Residencias (a programme designed to provide support to cinematographic creators, developed by the Spanish Film Academy with backing from Madrid City Council) and Rueda (a programme for audiovisual development organised by the Film Academy Foundation, funded by the Film and Audiovisual Arts Institute and by the European Union/NextGeneration) have already picked the 26 projects that will be taking part in their fifth and second editions, respectively.

After weighing up the 732 propositions that were submitted, an evaluation committee chose the lucky ones that would be taking part in the 2023-2024 Residencias programme. They are Caro Nanni by Pablo Maqueda (who released Girl Unknown [+leggi anche:
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intervista: Pablo Maqueda
scheda film] not long ago), Diarios del silencio by Daniela Muñoz Barroso, El viaje de Azul by Aline Romero, Ella y yo y sobre todo ella by Marta Ambel Meyer, En la tierra by screenwriter Belén Sánchez-Arévalo (Josephine [+leggi anche:
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scheda film]), Extrañas criaturas by Ainoa Bolaños Alonso, Festina Lente by Carlos Villafaina (La filla d’algú [+leggi anche:
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intervista: Ibon Cormenzana
scheda film] and of the series Fleeting Lies [+leggi anche:
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intervista: Esther García
scheda series]), Las plantas del aire by Inbar Horesh, Las voces by Irene Cardona, Los animalitos by Paco Ruiz, Mapá by Afioco Gnecco, Mísero de mí by Nacho Martínez, Obra maestra by Nacho Sánchez Quevedo, Petróleo by Álvaro Pulpeiro (So Foul a Sky [+leggi anche:
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This means that a grand total of 20 propositions have been chosen, of which 11 are fiction features, four are documentaries, two are animations and three are fiction series. The 20 filmmakers who have been selected will begin their residency in October, and up until the end of June 2024, they will enjoy access to the resources and support necessary for the development of their audiovisual projects. The Film Academy’s Madrid headquarters will serve as the location for this programme, and the academy will offer the creators a monthly financial contribution, help with moving and accommodation costs for those who do not live in the Community of Madrid, consultations with mentors, participation in the Film Academy’s activities and permanent contact with the industry.

Meanwhile, Ignacio Acconcia (with Cara sucia), Eva Valiño (El nido), Isla bonita [+leggi anche:
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scheda film] star Olivia Delcán (La hija bastarda de Nino Bravo), Lucía Estévez (As defensas), Alejandro Pérez (Niebla) and documentarian Alfonso Amador (Papalagi) are those taking part in the second edition of the Rueda programme, which is extending its duration to last seven months, beginning this coming November. It is aimed at both national and foreign screenwriters who, owing to their geographical location, professional circumstances or family commitments, wish to develop their projects online. They will nonetheless come together at various in-person meetings in different Spanish cities during the course.