Aiming to present a multi-faceted and sophisticated cross-section of Central and Eastern European filmmaking, the competition of the 19^th edition of goEast – Festival of Central and Eastern European Film, which will take place from 10-16 April in Wiesbaden, Germany, will feature a thematic focus zeroing in on “Cinema Tackling the Generation Gap”. “In addition to works tackling current political topics, there is a notable number of films in 2019 that deal with generational conflicts. Thirty years after the fall of the Berlin Wall, people expect different things from life, depending on which system they grew up in,” festival director Heleen Gerritsen states. The 2019 jury is headed up by multi-award-winning Macedonian director Teona Strugar Mitevska, who is also the woman behind this year's opening film, God Exists, Her Name Is Petrunija [+leggi anche:
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intervista: Labina Mitevska
intervista: Teona Strugar Mitevska
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Sixteen films – ten fiction features and six documentaries – are vying for the €10,000 Golden Lily in the goEast Competition. Adilkhan Yerzhanov’s mafia tragicomedy The Gentle Indifference of the World [+leggi anche:
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intervista: Adilkhan Yerzhanov
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intervista: Ismet Sijarina
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Four debut features are also participating in the competition: Ena Sendijarević’s Take Me Somewhere Nice [+leggi anche:
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intervista: Ena Sendijarević
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intervista: Beata Parkanová
intervista: Beata Parkanová
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In terms of documentaries, the selection includes White Mama [+leggi anche:
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intervista: Zosya Rodkevich
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In addition, Krzysztof Zanussi will be the subject of this year's homage, while multi-award-winning director Sergei Loznitsa will be giving a master class open to the general public. The festival will also be paying tribute and saying farewell to recently departed Lithuanian-American avant-garde legend Jonas Mekas and Yugoslavian-Serbian filmmaker Dušan Makavejev.

Furthermore, a series of films and talks entitled “Everything Remains Different? – The Wild 90s” will examine what the fall of the Iron Curtain meant for the former socialist countries. The goEast Symposium will focus on “Constructions of the Other – Roma and the Cinema of Central and Eastern Europe”, while the panel discussion “Survival Kit for Filmmakers – Risks and Dangers” will examine the ways in which investigative film projects can place filmmakers in dangerous situations during the shooting and research phases.

Finally, at the Open Frame Award, young filmmakers from CEE countries will be vying for the Virtual Reality Prize, while in the context of the East-West Talent Lab, 15 projects by emerging filmmakers will be presented during a pitching session and will be competing for two prizes. Two additional brand-new prizes granted by the East-West Talent Lab are intended to enable up-and-coming filmmakers to realise their innovative project ideas, and will be handed to the winners of the newly established short-film competition.