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JIHLAVA 2018

Ji.hlava annuncia il suo programma completo

di 

- La 22ma edizione del più importante evento documentario dell'Europa Centrale proporrà 327 film, tra cui 100 anteprime mondiali, 23 internazionali e 17 europee

Ji.hlava annuncia il suo programma completo
Vacancy di Alexandra Kandy Longuet

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The 22nd Ji.hlava International Documentary Film Festival (25-30 October) has announced its full programme. A total of 327 films will be shown across 11 competitions and 12 non-competitive sections, including no fewer than 100 world, 23 international and 17 European premieres. 

The festival's most prestigious competition, Opus Bonum, consists of 17 feature- and mid-length films, out of which 13 are European, including Vacancy [+leggi anche:
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intervista: Alexandra Kandy Longuet
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by Belgium's Alexandra Kandy LonguetWestern, Family and Communism [+leggi anche:
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by France's Laurent KriefTalks with T.G. Masaryk [+leggi anche:
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by Slovakia's Jakub ČervenkaUntil Porn Do Us Part [+leggi anche:
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by Portugal's Jorge PelicanoBackstage Action [+leggi anche:
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by Belgium's Sanaz Azari and the Peruvian-Portuguese co-production Expectant [+leggi anche:
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by Farid Rodriguez Rivero. For the full list, click here.

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In Between the Seas, a competition for Central and Eastern European films, there are 15 titles, including the French-Indian-US co-production The End and the Means [+leggi anche:
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by Polish-born Paweł WojtasikAlexander Belinski and Agne Dovydaityte's The Sun Sets in the East [+leggi anche:
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(Lithuania), Tomáš Krupa's THE GOOD DEATH [+leggi anche:
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intervista: Tomáš Krupa
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(France/Czech Republic/Austria/Slovakia), Marek Kuboš's The Last Self-portrait [+leggi anche:
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intervista: Marek Kuboš
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(Slovakia), Simon Mozgovyi's The Winter Garden's Tale [+leggi anche:
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(Ukraine) and Lukas Marxt's Victoria (Austria). For the full list, click here.

In the First Light section, for debut feature-length films, among 11 titles, five are European: Isaac Stillwell's #3511 [+leggi anche:
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(Poland/Germany/Belgium/France/Australia), the German-Czech co-production Boy of War [+leggi anche:
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by Cyprien Clément-Delmas and Igor Kosenko, Felipe RugelesDouble Me [+leggi anche:
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(Spain/Colombia), Anna Kryvenko's Slovak-Latvian-Czech co-production My Unknown Soldier [+leggi anche:
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and Rebekka Kaufmann's We Own the Crisis (Germany/Greece). For the full list, click here.

Three sections established last year, A Testimony on Politics, on Nature, and on Knowledge, comprise the most significant documentaries dealing with these respective topics, and the vast majority, 18 titles, are European productions or co-productions. Among them are well-known films such as The Waldheim Waltz [+leggi anche:
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intervista: Ruth Beckermann
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Weapon of Choice [+leggi anche:
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The Silence of Others [+leggi anche:
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intervista: Almudena Carracedo, Esther…
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Almost Nothing
 [+leggi anche:
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intervista: Anna de Manincor
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and Becoming Animal [+leggi anche:
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, but there will also be the world premieres of Rohan and Gorav Kalyan's Badiou [+leggi anche:
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(France/USA), Sue-Alice Okukubo and Eduard Zorzenoni's Near and Elsewhere [+leggi anche:
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, and Mats Bigert and Lars Bergström's The Climate Experiment [+leggi anche:
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(Morocco/Norway/USA/France/China/Sweden). 

The full list of sections and films can be found here, and the Special Event sidebar looks set to present a selection of this year's greatest hits, featuring the new movies by Jean-Luc Godard, Werner Herzog, Vitaly Mansky, Viktor Kossakovsky, Wim Wenders, Amos Gitai, Albert Serra and Emir Kusturica.

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