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Il CNC celebra l'Aiuto ai cinema del mondo

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- Tra i 350 film di 90 nazionalità sostenuti dal 2012 spiccano numerosi titoli che hanno brillato nelle vetrine nei più grandi festival

Il CNC celebra l'Aiuto ai cinema del mondo
(sx-dx) Pierre Buhler (presidente dell'Institut français) e Charles Tesson (presidente della commissione Aiuto ai cinema del mondo), Frédérique Bredin (presidente del CNC), Nadav Lapid, Kaouther Ben Hania, Sergeï Loznitsa, Gaya Jiji e Benedikt Erlingsson (© CNC)

Questo articolo è disponibile in inglese.

What does Winter Sleep [+leggi anche:
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by Polish filmmaker Pawel Pawlikowski (crowned Best Director on the Croisette in 2018), Synonyms [+leggi anche:
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by Israeli director Nadav Lapid (winner of the Golden Bear at the 2019 Berlinale), A Land Imagined [+leggi anche:
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by Singapore filmmaker Siew Hua Yeo (handed the Golden Leopard in Locarno last year), Mustang [+leggi anche:
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by Deniz Gamze Ergüven (awarded Best First Film César in 2016) and The Lobster [+leggi anche:
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Q&A: Yorgos Lanthimos
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by Greek director Yorgos Lanthimos (winner of the Cannes Jury Award 2015)? All these full-length films co-produced by France have benefited from the Aide aux cinémas du monde (ACM) fund, a selective support system (for the production of films before they’re made, or for the completion of films in post-production) initiated in 2012 and steered by the CNC and the Institut français, which now counts nigh on 350 films of 90 nationalities among its recipients, over half of which being first or second feature films.

(L'articolo continua qui sotto - Inf. pubblicitaria)

"France has always been a refuge and a partner for filmmakers hailing from all around the world. Aide aux cinémas du monde is a brand of excellence which is key to unearthing new talent and future great names in global cinema. By way of its open approach, France has provided assistance to the biggest names in the business: Youssef Chahine, Michael Haneke, Wong Kar-Waï and, more recently, Naomi Kawase, Jia Zhang-Ke and Matteo Garrone. Now more than ever, the world needs these directors’ views on the world", stressed Frédérique Bredin, the President of the CNC who organised an evening event on Thursday 4 April, in celebration of the fund which places France at the heart of worldwide cinematographic creation.

Five filmmakers attended the event to highlight the important role played by Aide aux cinémas du monde: the Tunisian Kaouther Ben Hania (who received aid for Beauty and the Dogs [+leggi anche:
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), Icelandic director Benedikt Erlingsson (Woman at War [+leggi anche:
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intervista: Benedikt Erlingsson
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), Syrian filmmaker Gaya Jiji (My Favourite Fabric [+leggi anche:
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), Nadav Lapid (Synonyms) and the Ukranian Sergeï Loznitsa (Donbass [+leggi anche:
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intervista: Sergei Loznitsa
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). Flanking them, aside from Frédéric Bredin, were Pierre Buhler (Chairman of the Institut français) and Charles Tesson (current Chairman of the Aide aux cinémas du monde committee, but also Artistic Director of Critics’ Weeks at the Cannes Film Festival).

Of the 200 ACM films finalised to date, 160 have been selected for one of the four big international festivals: 82 have screened in Cannes, 35 in Berlin, 33 in Venice and 10 in Locarno. Most recently supported works include Litigante [+leggi anche:
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by the Colombian Franco Lolli, Piccolo corpo by the Italian Laura Samani, Oleg [+leggi anche:
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intervista: Juris Kursietis
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by Latvian director Juris Kursietis, Corpus Christi by Polish filmmaker Jan Komasa, Positive School by the Moroccan Nabil Ayouch, White Building by Cambodian director Kavich Neang, Eureka by the Argentinian Lisandro Alonso, Memoria by Thai filmmaker Apichatpong Weerasethakul, Au crépuscule by the Lithuanian Sharunas Bartas, My Sunny Mad by Czech director Michaela Pavlatova, Three Summers [+leggi anche:
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 by the Brazilian filmmaker Sandra Kogut and Yokogao by Japanese director Kôji Fukada.

(Tradotto dal francese)

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