La caccia al Valois d'Or 2018 si apre ad Angoulême
- Dieci titoli in concorso e una raffica di anteprime per l'11° Festival del cinema francofono che si svolgerà dal 21 al 26 agosto
Questo articolo è disponibile in inglese.
Lola et ses frères [+leggi anche:
trailer
scheda film] by Jean-Paul Rouve will open the 11th edition of Angoulême Francophone Film Festival this evening (running from 21 to 26 August), an event that has garnered popularity with French distributors who appreciate the opportunity to test out their films on a large local audience before the start of the film season.
Chaired by the actress Karin Viard (and comprised of the actors Ludivine Sagnier, Camélia Jordana and Eye Haïdara, the director Thomas Lilti and the actor Raphaël Personnaz), the competition jury will have to deliberate over ten feature films this year, including the Canadian titles Sauvage [+leggi anche:
recensione
trailer
intervista: Camille Vidal-Naquet
scheda film] by Camille Vidal-Naquet, Shéhérazade [+leggi anche:
recensione
trailer
scheda film] by Jean-Bernard Marlin and Sofia [+leggi anche:
recensione
trailer
intervista: Meryem Benm'Barek
scheda film] by Meryem Benm'Barek (winner of Best Screenplay award in the Un Certain Regard section), as well as Whatever Happened to My Revolution [+leggi anche:
trailer
scheda film] by Judith Davis, L'Amour flou by the director duo Romane Borhinger and Philippe Rebbot, Photo de famille [+leggi anche:
trailer
scheda film] by Cécilia Rouaud, With the Wind [+leggi anche:
recensione
trailer
intervista: Bettina Oberli
scheda film] by Swiss director Bettina Oberli (unveiled on the Piazza Grande at Locarno) and Troisièmes noces [+leggi anche:
recensione
trailer
intervista: David Lambert
scheda film] by the Belgian director David Lambert.
A barrage of premieres is also on the menu this year with An Impossible Love [+leggi anche:
recensione
trailer
scheda film] by Catherine Corsini, I Feel Good [+leggi anche:
recensione
trailer
scheda film] by the director duo Gustave Kervern and Benoît Delépine, Kiss & Tell [+leggi anche:
trailer
scheda film] by Michel Blanc (read the article here), My Guy [+leggi anche:
trailer
scheda film] by Marion Vernoux, We Need Your Vote [+leggi anche:
recensione
trailer
scheda film] by Mathieu Sapin (read the article here), Best Intentions [+leggi anche:
trailer
scheda film] by Gilles Legrand, Les Invisibles [+leggi anche:
recensione
trailer
intervista: Liza Benguigui
scheda film] by Louis-Julien Petit, Edmond [+leggi anche:
trailer
intervista: Alexis Michalik
scheda film] by Alexis Michalik, the animated film Dilili in Paris [+leggi anche:
recensione
trailer
scheda film] by Michel Ocelot (unveiled at Annecy) and the Canadian titles Sink or Swim [+leggi anche:
recensione
trailer
scheda film] by Gilles Lellouche and Little Tickles [+leggi anche:
recensione
trailer
scheda film] by Andrea Bescond and Éric Métayer, not forgetting Première année [+leggi anche:
recensione
trailer
scheda film] by Thomas Lilti and In Safe Hands [+leggi anche:
recensione
trailer
scheda film] by Jeanne Herry, which is due to close this year’s festival.
Also of note is the documentary Each and Every Moment [+leggi anche:
recensione
trailer
scheda film] by Nicolas Philibert and Team Spirit [+leggi anche:
trailer
scheda film] by Vianney Lebasque(which premiered at Locarno)in the Coup de cœur section, In Your Hands [+leggi anche:
trailer
scheda film] by Ludovic Bernard and Guy [+leggi anche:
trailer
scheda film] by Alex Lutz in the Ciné et concerts programme, The Trouble With You [+leggi anche:
recensione
trailer
intervista: Pierre Salvadori
scheda film] by Pierre Salvadori, Amin [+leggi anche:
recensione
trailer
intervista: Philippe Faucon
scheda film] by Philippe Faucon and Fortuna [+leggi anche:
recensione
trailer
scheda film] by Germinal Roaux in the Les Flamboyants section, the first feature films My Polish Honeymoon [+leggi anche:
trailer
scheda film] by Elise Otzenberger, Ma fille [+leggi anche:
trailer
scheda film] by Naidra Ayadi and Moi, maman, ma mère et moi [+leggi anche:
trailer
scheda film] by Christophe Le Masne in the Premiers rendez-vous section, a tribute to distribution (a section christened Bijoux de famille) dedicated to UGC and a directorial focus on Jacques Doillon. Last but not least is a celebration of the 20th anniversary of Emergence and two other tributes, one to the French director Jacques Deray and one to Haitian cinema.
(Tradotto dal francese)
Ti è piaciuto questo articolo? Iscriviti alla nostra newsletter per ricevere altri articoli direttamente nella tua casella di posta.