Auditing firm Comscore recently published the annual results for the Spanish box office in 2025. Over the year, cinema attendance levels totalled 65 million viewers, while box-office revenue reached €453 million. These figures represent an 8% drop in admissions compared to 2024.

Indeed, the evolution of the Spanish box office showed an uneven pattern throughout 2025. While the first half of the year closed on a positive note, with a 3% increase on 2024, the second half ended with a 16% decline, mainly weighed down by the results in October (-28%) and November (-31%), which set alarm bells ringing.

The year’s best opening in Spain was Avatar: Fire and Ash, from the saga orchestrated by US filmmaker James Cameron, released on 19 December, with takings of €6.2 million during its opening weekend. However, the highest-grossing film in Spain last year was another US production: the live-action adaptation of the previously successful animated feature Lilo & Stitch, directed by Dean Fleischer-Camp, which drew 3,829,674 people to dark rooms and grossed €24,709,359.

The best weekend at the Spanish box office last year coincided with the second week of Avatar in cinemas, from 26-28 December, with takings of €9.9 million. The week with the highest attendance levels was recorded from 30 May to 5 June, with a total of 2.08 million spectators. The single day with the highest turnout was 2 July, with 554,244 admissions.

Meanwhile, the ten provinces with the highest number of spectators were Madrid (21.5%), Barcelona (13.7%), Valencia (6.5%), Alicante (4.1%), Seville (3.7%), Malaga (3.7%), Murcia (3.5%), Biscay (2.5%), the Balearic Islands (2.5%) and Cadiz (2.3%).

The fifth instalment in the family-comedy franchise Father There Is Only One [+lire aussi :
bande-annonce
fiche film] by Madrid-born Santiago Segura topped the national box-office ranking in 2025 with more than €13 million in takings and two million viewers. It was followed by the historical blockbuster The Captive [+lire aussi :
critique
bande-annonce
interview : Alejandro Amenábar
fiche film] by Alejandro Amenábar (€5 million, 792,082 spectators) and Sundays [+lire aussi :
critique
bande-annonce
interview : Alauda Ruiz de Azúa
fiche film] (€4 million, 625,394 admissions), a drama by Alauda Ruiz de Azúa, which triumphed at the San Sebastián International Film Festival and is the frontrunner for the upcoming Goya Awards.

They are followed on the list of the highest-grossing Spanish productions by Wolfgang [+lire aussi :
bande-annonce
fiche film] by Javier Ruiz Caldera (€3.9 million) and The Dinner by Manuel Gómez Pereira (€3.7 million). The original Movistar Plus+ film Sirat [+lire aussi :
critique
bande-annonce
interview : Óliver Laxe
fiche film] by Óliver Laxe (almost €3 million grossed in 2025) and Romería [+lire aussi :
critique
bande-annonce
interview : Carla Simón
fiche film] by Carla Simón, with €1,782,622, also enjoyed solid box-office results. Both premiered in the official selection of the latest Cannes Film Festival.

As such, Spanish movies closed 2025 with a 19% market share (the same as in 2024), totalling 12 million viewers and box-office takings of €78 million. In terms of genres, action proved to be the most successful last year, followed by drama and animation.