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BERLINALE 2026

La Berlinale complète ses sélections Panorama et Generation

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- Les deux programmes sont placés sous le signe des regards de cinéastes très distinctifs, de l'urgence politique et d'une attention accrue aux récits queers, féministes et tournés vers la jeunesse

La Berlinale complète ses sélections Panorama et Generation
Only Rebels Win de Danielle Arbid

Cet article est disponible en anglais.

After a first announcement (read news), the Berlinale has completed the selection for its Panorama and Generation sections for the 76th edition of the festival (12–22 February), revealing a rich and wide-ranging programme that brings together 37 Panorama titles and 41 films across Generation Kplus and 14plus.

Panorama, which will open with Only Rebels Win [+lire aussi :
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interview : Danielle Arbid
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by French-Lebanese filmmaker Danielle Arbid, once again positions itself as a key platform for formally ambitious, socially engaged cinema, with a particularly strong documentary presence and an emphasis on queer histories, feminist perspectives and stories of displacement, survival and resistance. The new additions to the line-up include works by established auteurs, alongside a notable number of feature debuts.

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According to section director Michael Stütz, this year’s Panorama programme is defined by contrast, both visually and emotionally, with films that seek to reshape how audiences perceive the world beyond the cinema. Love, desire and self-determination emerge as central thematic threads, often functioning as lenses through which broader social norms and power structures are examined.

Migration, survival and systemic injustice form another backbone of the programme. Films such as Enjoy Your Stay [+lire aussi :
critique
interview : Dominik Locher et Honeylyn…
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by Dominik Locher (Goliath [+lire aussi :
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bande-annonce
interview : Dominik Locher
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) and Honeylyn Joy Alipio confront precarity and moral compromise in hostile environments, while Roya [+lire aussi :
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interview : Mahnaz Mohammadi
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 by Iranian filmmaker Mahnaz Mohammadi (Son-Mother [+lire aussi :
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]
) directly challenges state power. Meanwhile, master Korean filmmaker Hong Sangsoo (recent Silver Bear Grand Jury Prize for The Novelist's Film and A Traveler's Needs) returns to Panorama with The Day She Returns, offering a subtle meta-reflection on performance, repetition and memory.

Documentary cinema plays a prominent role, with Ukrainian filmmakers Alisa Kovalenko (We Will Not Fade Away [+lire aussi :
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) and Marysia Nikitiuk (When the Trees Fall [+lire aussi :
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bande-annonce
interview : Marysia Nikitiuk
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]
) reporting on the aftermath of war. Alongside these urgent political works, Panorama also includes documentary portraits of major contemporary artists, notably Siri Hustvedt – Dance Around the Self by Sabine Lidl and Douglas Gordon by Douglas Gordon [+lire aussi :
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by Finlay Pretsell.

Queer cinema takes centre stage in a year marking the 40th anniversary of the Teddy Award, with works such as Narciso [+lire aussi :
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bande-annonce
interview : Marcelo Martinessi
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]
by Marcelo Martinessi (Alfred Bauer Prize winner in the festival’s competition with The Heiresses [+lire aussi :
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) and The Hidden Face of the Earth by Arnaud Alain, contributing to an expanded queer historiography across both fiction and documentary forms.

The Generation section presents one of its most expansive and diverse programmes to date, comprising 18 feature films and 23 short films from 31 countries, including 30 world premieres and ten feature debuts. The section opens with Sunny Dancer by George Jaques starring Bella Ramsey in Generation 14plus and The Fabulous Time Machine by Eliza Capai in Generation Kplus, setting the tone for a selection that understands cinema as both a space of imagination and a tool for social engagement.

Across both Kplus and 14plus, the programme repeatedly returns to questions of time, memory and transformation. Childhood and adolescence are portrayed not as static life stages, but as periods shaped by political realities, inherited trauma and collective struggle.

