Nove lungometraggi in vetrina per l’ACID Cannes Hors les murs

di Fabien Lemercier

04/06/2020 - I cineasti indipendenti associati al Festival di Cannes hanno selezionato cinque film di finzione e quattro documentari. Marie Dumora e Ilan Klipper brillano come headliner

Nove lungometraggi in vetrina per l’ACID Cannes Hors les murs

Loin de vous j’ai grandi di Marie Dumora

Questo articolo è disponibile in inglese.

The lack of any physical edition of the 73^rd Cannes Film Festival as a direct result of the Coronavirus crisis hasn’t prevented ACID (the French Association for the Distribution of Independent Cinema) from unveiling a 28^th programme under the banner "Cannes Outside the Walls" and comprising nine feature films (of which five are works of fiction, four are documentaries and a total five titles are directed by women). Placing special focus on works without distributors and first feature films (with four debut titles gracing this particular line-up), ACID will promote its selection during the online Marché du Film (running 22 – 26 June – read our news), as well as in the autumn by way of screenings geared towards cinema operators in France. Public seances are also planned in Paris (25 – 29 September), Lyon (2 - 4 October) and Marseille (8 - 11 October), and then courtesy of the Corsican Film Archive, as well as a number of partner festivals in France and further afield.

Standing especially tall in the 2020 selection is Far From You I Grew [+leggi anche:
recensione
trailer
scheda film], the 8^th feature-length documentary by Marie Dumora (produced by Les Films du Bélier), whose other works include Belinda [+leggi anche:
recensione
trailer
scheda film] (the opening film of the 2017 Berlinale’s Panorama Dokumente line-up) and Forbach Swing [+leggi anche:
trailer
scheda film] (unveiled on the Croisette last year in the ACID programme).

Likewise catching our eye in the showcase is Ilan Klipper’s Tightrope Walkers [+leggi anche:
trailer
scheda film], produced by Les Films du Bal. Following on from his very well-received first fiction feature The Starry Sky Above Me [+leggi anche:
recensione
trailer
scheda film] (presented in Cannes’ ACID line-up in 2017), the director is making his return to the documentary genre which he explored in his two-part film on the police (Flics and Commissariat) and in his study of psychiatry (Sainte-Anne), and which is once again the beating heart of this, his latest opus.

Also worth a mention is Walden [+leggi anche:
recensione
trailer
scheda film], a Sedna Films production which is the 3^rd full-length work of fiction to hail from the Czech national (living in France) Bojena Horackova, following on from À l’est de moi (presented in Belfort – Entrevues in 2008) and Mirek n’est pas parti (1996).

Another 3^rd fiction feature on the agenda is The Seeds We Sow [+leggi anche:
trailer
scheda film] by Nathan Nicholovitch, whose first two opuses (Casa Nostra [+leggi anche:
trailer
scheda film] and Avant l’aurore [+leggi anche:
recensione
trailer
scheda film]) were unveiled on the Croisette in the ACID showcases of 2012 and 2018.

The Association has also selected Should the Wind Fall [+leggi anche:
recensione
trailer
intervista: Nora Martirosyan
scheda film], the first feature film by Nora Martirosyan (read our article). Steered by French firm Sister Productions and co-produced by Armenian outfit Aneva Production and Belgian group Kwassa Films, this fiction feature will be co-presented by the helmers of the Cannes Film Festival’s Official Selection (read our news).

Similarly destined for the spotlight is Italian documentary-maker Michele Pennetta with Il mio corpo [+leggi anche:
recensione
trailer
intervista: Michele Pennetta
scheda film], a Swiss-Italian production recently unveiled (and well-received) at the Visions du Réel Festival and the second full-length documentary by the Varese-born director, after Fishing Bodies [+leggi anche:
recensione
trailer
scheda film] (screened in Locarno’s Filmmakers of the Present 2013 line-up).

Last but not least, and jostling for position in the programme are three other first feature films: the fiction titles Last Days of Spring [+leggi anche:
recensione
trailer
intervista: Isabel Lamberti
scheda film] by Isabel Lamberti (born in Germany and raised in Spain and the Netherlands) and Coalesce by Jessé Miceli (with Cambodia and France pooling production expertise), and the documentary The Last Hillbilly [+leggi anche:
recensione
trailer
scheda film] by Diane Sara Bouzgarrou and Thomas Jenkoe (coming via the Eurodoc programme and involving France and Qatar).