Review: Godland

Review: Godland

CANNES 2022: Hlynur Pálmason makes a spectacular, visceral and epic film in the wake of a young Danish priest who faces thousands of challenges in the wild Iceland of the 19th century  

24/05 | Cannes 2022 | Un Certain Regard

Review: La Jauría

Review: La Jauría

CANNES 2022: Andrés Ramírez Pulido’s atmospheric debut feature trawls the murky depths of young delinquents’ criminal past as they undergo therapy in the isolation of the jungle  

24/05 | Cannes 2022 | Critics’ Week

Review: Our Brothers

Review: Our Brothers

CANNES 2022: Combining documentary and fiction, Rachid Bouchareb revisits the death of Malik Oussekine in 1986, and Abdel Benyaha's comparatively anonymous one, against a backdrop of police violence  

24/05 | Cannes 2022 | Cannes Première

Review: A Male

Review: A Male

CANNES 2022: Colombian filmmaker Fabián Hernández’s debut queers the gangland coming-of-age film  

24/05 | Cannes 2022 | Directors' Fortnight

Co-funded by the European Union - Creative Europe MEDIA
Ukraine

Industry Reports

New Media - At Cannes, experts assess the potential of Europe as a global leader in virtual production - 20/05/2022

New Media – 20/05/2022
At Cannes, experts assess the potential of Europe as a global leader in virtual production
CANNES 2022: The benefits of virtual production and other new, state-of-the art tech will make filmmakers’ lives easier, but they are also set to change a significant part of the production workflow

Distribution, Exhibition and Streaming
FOCUS
After two years of the pandemic, the industry is gradually transitioning back to normality, with Cannes and its Marché du Film now in sight. While keeping a close eye on the tragic war unfolding in Ukraine and its effects on the audiovisual industry, Cineuropa continues to provide extensive coverage of the European film business and its most recent developments.

Produce – Co-Produce... - What future awaits film financing? The panellists at Cannes Next have their say - 24/05/2022

Produce – Co-Produce... – 24/05/2022
What future awaits film financing? The panellists at Cannes Next have their say
CANNES 2022: Following the announcement of MediaInvest, the event covered new financing models such as the blockchain-based Decentralized Pictures and XYZ Films’ “transatlantic model”

New Media - The wins of real-time technologies take centre stage at Cannes Next - 24/05/2022

New Media – 24/05/2022
The wins of real-time technologies take centre stage at Cannes Next
CANNES 2022: Real-time tech through Unreal Engine has the potential to improve a team’s creative work and communication while saving time and money

Distribution, Exhibition and Streaming - Netflix attends a round table on French film negotiations - 23/05/2022

Distribution, Exhibition and Streaming – 23/05/2022
Netflix attends a round table on French film negotiations
CANNES 2022: The debate organised by the CNC highlighted the desire of industry professionals to continue negotiations so as to adapt to the growing change in the filmmaking business

European Policy - MediaInvest set to support European producers - 21/05/2022

European Policy – 21/05/2022
MediaInvest set to support European producers
CANNES 2022: The European Commission has announced a new fund destined for audiovisual producers, endowed with a budget of €400 million for the period 2022-2027

Green Industry Initiatives and Sustainability - At the Marché du Film, panellists discuss the Green Charter and their work on making film festivals more sustainable - 21/05/2022

Green Industry Initiatives and Sustainability – 21/05/2022
At the Marché du Film, panellists discuss the Green Charter and their work on making film festivals more sustainable
CANNES 2022: Reducing waste, preserving nature and going paper-free are only some of the strategies being put in place to protect the environment

Distribution, Exhibition and Streaming - Arthouse cinema in search of an audience - 20/05/2022

Distribution, Exhibition and Streaming – 20/05/2022
Arthouse cinema in search of an audience
CANNES 2022: The challenge of bringing audiences back after an unprecedented pandemic, which concerns the entire independent industry chain, was the focus of the debate organised by the CNC

What future awaits film financing? The panellists at Cannes Next have their say

What future awaits film financing? The panellists at Cannes Next have their say

CANNES 2022: Following the announcement of MediaInvest, the event covered new financing models such as the blockchain-based Decentralized Pictures and XYZ Films’ “transatlantic model”  

