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57 prime di mercato ai Rendez-Vous du cinéma français a Parigi

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- 389 acquirenti e 30 esercenti provenienti da 49 paesi, 44 società di vendita francesi, 120 artisti e 115 giornalisti internazionali riuniti da UniFrance dal 16 al 20 gennaio

57 prime di mercato ai Rendez-Vous du cinéma français a Parigi
La Daronne di Jean-Paul Salomé

Questo articolo è disponibile in inglese.

To showcase, promote and sell films so that they can been seen throughout the world. These are the goals of the 22nd Rendez-Vous with French Cinema in Paris, taking place from 16-20 January 2020 and organised by UniFrance (read our interview with managing director Daniela Elstner), the agency for the promotion of French cinema abroad presided by Serge Toubiana.

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This year, the event will welcome 389 international buyers (theatrical distributors, VOD and SVOD providers, TV broadcasters) and 30 exhibitors from 49 countries. 44 French sales companies will be negotiating sales for the 184 French films in their line-up, 57 of which will be having their market premiere at the Rendez-Vous. 120 French artists will be present for 115 foreign journalists from 32 countries, who will attend both the ceremony where the French Cinema Award will this year be handed to Olivier Assayas, as well as the launch of the 10th MyFrenchFilmFestival tomorrow (read the news).

Memento Films International will unveil Martin Provost’s How to Be a Good Wife [+leggi anche:
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]
, which will open the market, as well as Claus Drexel’s Under The Stars of Paris [+leggi anche:
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]
.

Le Pacte will be pinning its hopes on the highly anticipated market premiere of Jean-Paul Salomé’s Mama Weed [+leggi anche:
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, starring Isabelle Huppert in the lead role. The company will also be presenting films in post-production: Arthur Harari’s Onoda – 10 000 Nights in the Jungle and Gaël Lépingle’s Atomic Summer.

Pathé Films International will be showcasing three market premieres: Jan Kounen’s Mon cousin [+leggi anche:
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, Éric Barbier’s Small Country: an African Childhood [+leggi anche:
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]
 and the comedy Meet The Malawas [+leggi anche:
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by James Huth. Worth mentioning, in post-production, is Martin Bourboulon’s Eiffel (read the news).

Indie Sales will be at the Rendez-Vous with five market premieres: Sophie Letourneur’s Enormous [+leggi anche:
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]
(starring Marina Foïs and selected in the Bright Future competition of the upcoming IFFR), Hugo Benamozig and David Caviglioli’s Welcome To The Jungle [+leggi anche:
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]
, Olivier Babinet’s Fishlove [+leggi anche:
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, Benjamin Parent’s Man Up! [+leggi anche:
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and Roy Arida’s Under The Concrete [+leggi anche:
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]
. And last but not least, in post-production, Bruno Dumont’s On a Half Clear Morning.

Playtime will unveil Caroline Vignal’s My Donkey, My Lover and I [+leggi anche:
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, but will also be negotiating on many other French titles in post-production from its line-up, such as François Ozon’s Summer of 85 [+leggi anche:
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]
,  Laurent Cantet’s Arthur Rambo and Nine Antico’s Playlist (article).

Michel HazanaviciusThe Lost Prince [+leggi anche:
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]
 is heading StudioCanal’s slate. The company will be presenting two other market premieres: Jézabel MarquesSol [+leggi anche:
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]
and Michèle Laroque’s The Kids Are Back [+leggi anche:
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]
. Standing out among the titles currently in post-production are Anne Fontaine’s Night Shift [+leggi anche:
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intervista: Anne Fontaine
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]
, Laurent Lafitte’s The Origin of the World [+leggi anche:
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intervista: Laurent Lafitte
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]
, Yann Gozlan’s Black Box (article) and Cédric Jimenez’s BAC Nord (news).

