi :
critique
interview : Ivo M. Ferreira
fiche film] - Ivo M. Ferreira (Portugal/Luxembourg)
Home [+lire aussi :
critique
bande-annonce
interview : Marijana Jankovic
fiche film] - Marijana Janković (Denmark/Serbia)
Tell Me What You Feel [+lire aussi :
critique
bande-annonce
interview : Łukasz Ronduda
fiche film] - Łukasz Ronduda (Poland)
Moonglow - Isabel Sandoval (Philippines/Taiwan/Japan)
Master - Rezwan Shahriar Sumit (Bangladesh)
Butterfly [+lire aussi :
critique
interview : Itonje Søimer Guttormsen
fiche film] - Itonje Søimer Guttormsen (Norway/Sweden/UK/Germany)
2m² [+lire aussi :
critique
bande-annonce
interview : Volkan Üce
fiche film] - Volkan Üce (Belgium/Germany/Turkey)
Now I Met Her - Xiao Luxi (China)
Cyclone - Philip Yung (Hong Kong)
(Traduit de l'anglais)
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