24/05 | Cannes 2022 | Marché du Film

The wins of real-time technologies take centre stage at Cannes Next

The wins of real-time technologies take centre stage at Cannes Next

CANNES 2022: Real-time tech through Unreal Engine has the potential to improve a team’s creative work and communication while saving time and money  

24/05 | Cannes 2022 | Marché du Film

Review: Sick of Myself

Review: Sick of Myself

CANNES 2022: Kristoffer Borgli’s unforgettable film, one of the festival’s best, is deliciously infuriating  

24/05 | Cannes 2022 | Un Certain Regard

Discover Moonday

Co-Production Podcast

Episode 28: The Open Body (Spain/Portugal) - 28/04/2022

28/04/2022
Episode 28: The Open Body (Spain/Portugal)
The producers of Ángeles Huerta's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 27: Ordinary Failures (Czech Republic/Hungary/Italy) - 08/04/2022

08/04/2022
Episode 27: Ordinary Failures (Czech Republic/Hungary/Italy)
The producers of Cristina Grosan's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 26: A Cup of Coffee and New Shoes On (Albania/Greece/Kosovo/Portugal) - 08/03/2022

08/03/2022
Episode 26: A Cup of Coffee and New Shoes On (Albania/Greece/Kosovo/Portugal)
The producers of Gentian Koçi's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 25: Strandzha (Germany/Bulgaria) - 22/02/2022

22/02/2022
Episode 25: Strandzha (Germany/Bulgaria)
The producers of Hristova Pepa's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 24: The Editorial Office (Ukraine/Germany) - 17/02/2022

17/02/2022
Episode 24: The Editorial Office (Ukraine/Germany)
The producers of Roman Bondarchuk's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 23: Captain Volkonogov Escaped (Russia/Estonia/France) - 20/12/2021

20/12/2021
Episode 23: Captain Volkonogov Escaped (Russia/Estonia/France)
The producers of Natasha Merkulova and Aleksey Chupov's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 22: Queens (France/Belgium/ Morocco/Netherlands) - 17/12/2021

17/12/2021
Episode 22: Queens (France/Belgium/ Morocco/Netherlands)
The producers of Yasmine Benkiran's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 21: My Fairy Troublemaker (Luxembourg/Germany) - 16/12/2021

16/12/2021
Episode 21: My Fairy Troublemaker (Luxembourg/Germany)
The producers of Caroline Origer's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Valeria Bruni Tedeschi • Director of Forever Young

Interview: Valeria Bruni Tedeschi • Director of Forever Young

"Even at the most tragic of times, we still manage to laugh"

CANNES 2022: The Italian-French filmmaker unveiled her mature work diving back into the universe of young student-actors at Patrice Chéreau’s Théâtre des Amandiers  

24/05 | Cannes 2022 | Competition

A Night of Knowing Nothing and In the Billowing Night are the victors of the 2022 Doc Alliance Awards

A Night of Knowing Nothing and In the Billowing Night are the victors of the 2022 Doc Alliance Awards

CANNES 2022: The prizes were handed out during the Doc Day, part of the Marché du Film  

24/05 | Cannes 2022 | Marché du Film/Awards

Lionel Baier • Director of Continental Drift (South)

Interview: Lionel Baier • Director of Continental Drift (South)

“Europe can only function if there is desire between peoples”

CANNES 2022: The Swiss filmmaker talks about the third part of his tetralogy on the construction of Europe  

24/05 | Cannes 2022 | Directors' Fortnight

Review: Novembre

Review: Novembre

CANNES 2022: Cédric Jimenez delivers a suspenseful thriller about the manhunt following the 2015 terror attacks in Paris, but is it enough to keep French and European viewers gripped?  

24/05 | Cannes 2022 | Out of Competition

Photogalleries

Cannes 2022 – Photogalleries - 19/05/2022

19/05/2022
Cannes 2022 – Photogalleries
After two difficult years, the international film industry is finally back on the Croisette for a new, crowded edition of the Cannes Film Festival and its Marché du Film, unspooling from 17-28 May. Discover the festival highlights in our exclusive photo galleries

European Shooting Stars 2022 – Photogallery - 12/02/2022

12/02/2022
European Shooting Stars 2022 – Photogallery
The Shooting Stars are back at the Berlinale! Discover this year's ten emerging European talents who will be presented to the international press, the industry and the public in an exclusive hybrid programme organised by the German festival

