EFP annuncia la lista dei Producers on the Move 2024
di Cineuropa
- 20 produttori europei selezionati partecipanno alla piattaforma di promozione e networking prima e durante il Festival di Cannes
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Twenty emerging producers from across Europe have been selected to take part in European Film Promotion (EFP) promotion and networking platform Producers on the Move before and during the Cannes Film Festival (14-25 May). EFP’s platform is not only celebrating its 25th anniversary, but will also be casting a spotlight on the numerous collaborations which have developed between around 500 participants from 37 European countries during this quarter century.
The exclusive group will take part in a tailor-made programme to foster international co-productions, intensify the exchange of experiences and help create new professional networks. The Pre-Festival online programme, which starts today and runs until 3 May, includes 1:1 speed meetings, roundtables and pitching sessions. The producers will then meet in person during the Cannes Film Festival from 16 to 20 May and take part in a five-day on-site programme including case studies, social events and an extensive promotional campaign via the international trade magazines.
The selected participants have already been behind a number of award-winning films: Lina Flint produced The Guilty [+leggi anche:
recensione
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intervista: Gustav Möller
scheda film], which won Sundance’s Audience Award and was shortlisted for the Oscars. French producer Delphine Schmit was also successful with Love According to Dalva [+leggi anche:
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intervista: Emmanuelle Nicot
intervista: Emmanuelle Nicot, Julie Es…
scheda film], which triumphed at Belgium's 2024 Magritte Awards, and Our Mothers [+leggi anche:
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intervista: Cesar Diaz
scheda film], which won the Caméra d'Or at Cannes. Other prize-winners are Katharina Posch (Soldier Jane [+leggi anche:
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intervista: Daniel Hoesl
scheda film], Tiger Award at IFFR), Sara Nassim (Lamb [+leggi anche:
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intervista: Valdimar Jóhannsson
scheda film], Un Certain Regard's Prize of Originality at Cannes and European Film Award for Visual Effects), Ireland’s Evan Horan (Oddity [+leggi anche:
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scheda film], Midnighter Audience Award at SXSW), Elisa Heene from Belgium (Holly [+leggi anche:
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intervista: Fien Troch
scheda film], Bisato d’Oro for Best Actress in Venice's Competition), Bulgaria’s Kalin Kalinov (Because I Love Bad Weather, Audience Award in Sofia), Tonia Mishiali from Cyprus (Pause [+leggi anche:
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intervista: Tonia Mishiali
scheda film], East of the West entry at Karlovy Vary and FIPRESCI Prize in Thessaloniki) and Kristýna Michálek Květová (Arved, three Czech Lion Awards).
Some producers have tended to concentrate on the production of animated films or documentaries such as Germany’s Fabian Driehorst, whose credits include award-winning animated film Sultana’s Dream [+leggi anche:
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intervista: Isabel Herguera
scheda film]; Maria Kontogianni from Greece whose work-in-progress Nine Lives Left by Zacharias Mavroeidis received an award at the 2023 CEE Animation Forum; Giedrė Žickytė from Lithuania who was both producer and director of her documentaries, including The Jump [+leggi anche:
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scheda film]; Norway’s Anita Rehoff Larsen who produced such award-winning documentaries as Gunda [+leggi anche:
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scheda film]. Other participants have also been involved in producing series for TV and streaming platforms such as Wanda Adamík Hrycová with the historical TV series The Slavs [+leggi anche:
intervista: Wanda Adamík Hrycová
scheda series].
The line-up also includes producers who continue long-standing collaborations with ”their“ directors, work with renowned talents or focus on debuts such as Tibor Keser from Croatia who produced El Shatt – A Blueprint for Utopia [+leggi anche:
recensione
scheda film]; Luxembourg’s Katarzyna Ozga who was involved in Blind at Heart; North Macedonia's Angela Nestorovska who co-produced Greece's Oscar submission Behind the Haystacks [+leggi anche:
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scheda film]; Dragana Jovović who produced The Load [+leggi anche:
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intervista: Ognjen Glavonić
scheda film]; Portugal’s Isabel Machado who co-produced The Last Bath [+leggi anche:
recensione
scheda film]; Swedish producer Eva Åkergren who recently co-produced Holy Spider [+leggi anche:
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intervista: Ali Abbasi
intervista: Ali Abbasi
intervista: Zar Amir Ebrahimi
scheda film], Unruly [+leggi anche:
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scheda film] and Sons [+leggi anche:
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scheda film], together with Denmark’s Lina Flint, and is now in preproduction on her third collaboration with Amanda Kernell with The Curse – A Love Story.
Cineuropa will be publishing interviews with all the participants in the following days. For more information on every producer, click here.
The 2024 Producers on the Move are:
Katharina Posch (Austria)
Production company: Nikolaus Geyrhalter Filmproduktion
Elisa Heene (Belgium)
Production company: Mirage
Kalin Kalinov (Bulgaria)
Production company: Invictus
Tibor Keser (Croatia)
Production company: KOMPOT
Tonia Mishiali (Cyprus)
Production company: Bark Like a Cat Films
Kristýna Michálek Květová (Czech Republic)
Production company: Cinémotif Films
Lina Flint (Denmark)
Production company: Scanbox Entertainment Production
Delphine Schmit (France)
Production company: Tripode Productions
Fabian Driehorst (Germany)
Production company: Fabian&Fred
Maria Kontogianni (Greece)
Production company: Wild at Heart
Sara Nassim (Iceland)
Production company: S101 Films
Evan Horan (Ireland)
Production company: Keeper Pictures
Giedrė Žickytė (Lithuania)
Production company: Moonmakers
Katarzyna Ozga (Luxembourg)
Production company: Iris Productions
Angela Nestorovska (North Macedonia)
Production company: Sektor Film
Anita Rehoff Larsen (Norway)
Production company: Sant & Usant
Isabel Machado (Portugal)
Production company: C.R.I.M. Productions
Dragana Jovović (Serbia)
Production company: Non-Aligned Films
Wanda Adamík Hrycová (Slovakia)
Production company: Wandal Production
Eva Åkergren (Sweden)
Production company: Nordisk Film Production
(Tradotto dall'inglese)
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