The section includes films exploring themes of autonomy, courage and friendship, such as Atlas of the Universe [+lire aussi :
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 by Paul Negoescu (Men of Deeds [+lire aussi :
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interview : Paul Negoescu
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), in which a ten-year-old sets off on a countryside quest after buying two right-footed shoes, and A Family [+lire aussi :
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 by Mees Peijnenburg’s (Paradise Drifters [+lire aussi :
bande-annonce
interview : Bilal Wahib
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]
), which portrays siblings caught in their parents’ divorce. Generation continues to champion debut filmmakers and formally adventurous storytelling, offering intimate portraits of youth negotiating identity, resilience and belonging, like in Saša Vajda’s The Lights, They Fall [+lire aussi :
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interview : Saša Vajda
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]
, which follows sixteen-year-old Ilay as he navigates summer on Berlin’s outskirts.

Documentary remains a vital strand within the section, with works such as What Will I Become? by Lexie Bean and Logan Rozos approaching cinema as a communal resource, addressing the legacy of young trans men and the realities of suicide with directness and care. Short films across both competitions further expand the programme’s scope, tackling themes of protest, migration, grief and imagination through animation, essayistic forms and observational documentary.

The full list of titles:

Panorama

Only Rebels Win [+lire aussi :
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interview : Danielle Arbid
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]
Danielle Arbid (France/Lebanon/Qatar, opening film)
The Hidden Face of the EarthArnaud Alain (France)
Enjoy Your Stay [+lire aussi :
critique
interview : Dominik Locher et Honeylyn…
fiche film
]
Honeylyn Joy Alipio, Dominik Locher (Switzerland/France/Philippines)
London [+lire aussi :
interview : Sebastian Brameshuber
fiche film
]
Sebastian Brameshuber (Austria)
A Russian Winter [+lire aussi :
critique
fiche film
]
Patric Chiha (France)
Paradise [+lire aussi :
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interview : Jérémy Comte
fiche film
]
Jérémy Comte (Canada/France/Ghana)
Iván & Hadoum [+lire aussi :
critique
bande-annonce
interview : Ian de la Rosa
fiche film
]
Ian de la Rosa (Spain/Germany/Belgium)
The Garden We DreamedJoaquín del Paso (Mexico)
I Understand Your Displeasure [+lire aussi :
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interview : Kilian Armando Friedrich
fiche film
]
Kilian Armando Friedrich (Germany)
Four Minus Three [+lire aussi :
critique
interview : Adrian Goiginger
fiche film
]
Adrian Goiginger (Austria/Germany)
The Education of Jane Cumming [+lire aussi :
critique
interview : Sophie Heldman
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]
Sophie Heldman (Germany/Switzerland/UK)
Safe Exit [+lire aussi :
critique
interview : Mohammed Hammad
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]
Mohammed Hammad (Egypt/Libya/Tunisia/Qatar/Germany)
The Day She ReturnsHong Sangsoo (South Korea)
Isabel [+lire aussi :
critique
bande-annonce
interview : Gabe Klinger et Marina Per…
fiche film
]
Gabe Klinger (Brazil/France)
LaliSarmad Sultan Khoosat (Pakistan)
Traces [+lire aussi :
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Alisa Kovalenko, Marysia Nikitiuk (Ukraine/Poland)
Two Mountains Weighing Down My ChestViv Li (Germany/Netherlands)
Siri Hustvedt – Dance Around the SelfSabine Lidl (Germany/Switzerland)
Around Paradise [+lire aussi :
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Yulia Lokshina (Germany)
RagingRyan Machado (Philippines)
Narciso [+lire aussi :
critique
bande-annonce
interview : Marcelo Martinessi
fiche film
]
Marcelo Martinessi (Paraguay/Germany/Uruguay/Brazil/Portugal/Spain/France)
Jaripeo [+lire aussi :
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fiche film
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Efraín Mojica, Rebecca Zweig (Mexico/USA/France)
Roya [+lire aussi :
critique
interview : Mahnaz Mohammadi
fiche film
]
Mahnaz Mohammadi (Germany/Luxembourg/Czechia/Iran)
Bucks HarborPete Muller (USA)
Lady [+lire aussi :
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interview : Olive Nwosu
fiche film
]
Olive Nwosu (UK)
Tristan Forever [+lire aussi :
critique
interview : Tobias Nölle
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Tobias Nölle, Loran Bonnardot (Switzerland)
MouseKelly O’Sullivan, Alex Thompson (USA)
If I Were AliveAndré Novais Oliveira (Brazil)
Douglas Gordon by Douglas Gordon [+lire aussi :
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Finlay Pretsell (UK/France)
Allegro Pastell [+lire aussi :
critique
interview : Anna Roller
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]
Anna Roller (Germany)
Árru [+lire aussi :
critique
interview : Elle Sofe Sara
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Elle Sofe Sara (Norway/Sweden/Finland)
The Other Side of the Sun [+lire aussi :
critique
bande-annonce
interview : Tawfik Sabouni
fiche film
]
Tawfik Sabouni (Belgium/France/Saudi Arabia)
Enough is Enough [+lire aussi :
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Elisé Sawasawa (France/DR Congo)
Shanghai DaughterAgnis Shen Zhongmin (China)
Prosecution [+lire aussi :
critique
interview : Faraz Shariat
fiche film
]
Faraz Shariat (Germany)
NumbTakuya Uchiyama (Japan)
The MomentAidan Zamiri (USA)

