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BUSAN 2017 Industria

EFP porta l'Europa a Busan

di 

- In inglese: L'Asian Film Market accoglierà film e professionisti europei con l'ausilio del Film Sales Support dell'agenzia e di Europe! Umbrella

EFP porta l'Europa a Busan
Revenge by Coralie Fargeat

Questo articolo è disponibile in inglese.

Creating a strong presence for European films and their sales companies at Busan’s Asian Film Market (14 – 17 October) has been one of European Film Promotion’s major objectives since the market opened in 2003. In a concerted move, EFP not only grants Film Sales Support (FFS) for the promotion and marketing of European films, but also organizes the prominent EUROPE! Umbrella at the Asian Film Market for 33 participating sales agents in collaboration with UniFrance.

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This year, EFP welcomes two new sales companies at the umbrella: Charades from France, bringing along Coralie Fargeat's horror thriller Revenge [+leggi anche:
recensione
trailer
intervista: Coralie Fargeat
scheda film
]
, which just made a splash in Toronto, and Summerside International from The Netherlands, which present the dark love story, In a Lonely Place by Davide Montecchi from Italy. Moreover, thanks to new international measures by the Federal Office of Culture, Media Desk Suisse and Swiss Films, FSS was also awarded to Dominik Locher’s Goliath [+leggi anche:
recensione
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intervista: Dominik Locher
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]
(sold by Wide).

EFP Managing Director Sonja Heinen says, "Here are a few titles I would like to mention from BiFF's Flash Forward's section which will be on sale at the Asian Film Market: Hlynur Palmason’s Winter Brothers [+leggi anche:
recensione
trailer
intervista: Elliott Crosset Hove
intervista: Hlynur Pálmason
scheda film
]
(represented by New Europe Film Sales), Alen Drljeviċ’s Men Don't Cry [+leggi anche:
recensione
trailer
intervista: Alen Drljević
scheda film
]
and Life Guidance [+leggi anche:
recensione
trailer
intervista: Ruth Mader
scheda film
]
by Ruth Mader (who will be part of EFP's artistic delegation), both represented by Picture Tree International, Alireza Khatami’s Oblivion Verses [+leggi anche:
recensione
trailer
intervista: Alireza Khatami
scheda film
]
(represented by Urban Distribution International), Valentina Pedicini’s Where Shadows Fall [+leggi anche:
recensione
trailer
intervista: Valentina Pedicini
scheda film
]
(represented by Fandango) and Ravens [+leggi anche:
recensione
trailer
intervista: Jens Assur
scheda film
]
by Jens Assur, also part of the EFP group, and represented by Celluloid Dreams. But there is of course more to explore in every company line-up, films such as Janus Metz’s Borg/McEnroe [+leggi anche:
recensione
trailer
scheda film
]
, Ralph FiennesThe White Crow [+leggi anche:
recensione
trailer
intervista: Ralph Fiennes
scheda film
]
, Paolo Virzi’s The Leisure Seeker [+leggi anche:
recensione
trailer
Q&A: Paolo Virzì
scheda film
]
, Susanna Nicchiarelli’s Nico 1988 [+leggi anche:
recensione
trailer
intervista: Susanna Nicchiarelli
scheda film
]
, Thomas Vinterberg’s Kursk [+leggi anche:
recensione
trailer
intervista: Thomas Vinterberg
scheda film
]
, Mélanie Laurent’s Diving [+leggi anche:
recensione
trailer
scheda film
]
and Sharunas BartasFrost [+leggi anche:
recensione
trailer
intervista: Sharunas Bartas
scheda film
]
to give you a taste; our booklet on site will help buyers find their way to the respective sales agent". 

Click here to check out all of the supported films and companies.

To round off its activities in Busan, EFP together with Italian Istituto Luce Cinecittà hosts an annual industry reception which also involves the artistic delegation of the 20th edition of EUROPE! Goes Busan providing an excellent opportunity for networking and exchange. This long-standing initiative puts European talent into the spotlight at the Busan International Film Festival, this year bringing 15 European filmmakers and actors to Korea. Backed by the Creative Europe – MEDIA Programme and respective EFP member organisations they take part in a four-day programme to meet with industry and press and enjoy the lively discussions with the South Korean audience.

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