Pyramide Films International will also present three market premieres, with the western Savage State [+leggi anche:
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from David Perrault,  Grégory Magne’s Perfumes [+leggi anche:
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intervista: Grégory Magne
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]
and Marion Lainé’s Into the World [+leggi anche:
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]
. Standing out in post-production are Danielle Arbid’s Passion simple [+leggi anche:
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intervista: Danielle Arbid
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]
,  Maxime Roy’s Les Héroïques (article) and Leyla Bouzid’s Une histoire d’amour et de désir (article).

Be for Films will also be attending, with five market premieres : Christophe Blanc’s Just Kids [+leggi anche:
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intervista: Christophe Blanc
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]
, Working Girls [+leggi anche:
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intervista: Anne Paulicevich e Frédéri…
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]
from Belgian filmmaker Frédéric Fonteyne, Aurélien Vernhes-Lermusiaux’s Towards The Battle, the Venitian title The End of Love [+leggi anche:
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]
by Keren Ben Rafael and the documentary Little Ballerinas [+leggi anche:
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]
by Anne-Claire Dolivet. Worth mentioning as well are Elie Wajeman’s A Night Doctor [+leggi anche:
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]
 et Ève Deboise’s Petite leçon d’amour (currently filming – read the news).

SND will be pinning most of its hopes on Gabriel Le Bomin’s De Gaulle [+leggi anche:
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]
 and Marc Fitoussi’s Appearances [+leggi anche:
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]
. But it will also be presenting three other market premieres: Benjamin Euvrard’s All Aboard!, Michaël Youn’s Divorce Club [+leggi anche:
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]
and Pascal Bourdiaux’s Toto [+leggi anche:
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]
.

Bac Films International will unveil the animated film Yakari, A Spectacular Journey [+leggi anche:
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]
from French director Xavier Giacometti and German director Toby Genkel, as well as Bernard Stora’s The Case [+leggi anche:
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]
. Standing out in post-production is Rachel Lang’s Mon Légionnaire (news).

Charades will be presenting Bruno Merle’s Felicità [+leggi anche:
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]
, as well as its films currently in post-production (Antoine Barraud’s Madeleine Collinsarticle, Laurent Tirard’s The Speech [+leggi anche:
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]
, Pierre Pinaud’s The Rose Maker) or wrapping filming (Chloé Mazlo’s Skies of Lebanon).

Gaumont will be present with the market premiere of Philippe Guillard’s Pappy Sitter [+leggi anche:
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]
, but the company will also be negotiating pre-sales on films currently in post-production, such as Xavier Giannoli’s Lost Illusions [+leggi anche:
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]
 and Albert Dupontel’s Bye Bye Morons [+leggi anche:
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]
, or still filming (Nicolas Bedos’s OSS 117 : Alerte Rouge en Afrique Noire (article).

Although the company will not be presenting any market premieres, Kinology will be present with titles currently in post-production, such as Mia Hansen-Løve’s Bergman Island, Leos Carax’s Annette, Bertrand Mandico’s After Blue (article), Naël Marandin’s Beasts [+leggi anche:
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]
, Mathias Malzieu’s A Mermaid in Paris [+leggi anche:
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]
, Peter Dourountzis’s Rascal and Emmanuel Poulain-Arnaud’s Les Cobayes (article).

Wild Bunch will be starting pre-sales on Stéphane Brizé’s For Better Or For Worse, and will continue them on its French titles currently in pre-production (Julia Ducournau’s Titane) and in post-production: Thierry de Peretti’s Les années 10 (article), Quentin Dupieux’s Mandibles [+leggi anche:
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intervista: Quentin Dupieux
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]
, Sylvie Verheyde’s Madame Claude (article), Just Philippot’s The Swarm [+leggi anche:
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]
 and Philippe Garrel’s The Salt of Tears [+leggi anche:
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]
.

Elle Driver will be presenting the market premiere of the documentary In The Bottle from Favio Vinson, and will also be handling, in post-production, Emmanuel Mouret’s Love Affair(s) [+leggi anche:
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intervista: Emmanuel Mouret
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]
.

TF1 Studio will unveil the spy comedy The Lion from Ludovic Justin Colbeau (article) as well as Katia Lewkowicz’s Ballsy Girl [+leggi anche:
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]
.

