The 16th Luxembourg City Film Festival (5-15 March) has revealed the key highlights of its upcoming edition, marked by a surprising and unplanned recurrence: several works, though diverse in form and territory, evoke the colour pink and the rose as spaces of friction, where the violence of reality meets human fragility. Under the banner “Wild, Wild Rose”, this year’s programme invites audiences to forget or confront the woes of the world.

Kicking off on 5 March, the festival opens with Rose [+lire aussi :
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fiche film] by Markus Schleinzer, following its selection in the Berlinale competition. The film follows a woman’s quest for self-acceptance through a rigorously controlled formal approach with Sandra Hüller delivering a performance already widely praised. The festival’s awards ceremony on 14 March will feature The Blood Countess [+lire aussi :
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interview : Ulrike Ottinger
fiche film] by Ulrike Ottinger, a jubilant, gothic vampire mystery starring Isabelle Huppert. Closing the festival is Rosebush Pruning [+lire aussi :
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Over 1,000 films were reviewed in order to arrive at the final selection for 2026, with the Official Competition once again serving as its showcase. Nine films are vying for the festival’s Grand Prix, offering a prize of €10,000, to be decided upon by the international jury led by Spanish filmmaker Rodrigo Sorogoyen, who is joined by Argentine director Lisandro Alonso, British musician and actor Peter Doherty, Finnish actress Alma Pöysti, French actress Emmanuelle Béart, and Singaporean filmmaker and cinematographer Rae Lyn Lee.

The films are: Rose (Austria/Germany) by Markus Schleinzer; Nina Roza [+lire aussi :
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interview : Geneviève Dulude-de Celles
fiche film] (Canada/Bulgaria/Italy/Belgium) by Geneviève Dulude-De Celles, also screened at the Berlinale, and winner of the Best Screenplay award; How to Divorce During the War [+lire aussi :
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interview : Andrius Blaževičius
fiche film] by Andrius Blaževičius (Lithuania/Luxembourg/Ireland/Czech Republic), awarded for Best Directing in Sundance’s World Cinema Dramatic section; Blue Heron [+lire aussi :
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fiche film] by Sophy Romvari (Canada/Hungary), Best First Feature in Locarno last year; My Father’s Shadow [+lire aussi :
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interview : Akinola Davies Jr.
fiche film] by Akinola Davies Jr. (UK/Ireland/Nigeria), Caméra d’Or Special Mention in Cannes last year; last year’s Venice Orizzonti entries Human Resource by Nawapol Thamrongrattanarit (Thailand) and Rose of Nevada [+lire aussi :
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interview : Mark Jenkin
fiche film] by Mark Jenkin (UK); Mad Bills to Pay by Joel Alfonso Vargas (USA), screened in last year’s Berlinale Perspectives, and Feels Like Home [+lire aussi :
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interview : Gábor Holtai
fiche film] by Gábor Holtai (Hungary).

Merging animated, hybrid and traditional forms, six documentaries will be vying for the Documentary Prize, worth €5,000: Mailin by María Silvia Esteve (Argentina/France/Romania), Memory [+lire aussi :
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interview : Vladlena Sandu
fiche film] by Vladlena Sandu (France/Netherlands), With Hasan in Gaza [+lire aussi :
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interview : Kamal Aljafari
interview : Kamal Aljafari
fiche film] by Kamal Aljafari (Palestine/Germany/France/Qatar), My Father and Qaddafi by Jihan K (USA/Libya), Seeds by Brittany Shyne (USA) and Endless Cookie by Peter Scriver and Seth Scriver (Canada). The documentary jury features Aurélie Godet (Cork International Film Festival), Camille Chanod (LaCinetek), Dögg Mósesdóttir (Stockfish Film Festival), Francesca Cristallo (Matera Film Festival) and Lisa Hoen (Tromsø International Film Festival).

In addition to its competitions, the Made In/With Luxembourg selection showcases a diverse array of works (co-)produced in Luxembourg. Alongside The Blood Countess and How to Divorce During the War, the line-up includes All My Sisters [+lire aussi :
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interview : Massoud Bakhshi
fiche film] by Massoud Bakhshi (Austria/France/Germany/Iran), produced by Amour Fou; Apple & Pears by Lukas Grevis (Luxembourg); Exile [+lire aussi :
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interview : Mehdi Hmili
fiche film] by Mehdi Hmili (Tunisia/Luxembourg/France/Qatar/Saudi Arabia), produced in collaboration with Tarantula; Getting There by Nora Wagner (Luxembourg/Belgium), supported by Filmreakter and Kulturfabrik; Kurak by Erke Dzhumakmatova and Emil Atageldiev (Kyrgyzstan/Switzerland/Serbia/France/Luxembourg/Netherlands), produced by Deal Productions; Morte Cucina by Pen-ek Ratanaruang (Thailand/Singapore/Luxembourg/USA/Taiwan), also co-produced by Deal Productions; We’ll Find Happiness by Léa Pool (Canada/Luxembourg), a co-production by Iris Productions; Projecto Global [+lire aussi :
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interview : Ivo M. Ferreira
fiche film] by Ivo M. Ferreira (Portugal/Luxembourg), co-produced by Tarantula; Utopolis by Vladimir Subotic (Greece/Luxembourg), a Deal Productions co-production; The Wolf, the Fox & the Leopard [+lire aussi :
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fiche film] by David Verbeek (Netherlands/Luxembourg/Ireland/Croatia/Taiwan), co-produced by Deal Productions; and Women as Lovers [+lire aussi :
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fiche film] by Koxi (Germany/Luxembourg), produced by Amour Fou. On the short-film side, nine works will screen once during the day and once in the evening in collaboration with the Filmakademie Luxembourg.

For the second year, LuxFilmFest will dedicate an evening to series, presenting an exclusive screening of season 3 of Quickies, the initiative launched by Filmreakter in 2020 during the pandemic, in collaboration with RTL.