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ANGOULÊME 2019

Il Valois d'Or 2019 in palio ad Angoulême

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- Dieci titoli in concorso e un'ondata di anteprime per il 12° Festival del cinema francofono che si svolgerà dal 20 al 25 agosto

Il Valois d'Or 2019 in palio ad Angoulême
Mon Chien Stupide di Yvan Attal

Questo articolo è disponibile in inglese.

Tomorrow, My Stupid Dog by Yvan Attal (an adaptation of the John Fante novel of the same name starring the director himself as well as Charlotte Gainsbourg) will have the honour of opening the 12th edition of the Angoulême Francophone Film Festival (20-25 August 2019) as a premiere screening, out of competition. Angoulême has become a very popular event for French distributors, who get the opportunity to test out their films before they are released in theatres after the summer holidays.

(L'articolo continua qui sotto - Inf. pubblicitaria)

Chaired by British actress Jacqueline Bisset (and also including such names as Swiss filmmaker Bettina Oberli and French director Louis-Julien Petit), the competition jury will be tasked with weighing up the ten contenders for the 2019 Valois d'Or. Four Cannes titles are in the running (Papicha [+leggi anche:
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intervista: Mounia Meddour
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by Algeria’s Mounia Meddour, Adam [+leggi anche:
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by Morocco’s Maryam Touzani, You Deserve a Lover [+leggi anche:
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intervista: Hafsia Herzi
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by France’s Hafsia Herzi and the animated flick The Swallows of Kabul [+leggi anche:
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intervista: Zabou Breitman, Eléa Gobbe…
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by her fellow countryfolk Zabou Breitman and Eléa Gobbé-Mévellec), in addition to Lola [+leggi anche:
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intervista: Laurent Micheli
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 by Belgium’s Laurent Micheli and four other movies by French helmers: Place des victoires by Yoann Guillouzouic, In the Name of the Land [+leggi anche:
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by Édouard Bergeon and two features that were unveiled on the Piazza Grande at Locarno (The Girl with a Bracelet [+leggi anche:
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by Stéphane Demoustier and Camille [+leggi anche:
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by Boris Lojkine). The selection is rounded off by Canada’s Louis Bélanger and his Vivre à 100 milles à l’heure.

Standing out among the plethora of premiere screenings are movies such as Happy Birthday [+leggi anche:
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 by Cédric Kahn, Someone, Somewhere [+leggi anche:
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by Cédric Klapisch, Three Days and a Life [+leggi anche:
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by Nicolas Boukhrief, The Dazzled by Sara Suco, Je voudrais que quelqu’un m’attende quelque part by Arnaud Viard, Fahim by Pierre-François Martin-Laval, Spread Your Wings by Nicolas Vanier, The Fool [+leggi anche:
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by Jalil Lespert, L’Esprit de famille by Éric Besnard, Je ne rêve que de vous by Laurent Heynemann, the animated film (first revealed at Cannes) The Bears’ Famous Invasion of Sicily [+leggi anche:
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intervista: Lorenzo Mattotti
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by Italy’s Lorenzo Mattotti and the documentary Le Regard de Charles by Marc Domenico, which will bring the gathering to a close.

Also of note are the “event screening” of School Life [+leggi anche:
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by Grand Corps Malade and Mehdi Idir; the Les Flamboyants programme, which includes the Cannes-awarded Atlantics [+leggi anche:
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intervista: Mati Diop
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by Mati Diop and Portrait of a Lady on Fire [+leggi anche:
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intervista: Céline Sciamma
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by Céline Sciamma, as well as The Holy Family [+leggi anche:
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by Louis-do de Lencquesaing; a section entitled Premiers rendez-vous, with Truk [+leggi anche:
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intervista: Sarah Marx
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by Sarah Marx (unveiled at Venice last year, where it bore the French title L’Enkas), Frères d'arme [+leggi anche:
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by Sylvain Labrosse, Long Time No See by Pierre Filmon and La Dernière Vie de Simon by Léo Karmann; and a number of special screenings, including Burning Ghost [+leggi anche:
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by Stéphane Batut, Of Love and Lies [+leggi anche:
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 by Julien Rappeneau, the Cannes title La Belle Époque [+leggi anche:
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intervista: Nicolas Bedos
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by Nicolas Bedos, Vagabondes by Philippe Dajoux, and Des gens bien [+leggi anche:
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by Bruno Lopez and Emmanuel Vieilly.

Notre Dame [+leggi anche:
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by Valérie Donzelli (premiered on the Piazza Grande at Locarno) and La Vertu des Impondérables by Claude Lelouch (who will also be giving a master class) will be presented as part of the Ciné & Concerts strand, while the selection of documentaries will encompass FilmmakErs by Julie Gayet and Mathieu Busson, Le Dernier Poumon du Monde by Yamina Benguigui, Rendre la justice by Robert Salis, and Philippe R Doumic, sous son regard, l’étincelle by Laurence Doumic and Sébastien Cauchon.

The rich and varied programme of this 12th edition of the Angoulême Francophone Film Festival will also feature a focus on distributors (dubbed Bijoux de famille, or “Family Jewels”) dedicated to Haut et Court, a director focus on Nabil Ayouch (who will give a master class to boot), and tributes to French director Michel Deville and Luxembourgish cinema (see the news).

(Tradotto dal francese)

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