email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

GOYA 2026

Les Dimanches gagne le Goya du meilleur film

par 

- Le film d’Alauda Ruiz de Azúa a remporté cinq des prix du cinéma espagnol ; Sirāt, d’Óliver Laxe, en a remporté six et Sorda, d´Eva Libertad, trois

Les Dimanches gagne le Goya du meilleur film
La réalisatrice Alauda Ruiz de Azúa avec un de ses Goya pour Les Dimanches (© Alberto Ortega/Academia de Cine)

Cet article est disponible en anglais.

On Saturday 28 February, Barcelona played host to the 40th edition of the ceremony to hand out the Goya Awards, given out by the Spanish Academy of Film Arts and Sciences. At the event, Sundays [+lire aussi :
critique
bande-annonce
interview : Alauda Ruiz de Azúa
fiche film
]
, a feature by Alauda Ruiz de Azúa that previously triumphed at San Sebastián, as well as at the Forqué and Feroz Awards, went home clutching five trophies: Best Film, Best Director, Best Lead Actress (Patricia López Arnaiz), Best Supporting Actress (Nagore Aranburu) and Best Original Screenplay, written by the filmmaker herself.

(L'article continue plus bas - Inf. publicitaire)
dream-of-another-summer_Pere Marzo

Having said that, the most-awarded film of the evening was Sirāt [+lire aussi :
critique
bande-annonce
interview : Óliver Laxe
interview : Sergi López
fiche film
]
by Óliver Laxe, after it picked up the Jury Prize at Cannes and now boasts two nominations for the upcoming Oscars. The movie scooped six prizes: Best Cinematography (Mario Herce), Best Editing (Cristóbal Fernández), Best Production Director (Oriol Maymó), Best Art Director (Laia Ateca Font), Best Original Score (Kangding Ray) and Best Sound (thanks to the efforts of Amanda Villavieja, Laia Casanovas and Yasmina Praderas, who are also vying for the Hollywood Academy’s coveted prize in the same category).

The third-most-acclaimed title of the night was Deaf [+lire aussi :
critique
bande-annonce
interview : Eva Libertad
fiche film
]
by Eva Libertad, which won the Málaga Film Festival last year, and which pocketed three awards here: Best New Director, Best New Actress (Miriam Garlo) and Best Supporting Actor (Álvaro Cervantes).

Catalonian helmer Albert Serra also went up on stage to collect the gong for Best Documentary for his Afternoons of Solitude [+lire aussi :
critique
bande-annonce
interview : Albert Serra
fiche film
]
(Golden Shell at San Sebastián in 2024), while the dystopian Decorado by Alberto Vázquez bagged the Goya Award for Best Animated Film.

In addition to the aforementioned actors, Goyas were also presented to seasoned thesp José Ramón Soroiz (Best Lead Actor for Maspalomas [+lire aussi :
critique
bande-annonce
interview : Aitor Arregi et José Mari …
fiche film
]
, directed by José Mari Goenaga and Aitor Arregi) and to the young Antonio “Toni” Fernández Gabarre (Best New Actor for Sleepless City [+lire aussi :
critique
bande-annonce
interview : Guillermo Galoe
fiche film
]
, helmed by Guillermo Galoe and first shown in the Cannes Critics’ Week).

The historical comedy The Dinner made off with the Goya Awards for Best Adapted Screenplay, courtesy of the team comprising director Manuel Gómez Pereira, Joaquín Oristrell and Yolanda García Serrano, and Best Costumes, thanks to the efforts of Helena Sanchis. Alejandro Amenábar’s blockbuster The Captive [+lire aussi :
critique
bande-annonce
interview : Alejandro Amenábar
fiche film
]
was granted Best Hair and Make-up, acknowledging the work of Ana López-Puigcerver, Belén López-Puigcerver and Nacho Díaz, while the skills of Paula Gallifa Rubia and Ana Rubio in Los Tigres [+lire aussi :
critique
bande-annonce
fiche film
]
by Alberto Rodríguez were rewarded with the Goya for Best Special Effects.