Berlinale 2022 – Photogalleries - 10/02/2022

10/02/2022
Berlinale 2022 – Photogalleries
After unspooling virtually owing to the pandemic crisis last year, the Berlinale is now back to its physical format from 10-20 February. Discover the festival highlights in our exclusive photogalleries

Cinémamed 2021 – Photogalleries - 02/12/2021

02/12/2021
Cinémamed 2021 – Photogalleries
Organised from 2-12 December, the Mediterranean Brussels film festival is back to its physical format and ready to celebrate the best European and Mediterranean films. Among the directors presented, Marco Bellocchio, Nabil Ayouch, Antoneta Alamat Kusijanović, Clara Roquet, Tony Gatlif, Jonas Carpignano and many others. Check out our photogalleries here

Black Nights 2021 – Photogalleries - 13/11/2021

13/11/2021
Black Nights 2021 – Photogalleries
One of the most prestigious gatherings of the Nordic-Baltic region, the Tallinn Black Nights Film Festival is set to brighten the dark Estonian winter from 12-28 November with a raft of new independent titles and a rich line-up of industry events. Discover this year’s festival highlights in our exclusive photogalleries

Lecce 2021 – Photogallery - 09/11/2021

09/11/2021
Lecce 2021 – Photogallery
Unspooling from 6-13 November, Lecce European Film Festival is finally back to its physical format and ready to celebrate the best European titles of the year. Check out our photogalleries here

Cinemed 2021 – Photogallery - 23/10/2021

23/10/2021
Cinemed 2021 – Photogallery
One of the most important showcases of Mediterranean cinema, the 43rd edition of Montpellier's Cinemed ran from 15-23 October. Discover this year's festival highlights in our exclusive photogallery

Rome 2021 – Photogalleries - 17/10/2021

17/10/2021
Rome 2021 – Photogalleries
The 16th edition of Rome Film Fest, running from 14-24 October, presented 23 new titles in its main competition. Discover our exclusive photogalleries from some of this year's red carpets

Families, fears and freedom take centre stage at Cannes Shorts 2022

Families, fears and freedom take centre stage at Cannes Shorts 2022

CANNES 2022: As this year’s short-film offerings begin to unspool, we examine the European titles on offer in both the Official Competition and La Cinef selections  

24/05 | Cannes 2022

Review: Pedro

Review: Pedro

Laís Bodanzky’s feature navigates through the seas of fiction for a journey of urgent deconstruction and humanisation of historical figures and events  

24/05 | Films | Reviews | Brazil/Portugal

Simon Rieth • Director of Summer Scars

Interview: Simon Rieth • Director of Summer Scars

“Power and fantasy are metaphors for the very strong relationship between love and hate”

CANNES 2022: The young French filmmaker talks to us about his first feature film, which skillfully blends realism and fantasy  

24/05 | Cannes 2022 | Critics’ Week

Reviews

Godland - by Hlynur Pálmason

Godland
by Hlynur Pálmason
CANNES 2022: Hlynur Pálmason makes a spectacular, visceral and epic film in the wake of a young Danish priest who faces thousands of challenges in the wild Iceland of the 19th century

Crimes of the Future - by David Cronenberg

Crimes of the Future
by David Cronenberg
CANNES 2022: David Cronenberg’s return to cinema is a haunting look at a future where humans have reached a new evolutionary stage

Sick of Myself - by Kristoffer Borgli

Sick of Myself
by Kristoffer Borgli
CANNES 2022: Kristoffer Borgli’s unforgettable film, one of the festival’s best, is deliciously infuriating

Pedro - by Lais Bodanzky

Pedro
by Lais Bodanzky
Laís Bodanzky’s feature navigates through the seas of fiction for a journey of urgent deconstruction and humanisation of historical figures and events

La Jauría - by Andrés Ramírez Pulido

La Jauría
by Andrés Ramírez Pulido
CANNES 2022: Andrés Ramírez Pulido’s atmospheric debut feature trawls the murky depths of young delinquents’ criminal past as they undergo therapy in the isolation of the jungle

Our Brothers - by Rachid Bouchareb

Our Brothers
by Rachid Bouchareb
CANNES 2022: Combining documentary and fiction, Rachid Bouchareb revisits the death of Malik Oussekine in 1986, and Abdel Benyaha's comparatively anonymous one, against a backdrop of police violence

A Male - by Fabian Hernández

A Male
by Fabian Hernández
CANNES 2022: Colombian filmmaker Fabián Hernández’s debut queers the gangland coming-of-age film

