The first clapperboard will slam on 2 January for Little Lesson of Love [+leggi anche:
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scheda film], Ève Deboise’s second feature film after Lost Paradise [+leggi anche:
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scheda film] (which notably won the Jeonju Grand Prize in 2013).

Together once more at the head of the cast are Laetitia Dosch (the winner of the 2018 Lumières award for Best New Actress, and nominated that same year for the Best New Hope César, courtesy of Montparnasse Bienvenue [+leggi anche:
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intervista: Léonor Serraille
scheda film]; also at her best in Age of Panic [+leggi anche:
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scheda film], Gaspard At The Wedding [+leggi anche:
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intervista: Antony Cordier
scheda film] and Our Struggles [+leggi anche:
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intervista: Guillaume Senez
scheda film]; due to appear on screen next year in Passion simple, Les Apparences, Playlist and Assoiffés) and Pierre Deladonchamps (nominated for the 2017 Best Actor gong at both the César Awards and the Lumières Awards for A Kid [+leggi anche:
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intervista: Philippe Lioret
scheda film]; the winner of the 2014 Best New Hope César for Stranger By The Lake [+leggi anche:
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intervista: Alain Guiraudie
scheda film], also well received in Sorry Angel [+leggi anche:
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Q&A: Christophe Honoré
scheda film], Little Tickles [+leggi anche:
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scheda film] and With the Wind [+leggi anche:
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intervista: Bettina Oberli
scheda film]; touring French cinemas as of 18 December in Notre dame [+leggi anche:
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scheda film] and later next year in Madame Claude and Eiffel).

(L'articolo continua qui sotto - Inf. pubblicitaria)

Written by the director (who played a part in the writing of Rithy Panh’s Rice People and One Evening After the War, and Maria de Medeiros’ April Captains, to name a few), the story revolves around a young woman who takes shelter in a cafe to escape a downpour, finding some forgotten maths exam papers and a troubling love letter…

Little Lesson of Love is produced by Nathalie Mesuret on behalf of Blue Monday Productions and will be co-produced by Swiss group P.S. Productions. Pre-purchased by Ciné+, the feature film will also enjoy the support of the Ile-de-France and Auvergne-Rhône-Alpes regions, the SOFICA company Cofinova, RTS (Radio Télévision Suisse) and Cinéforom. The picture has also received development aid from the CNC, as well as a rewriting subsidy from the Lower Normandy region. The 30-day film shoot will unfold between 2 January and 14 February, in Paris and Lyon, with Lazare Pedron in charge of cinematography. French distribution will be managed by KMBO, while international sales will be led by Belgian outfit Be For Films.

For the record, Blue Monday Productions recently produced Jeune femme by Léonor Serraille (Golden Camera winner at Cannes Film Festival 2017), Lola Pater [+leggi anche:
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scheda film] by Nadir Moknèche (screened in Locarno’s Piazza Grande in the same year) and Into Dad’s Woods [+leggi anche:
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intervista: Véro Cratzborn
scheda film] by Véro Cratzborn (unveiled at the recent Namur Festival – released in France on 27 May 2020). Christophe Blanc’s Just Kids [+leggi anche:
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intervista: Anamaria Vartolomei
intervista: Christophe Blanc
scheda film] stands out on the firm’s post-production slate, while filming on A Story of Love and Desire [+leggi anche:
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scheda film] by Leyla Bouzid is about to wrap.