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ARRAS 2021

L'Arras Film Festival riprende il volo

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- Più di 100 film in programma e una miriade di artisti presenti per la 22ma edizione della manifestazione che si svolgerà dal 5 al 14 novembre

L'Arras Film Festival riprende il volo
The Blind Man Who Did Not Want To See Titanic di Teemu Nikki

Questo articolo è disponibile in inglese.

After a 2020 edition which was cancelled on account of the pandemic and re-arranged into a pared down version for the juries’ eyes only in Paris (news), the team behind the Arras Film Festival, steered by Nadia Paschetto and Éric Miot, will soon be reunited with their loyal and extensive public (having drawn in upwards of 50,000 viewers in 2019) on the occasion of a 22nd edition scheduled to unfold between 5 and 14 November. This year’s guests of honour will be Fanny Ardant (set to deliver a film masterclass, as well as toplining Carine Tardieu’s The Young Lovers [+leggi anche:
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) and Claude Lelouch (whose new opus Love Is Better Than Life is slated to close the festival) in an event which will also welcome the likes of Audrey Diwan, Arnaud Desplechin, Roschdy Zem, Laure Calamy, Mélanie Thierry, Sandrine Kiberlain, Emmanuelle Bercot, François Cluzet, Laurent Cantet, Nicole Garcia, Grégory Gadebois, etc.

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Nine feature films yet to be seen in France will be fighting for the 2021 Golden Atlas: the Dutch-Belgian co-production Becoming Mona [+leggi anche:
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intervista: Sabine Lubbe Bakker e Niel…
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by Sabine Lubbe Bakker and Niels van Koevorden (which scooped the Best Direction Golden Calf in 2021), The Fam [+leggi anche:
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intervista: Fred Baillif
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by Swiss director Fred Baillif (which nabbed the Generation 14Plus Grand Prize in Berlin), Erna at War [+leggi anche:
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intervista: Henrik Ruben Genz
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by Denmark’s Henrik Ruben Genz (which won its protagonist the Best Actor accolade in Tallin), four films unveiled in Venice (Leave No Traces [+leggi anche:
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intervista: Jan P. Matuszyński
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by Poland’s Jan P. Matuszynski, which screened in competition, Vera Dreams of the Sea [+leggi anche:
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intervista: Kaltrina Krasniqi
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by Kosovar director Kaltrina Krasniqi and Miracle [+leggi anche:
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intervista: Bogdan George Apetri
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by Romania’s Bogdan George Apetri, which graced the Orizzonti line-up, and The Blind Man Who Did Not Want To See Titanic [+leggi anche:
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intervista: Teemu Nikki e Jani Pösö
intervista: Teemu Nikki, Jani Pösö e P…
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by Finland’s Teemu Nikki, which walked away with the Orizzonti Extra Audience Award) and two titles discovered in San Sebastián’s New Directors section: Inventory [+leggi anche:
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intervista: Darko Sinko
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by Slovenia’s Darko Sinko and Kadir (Between Two Dawns) [+leggi anche:
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intervista: Selman Nacar
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by Turkish director Selman Nacar.

Screening within the Eastern selection are three films unveiled in Cannes (the mind-blowing Evolution [+leggi anche:
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intervista: Kornél Mundruczó e Kata Wé…
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by Hungary’s Kornel Mundruczo, competitor Petrov’s Flu [+leggi anche:
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by Russian director Kirill Serebrennikov and the Swiss-French production Olga [+leggi anche:
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intervista: Elie Grappe
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by Elie Grappe), alongside In the Dusk [+leggi anche:
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intervista: Sharunas Bartas
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by Lithuania’s Sharunas Bartas and three Ukrainian feature films: My Thoughts Are Silent [+leggi anche:
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by Antonio Lukich (awarded the Special Jury Prize within Karlovy Vary’s East of the West line-up), Blindfold by Taras Dron and The Forgotten by Daria Onyshchenko. Added to these works are six films hailing from last year’s competition which will be screened in the presence of their directors, battling it out for an audience award: Spiral [+leggi anche:
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by Hungary’s Cecilia Felméri, Rounds [+leggi anche:
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intervista: Stephan Komandarev
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by Bulgarian director Stefan Komandarev, Tereza37 [+leggi anche:
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by Croatia’s Danilo Serbedzija, Shadow Country [+leggi anche:
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by Czech filmmaker Bohdan Slama, I Never Cry [+leggi anche:
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intervista: Piotr Domalewski
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by Poland’s Piotr Domalewski and The Campaign [+leggi anche:
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intervista: Marian Crişan
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by Romania’s Marian Crisan.

Stealing focus in the European Discoveries category are Ali & Ava [+leggi anche:
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by English helmer Clio Barnard, Adventures of a Mathematician [+leggi anche:
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by Germany’s Thorsten Klein, Nobody Has To Know [+leggi anche:
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intervista: Bouli Lanners
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by Belgium’s Bouli Lanners, the documentary For a Fistful of Fries [+leggi anche:
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by his compatriots Jean Libon and Yves Hinant, Luzzu [+leggi anche:
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intervista: Alex Camilleri
scheda film
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by Maltese director Alex Camilleri, Besties by France’s Marion Desseigne Ravel, The Castle [+leggi anche:
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by Lithuanian filmmaker Lina Luzyte, Apples [+leggi anche:
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intervista: Christos Nikou
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by Greece’s Christos Nikou, The Racer [+leggi anche:
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intervista: Kieron J. Walsh
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by British director Kieron J. Walsh, three titles from Cannes (Small Body [+leggi anche:
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intervista: Laura Samani
scheda film
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by Italy’s Laura Samani, La Traviata, My Brothers and I [+leggi anche:
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by French filmmaker Yohan Manca and Mi iubita mon amour [+leggi anche:
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by his compatriot Noémie Merlant), My Heart Goes Boom [+leggi anche:
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intervista: Nacho Álvarez
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by Spain’s Nacho Alvarez, The Best Years [+leggi anche:
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by Italy’s Gabriele Muccino and Nowhere Special [+leggi anche:
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intervista: Uberto Pasolini
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by fellow Italian Uberto Pasolini.

Finally, among the 100-plus films gracing the programme (of which 80 are brand-new), stand-out movies will include those gracing the World Cinema section, multiple French premières (including that of Clovis Cornillac’s C’est magnifique in the festival’s opening slot), Golden Lion winner Happening [+leggi anche:
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by Audrey Diwan, Undercover [+leggi anche:
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intervista: Thierry de Peretti
scheda film
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by Thierry de Peretti, The Kitchen Brigade by Louis-Julien Petit, Arthur Rambo [+leggi anche:
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intervista: Laurent Cantet
scheda film
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by Laurent Cantet, La vraie famille by Fabien Gorgeart, Lifelines [+leggi anche:
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by Fabienne Godet, Her Way [+leggi anche:
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scheda film
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by Cécile Ducrocq and Cyril Dion’s documentary Animal [+leggi anche:
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, to name just a few films screening in this highly abundant showcase.

Also worth a mention are the professional Rencontres du Nord meetings (running 9 – 11 November) and the pitching sessions linked to Arras Days’ Development Grant, scheduled for 13 and 14 November.

(L'articolo continua qui sotto - Inf. pubblicitaria)

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