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L'anticipo sugli incassi del CNC per Toutes pour une di Houda Benyamina

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- L'istituzione francese sosterrà anche, tra gli altri, i film di Arnaud Desplechin, Lucie Borleteau, Virgil Vernier, Rabah Ameur Zaimeche, Kim Chapiron e Roland Edzard, oltre a cinque opere prime

L'anticipo sugli incassi del CNC per Toutes pour une di Houda Benyamina
La regista Houda Benyamina

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Seven projects have been selected in the second 2021 session of the CNC’s second advance on receipts committee.

Stealing focus among them is Toutes pour une by Houda Benyamina, which is the director’s second feature film on the heels of Divines [+leggi anche:
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intervista: Houda Benyamina
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(awarded the Caméra d’Or in Cannes 2016, as well as three Césars – including Best First Film – and two Lumières trophies in 2017). This Easy Tiger and Haut et Court production will be a swashbuckling film with a distinctly female flavour.

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An advance on receipts has also been promised to Arnaud Desplechin’s Brother and Sister [+leggi anche:
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(starring Marion Cotillard and Melvil Poupaud; a Why Not production already backed by Arte France Cinéma – read our news).

Likewise appearing on the list of the lucky few is Century Island, which will be Virgil Vernier’s 3rd feature after Mercuriales [+leggi anche:
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(selected for Cannes’ ACID line-up in 2014) and Sophia Antipolis [+leggi anche:
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intervista: Virgil Vernier
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(screened in Locarno’s Filmmakers of the Present section in 2018). Co-written by Benjamin Klintoe, the movie will be produced by Petit Film.

The institution will also be lending its support to Lucie Borleteau’s My Sole Desire [+leggi anche:
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, which will be her 3rd feature film after Fidelio: Alice’s Journey [+leggi anche:
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intervista: Lucie Borleteau
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(selected for competition in Locarno in 2014 and nominated for the Best First Film César in 2015) and Perfect Nanny [+leggi anche:
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(which earned itself Best Actress nominations at the 2020 César and Lumières Awards). Production of the movie is entrusted to Apsara Films.

An advance on receipts has also been granted to The Temple Woods Gang [+leggi anche:
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by Rabah Ameur-Zaïmeche, a Sarrazink production which will be the filmmaker’s 7th feature film after Back Home [+leggi anche:
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(Un Certain Regard 2006), Dernier Maquis [+leggi anche:
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(Directors’ Fortnight 2008), Smugglers’ Songs [+leggi anche:
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(in competition in Locarno 2011), The Story of Judas [+leggi anche:
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(selected for the Berlinale Forum and Toronto in 2015) and South Terminal [+leggi anche:
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(in competition in Locarno 2019), to name a few.

Likewise featuring among the selected works is Kim Chapiron’s The Young Imam [+leggi anche:
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, the director’s 4th full-length movie following Sheitan [+leggi anche:
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(2006), Dog Pound [+leggi anche:
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(2010) and Smart Ass [+leggi anche:
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(which scooped two nominations at the 2015 Lumières Awards). The film’s production is steered by SRAB Films.

Last but not least, an advance on receipts will be winging its way to the documentary project Araki, de soif et d’or by Roland Edzard (revealed in the 2011 Directors’ Fortnight via his fiction feature The End of Silence [+leggi anche:
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), which is overseen by Geko Films.

For the record, five first feature film projects were selected in the CNC’s first advance on receipts committee: Animalia [+leggi anche:
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intervista: Sofia Alaoui
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by Sofia Alaoui (who nabbed the Grand Jury Prize at Sundance 2020 and the 2021 César for Best Short thanks to So What If the Goats Die), which will be produced by Wrong Films, Le Médium by Manu Laskar (Les Films du Bélier), La Baleine by Sylvère Petit (Les Films d’Ici Méditerranée), Fantastic Three by Michaël Dichter (Les Films Norfolk and Rectangle) and Rapture [+leggi anche:
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by Angela Ottobah(Kidam).

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(Tradotto dal francese)

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