The Super-8 Years - by Annie Ernaux, David Ernaux-Briot

The Super-8 Years
by Annie Ernaux, David Ernaux-Briot
CANNES 2022: With the help of her son David Ernaux-Briot, author Annie Ernaux revisits the 1970s through a fascinating documentary of family archives, in her fabulous analytical style

Review: Crimes of the Future

Review: Crimes of the Future

CANNES 2022: David Cronenberg’s return to cinema is a haunting look at a future where humans have reached a new evolutionary stage  

24/05 | Cannes 2022 | Competition

Dmytro Sukholytkyy-Sobchuk • Director of Pamfir

Interview: Dmytro Sukholytkyy-Sobchuk • Director of Pamfir

“Even if we’re talking about absolute good, it always has a side effect”

CANNES 2022: We chatted to the Ukrainian director about the origins of his feature debut, the intriguing dialect its characters use, and its possible roots in British thrillers  

24/05 | Cannes 2022 | Directors’ Fortnight

Cannes Short Film Corner shines light on new talent with new industry offering

Cannes Short Film Corner shines light on new talent with new industry offering

CANNES 2022: The Rendez-Vous Industry begins with new initiative New Producers Room  

23/05 | Cannes 2022

Interviews

Emmanuel Mouret • Director of Diary of a Fleeting Affair

Emmanuel Mouret • Director of Diary of a Fleeting Affair
CANNES 2022: The French filmmaker discussed love, affairs, desire and emotions, as well as the question of gender, while explaining his latest movie

Valeria Bruni Tedeschi • Director of Forever Young

Valeria Bruni Tedeschi • Director of Forever Young
CANNES 2022: The Italian-French filmmaker unveiled her mature work diving back into the universe of young student-actors at Patrice Chéreau’s Théâtre des Amandiers

Lionel Baier • Director of Continental Drift (South)

Lionel Baier • Director of Continental Drift (South)
CANNES 2022: The Swiss filmmaker talks about the third part of his tetralogy on the construction of Europe

Simon Rieth • Director of Summer Scars

Simon Rieth • Director of Summer Scars
CANNES 2022: The young French filmmaker talks to us about his first feature film, which skillfully blends realism and fantasy

Dmytro Sukholytkyy-Sobchuk • Director of Pamfir

Dmytro Sukholytkyy-Sobchuk • Director of Pamfir
CANNES 2022: We chatted to the Ukrainian director about the origins of his feature debut, the intriguing dialect its characters use, and its possible roots in British thrillers

Serge Bozon • Director of Don Juan

Serge Bozon • Director of Don Juan
CANNES 2022: After presenting his new musical, the French filmmaker explains why he likes to venture into places that we wouldn’t expect of him

Davy Chou • Director of Return to Seoul

Davy Chou • Director of Return to Seoul
CANNES 2022: We met up with the French-Cambodian director, who has crafted an impressive and intimate feature around the topics of adoption and identity

Dominik Moll • Director of The Night of the 12th

Dominik Moll • Director of The Night of the 12th
CANNES 2022: The French-German filmmaker’s new movie is an ensemble police investigation reflecting a frayed society and broken male-female relationships

Review: The Super-8 Years

Review: The Super-8 Years

CANNES 2022: With the help of her son David Ernaux-Briot, author Annie Ernaux revisits the 1970s through a fascinating documentary of family archives, in her fabulous analytical style  

23/05 | Cannes 2022 | Directors' Fortnight

Serge Bozon • Director of Don Juan

Interview: Serge Bozon • Director of Don Juan

“This film lent itself to the idea of a Don Juan who would not be this figure of swaggering manhood, getting everything he wants”

CANNES 2022: After presenting his new musical, the French filmmaker explains why he likes to venture into places that we wouldn’t expect of him  

23/05 | Cannes 2022 | Cannes Première

Meet Cineuropa @ #Cannes2022 - Take 5

Meet Cineuropa @ #Cannes2022 - Take 5

"You have no idea how many stories started here, around a drink, speaking about something else, then one thing leads to another and the film is born"

In the fifth episode of our new short video series from this year's Cannes Film Festival, Elena Lazic talks to Cineuropa editor-in-chief Domenico La Porta  