WTFilms will be especially busy, with the market premieres of Night Ride [+leggi anche:
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intervista: Frédéric Farrucci
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]
by Frédéric Farrucci (winner of the Best Director award in Saint-Jean-de-Luz), Lucky [+leggi anche:
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]
from Belgian director Olivier Van Hoofstadt, Sébastien Betbeder’s Up The Mountain [+leggi anche:
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]
, Laurent Heynemann’s An Irrepressible Woman [+leggi anche:
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]
, Rodolphe Lauga’s Wipe Out [+leggi anche:
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]
, Yoann Guillouzouic’s Victorious Square [+leggi anche:
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]
and the collective film Selfie [+leggi anche:
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]
(article).

Six market premieres, meanwhile, for Orange Studio with Arnaud Viart’s I Wish Someone Were Waiting For Me Somewhere [+leggi anche:
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]
, Mathias Melkuz’s Mine Your Own Business, Solange Cicurel’s Isn’t She Lovely? [+leggi anche:
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intervista: Solange Cicurel
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]
, Julien Rambaldi’s Labor Day, Michel Denisot’s Disclaimer [+leggi anche:
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]
and Mélissa Drigeard’s Husband, Wife, Kids… and Lovers.

Other Angle Pictures will be presenting the market premieres of Ruben Alves’s Miss [+leggi anche:
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]
, Éric Besnard’s The Father Figure [+leggi anche:
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]
and La vérité si je mens ! Les débuts [+leggi anche:
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]
by Michel Munz and Gérard Biton. Its titles in post-production include Olivier Dahan’s Simone, une femme du siècle (article), Christopher Thompson’s Tendre et saignant (news) and Emmanuel Carrère’s Le Quai de Ouistreham (article).

mk2 Films will unveil the documentary Looking For Gilles Carion by Mariana Otero, SBS International will screen Pascal Bonitzer’s Spellbound and Wide will have the market premiere of Vanya Peirani-VignesBlast.

It is worth noting that France TV Distribution will unveil the documentary Wolf Walk [+leggi anche:
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]
by Jean-Michel Bertrand, and that the company features, in post-production, Nicole Garcia’s Lovers [+leggi anche:
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intervista: Nicole Garcia
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]
, Raphaël Jacoulot’s Dreamboy [+leggi anche:
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]
 and Jean-Pierre AmérisProfession du père (news).

Les Films du Losange will also be present at the 22nd Rendez-Vous with French Cinema in Paris with, in production, Benoît Jacquot’s Suzanna Andler and, in post-production, Nicolas Maury’s Garçon Chiffon [+leggi anche:
recensione
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intervista: Nicolas Maury
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]
 and Émilie Carpentier’s L’horizon (article).

Also ready for action are Totem Films (in particular with Fanny Liatard and Jérémy Trouilh’s Gagarine [+leggi anche:
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intervista: Fanny Liatard e Jérémy Tro…
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]
in post-production and Jérémie Elkaim’s Assoiffésnews), Alpha Violet, Pulsar Content (with the project The Deep House by Julien Maury and Alexandre Bustillo, currently in pre-production), Capricci Films (with Vincent Le Port’s Bruno Reidal in post-production – article), Urban Distribution International (with the animated film Slocum by Jean-François Laguionie and Jungle rouge by Juan José Lozano and Zoltan Horvath, currently in production – article), Versatile (with the French-German-Portuguese co-production Gaza mon amour [+leggi anche:
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]
by Tarzan and Arab Nasser, currently filming, and Dominique Lienhard’s Naufrages, in post-production – article), the new entity Jour2FêteDoc & Film, Coproduction Office, Celluloid Dreams, The Bureau Sales, Wide, Wide House, Loco Films and Iconisma, which will be showing the market premiere of its production, Jean JacquesEncre de Chine.

Finally, it is worth highlighting the presence of several VR producers and distributors on 17 and 18 January at the Rendez-Vous, such as Wide, VRrOOm and Atlas V.

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