The documentary Flores para Antonio by Isaki Lacuesta and Elena Molina snagged the Goya Award for Best Original Song, for the title track performed at the end of the movie by actress Alba Flores and artist Sílvia Pérez Cruz.

Lastly, Sentimental Value [+lire aussi :
critique
bande-annonce
interview : Joachim Trier
fiche film
]
by Joachim Trier picked up a well-deserved trophy in the Best European Film category, whereas Belén, the second feature helmed by Argentinian actress Dolores Fonzi (Blondi [+lire aussi :
critique
bande-annonce
interview : Dolores Fonzi
fiche film
]
), triumphed as Best Ibero-American Film.

Here is the full list of winners:

Best Film
Sundays [+lire aussi :
critique
bande-annonce
interview : Alauda Ruiz de Azúa
fiche film
]
- Alauda Ruiz de Azúa (Spain/France)

Best Director
Alauda Ruiz de Azúa - Sundays

Best New Director
Eva Libertad – Deaf [+lire aussi :
critique
bande-annonce
interview : Eva Libertad
fiche film
]
(Spain)

Best Documentary Film
Afternoons of Solitude [+lire aussi :
critique
bande-annonce
interview : Albert Serra
fiche film
]
- Albert Serra (Spain/France/Portugal)

Best Animated Film
Decorado - Alberto Vázquez (Spain/Portugal)

Best Lead Actress
Patricia López Arnaiz – Sundays

Best Lead Actor
José Ramón Soroiz - Maspalomas [+lire aussi :
critique
bande-annonce
interview : Aitor Arregi et José Mari …
fiche film
]
(Spain)

Best Supporting Actress
Nagore Aranburu – Sundays

Best Lead Actor
Álvaro Cervantes – Deaf

Best New Actress
Miriam Garlo – Deaf

Best New Actor
Antonio “Toni” Fernández Gabarre – Sleepless City [+lire aussi :
critique
bande-annonce
interview : Guillermo Galoe
fiche film
]
(Spain/France)

Best Original Screenplay
Alauda Ruiz de Azúa – Sundays

Best Adapted Screenplay
Joaquín Oristrell, Manuel Gómez Pereira, Yolanda García Serrano – The Dinner (Spain/France)

Best Cinematography
Mauro Herce - Sirāt [+lire aussi :
critique
bande-annonce
interview : Óliver Laxe
interview : Sergi López
fiche film
]
(Spain/France)

Best Editing
Cristóbal Fernández - Sirāt

Best Production Director
Oriol Maymó - Sirāt

Best Art Director
Laia Ateca Font - Sirāt

Best Costume Design
Helena Sanchis – The Dinner

Best Hair and Make-up
Ana López-Puigcerver, Belén López-Puigcerver, Nacho Díaz – The Captive [+lire aussi :
critique
bande-annonce
interview : Alejandro Amenábar
fiche film
]
(Spain/Italy)

Best Special Effects
Paula Gallifa Rubia, Ana Rubio - Los Tigres [+lire aussi :
critique
bande-annonce
fiche film
]
(Spain/France)

Best Sound
Amanda Villavieja, Laia Casanovas, Yasmina Praderas - Sirāt

Best Original Score
Kangding Ray - Sirāt

Best Original Song
Flores para Antonio by Alba Flores, Silvia Pérez Cruz - Flores para Antonio (Spain)

Best Fiction Short
Ángulo muerto - Cristian Beteta (Spain)

Best Documentary Short
El Santo - Carlo D'Ursi (Spain)

Best Animated Short
Gilbert - Alex Salu, Arturo Lacal, Jordi Jiménez (Spain)

Best European Film
Sentimental Value [+lire aussi :
critique
bande-annonce
interview : Joachim Trier
fiche film
]
- Joachim Trier (Norway/France/Denmark/Germany)

Best Ibero-American Film
Belén - Dolores Fonzi (Argentina)

Honorary Goya
Gonzalo Suárez

International Goya
Susan Sarandon

(L'article continue plus bas - Inf. publicitaire)

(Traduit de l'espagnol)

Vous avez aimé cet article ? Abonnez-vous à notre newsletter et recevez plus d'articles comme celui-ci, directement dans votre boîte mail.

Privacy Policy