Generation

Generation Kplus

The Fabulous Time MachineEliza Capai (Brazil, opening film)
Not a HeroRima Das (India/Singapore)
Gugu’s WorldAllan Deberton (Brazil)
Bats & BugsLena von Döhren (Switzerland, short film)
Fire in My PocketJanka Feiner (Hungary, short film)
Riding TimeRoopa Gogineni, Farhaan Mumtaz (UK/France, short film)
Ghost SchoolSeemab Gul (Pakistan/Germany/Saudi Arabia)
Chimney Town: Frozen in TimeYusuke Hirota (Japan)
Imaginary NumbersJelica Jerinić (Serbia/Croatia, short film)
Speedy!Oh Jiin (South Korea, short film)
GravityDalya Keleş (Turkey, short film)
PapayaPriscilla Kellen (Brazil)
Under the Wave off Little DragonJian Luo (UK, short film)
AbracadabraAmay Mehrishi (UK/India, short film)
Everyone’s Sorry Nowadays [+lire aussi :
critique
bande-annonce
interview : Frederike Migom
fiche film
]
Frederike Migom (Belgium/Netherlands/Germany)
Atlas of the Universe [+lire aussi :
critique
fiche film
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Paul Negoescu (Romania/Bulgaria)
Whale 52 – Suite for Man, Boy, and WhaleDaniel Neiden (USA, short film)
WhiteNavroz Shaban (Iraqi Kurdistan Region, short film)
Eeny, Meeny, Miny, Moe!Andrea Szelesová (Czech Republic, short film)
A Serious ThoughtJonas Taul (Estonia, short film)
TuttiZhuang Rong Zuo (Taiwan, short film)

Generation 14plus

Sunny DancerGeorge Jaques (UK, opening film)
When I Get Home
Edgar Adrián (Mexico, short film)
Black Burns FastSandulela Asanda (South Africa)
The Dream of DancingLuzbeidy Monterrosa Atencio (Colombia, short film)
What Will I Become?Lexie Bean, Logan Rozos (USA)
ScorchingWang Beidi (China, short film)
Nobody Knows the WorldRoddy Dextre (Peru, short film)
Hotel ObliqueMerlin Flügel (Germany, short film)
MatapankiDiego “Mapache” Fuentes (Chile)
The ThreadFenn O’Meally (UK, short film)
A Family [+lire aussi :
critique
fiche film
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Mees Peijnenburg (Netherlands/Belgium)
That’s My SisterZoé Pelchat (Canada, short film)
Memories of a WindowMehraneh Salimian, Amin Pakparvar (USA, short film)
Four GirlsKaren Suzane (Brazil/Netherlands)
The GirlYucheng Tan (China, short film)
Sad Girlz [+lire aussi :
critique
interview : Carlo d’Ursi
interview : Fernanda Tovar
fiche film
]
Fernanda Tovar (Mexico/Spain/France)
Mambo Kids
Emanuele Tresca (Italy, short film)
The Lights, They Fall [+lire aussi :
critique
interview : Saša Vajda
fiche film
]
Saša Vajda (Germany)
Don’t Come OutVictoria Linares Villegas (Dominican Republic)
En Route ToYoo Jae-in (South Korea)

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(Traduit de l'anglais)

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