23/05 | Meet Cineuropa/Cannes 2022

Trailers/Teasers/Clips

Tori and Lokita - by Luc Dardenne, Jean-Pierre Dardenne

Tori and Lokita
by Luc Dardenne, Jean-Pierre Dardenne
Cannes 2022 - Competition

Nostalgia - by Mario Martone

Nostalgia
by Mario Martone
Cannes 2022 - Competition

Godland - by Hlynur Pálmason

Godland
by Hlynur Pálmason
Cannes 2022 - Un Certain Regard

The Dam - by Ali Cherri

The Dam
by Ali Cherri
Cannes 2022 - Directors' Fortnight

Will-o'-the-Wisp - by João Pedro Rodrigues

Will-o'-the-Wisp
by João Pedro Rodrigues
Cannes 2022 - Directors' Fortnight

A Male - by Fabian Hernández

A Male
by Fabian Hernández
Cannes 2022 - Directors' Fortnight

Crimes of the Future - by David Cronenberg

Crimes of the Future
by David Cronenberg
Cannes 2022 - Competition

Riposte Féministe - by Simon Depardon, Marie Perennès

Riposte Féministe
by Simon Depardon, Marie Perennès

Emmanuel Mouret • Director of Diary of a Fleeting Affair

Interview: Emmanuel Mouret • Director of Diary of a Fleeting Affair

"What interested me most was making this little affair look like a big affair"

CANNES 2022: The French filmmaker discussed love, affairs, desire and emotions, as well as the question of gender, while explaining his latest movie  

23/05 | Cannes 2022 | Cannes Première

Netflix attends a round table on French film negotiations

Netflix attends a round table on French film negotiations

CANNES 2022: The debate organised by the CNC highlighted the desire of industry professionals to continue negotiations so as to adapt to the growing change in the filmmaking business  

23/05 | Cannes 2022

Review: Smoking Causes Coughing

Review: Smoking Causes Coughing

CANNES 2022: With his latest effort, prolific filmmaker Quentin Dupieux will make you love anti-smoking propaganda  

23/05 | Cannes 2022 | Midnight Screenings

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Reviews

Return to Seoul - by Davy Chou

Return to Seoul
by Davy Chou
CANNES 2022: Davy Chou confirms his talent with a highly effective second fiction feature about a turbulent and touching initiatory journey tracing back an adoption

Smoking Causes Coughing - by Quentin Dupieux

Smoking Causes Coughing
by Quentin Dupieux
CANNES 2022: With his latest effort, prolific filmmaker Quentin Dupieux will make you love anti-smoking propaganda

Under the Fig Trees - by Erige Sehiri

Under the Fig Trees
by Erige Sehiri
CANNES 2022: Erige Sehiri’s new feature has hints of Éric Rohmer as it shows Tunisian women working and flirting on an orchard

God's Creatures - by Saela Davis, Anna Rose Holmer

God's Creatures
by Saela Davis, Anna Rose Holmer
CANNES 2022: Emily Watson and Paul Mescal deliver in Saela Davis and Anna Rose Holmer’s turbulent Oedipal tale of protection, assault and alliances

Forever Young - by Valeria Bruni Tedeschi

Forever Young
by Valeria Bruni Tedeschi
CANNES 2022: Valeria Bruni-Tedeschi delivers a beautifully mature work, diving back into the vibrant and initiatory, young universe of student-actors at Patrice Chéreau’s Théâtre des Amandiers

Industry Reports

Produce – Co-Produce... – 24/05/2022

What future awaits film financing? The panellists at Cannes Next have their say

CANNES 2022: Following the announcement of MediaInvest, the event covered new financing models such as the blockchain-based Decentralized Pictures and XYZ Films’ “transatlantic model”

New Media – 24/05/2022

The wins of real-time technologies take centre stage at Cannes Next

CANNES 2022: Real-time tech through Unreal Engine has the potential to improve a team’s creative work and communication while saving time and money

Distribution, Exhibition and Streaming – 23/05/2022

Netflix attends a round table on French film negotiations

CANNES 2022: The debate organised by the CNC highlighted the desire of industry professionals to continue negotiations so as to adapt to the growing change in the filmmaking business

European Policy – 21/05/2022

MediaInvest set to support European producers

CANNES 2022: The European Commission has announced a new fund destined for audiovisual producers, endowed with a budget of €400 million for the period 2022-2027

Film Reviews

Privacy Policy

Creative Europe MEDIA