The Toronto International Film Festival (TIFF), which runs 5-15 September, yesterday revealed the 10 features making up its Platform line-up. Chosen to showcase strong individual visions and emerging international talent, the 10 films are eligible for the Platform Prize, an award of $20,000 CAD given to the section’s best film. The festival’s sidebar was first instituted nine years ago, with Barry Jenkins’ Moonlight and Armando Iannucci’s The Death of Stalin [+leggi anche:
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scheda film] among the titles gaining higher prominence. 

The selection includes a few names familiar to festival watchers. Spanish genre director Nacho Vigalondo opens the section, with his film Daniela Forever [+leggi anche:
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intervista: Nacho Vigalondo
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intervista: Carlos Marques-Marcet
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intervista: Carlos Marqués-Marcet
scheda film], a look at our “unavoidable death” that is in some way a dance-musical. Bulgaria's multi-award-winning duo Petar Valchanov and Kristina Grozeva bring their latest effort, Triumph [+leggi anche:
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scheda film], drama set in the 1990s which is the final chapter in the directors’ “newspaper clipping trilogy”, following The Lesson [+leggi anche:
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intervista: Kristina Grozeva, Petar Va…
intervista: Margita Gosheva
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intervista: Petar Valchanov
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scheda film]. Mexico's four-time Academy Award-nominated cinematographer Rodrigo Prieto moves to the director’s chair for the Netflix-distributed Pedro Páramo, a Mexican magic-realist story sounding not far removed from his collaborations with Alejandro González Iñárritu.

Amongst the titles from newly emerging directors, standouts include the Ukrainian documentary Viktor, from the longtime war photographer Oliver Sarbil, focusing on a deaf person navigating the chaos and violence of the Russian invasion. Mr. K [+leggi anche:
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intervista: Tallulah H. Schwab, Crispi…
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intervista: Koya Kamura
scheda film], by French-Japanese filmmaker Koya Kamura, also selected in the New Directors section of the upcoming San Sebastián International Film Festival, stars Roschdy Zem in the role of a man trying to find his own place a small seaside village in South Korea. Lastly, Australian filmmaker Gabrielle Brady brings The Wolves Always Come at Night [+leggi anche:
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Canadian maestro Atom Egoyan (The Sweet Hereafter, Exotica) heads the three-person jury, joined by Jane Schoenbrun, one of the year’s breakthrough filmmakers for I Saw the TV Glow, and South Korean filmmaker, Hur Jin-Ho, whose drama A Normal Family enjoyed a TIFF premiere last year. 

The full line-up is as follows: 

Daniela Forever [+leggi anche:
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intervista: Nacho Vigalondo
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The Wolves Always Come at Night [+leggi anche:
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Daughter’s Daughter - Huang Xi (Taiwan) 
Winter in Sokcho [+leggi anche:
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intervista: Koya Kamura
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Paying For It - Sook-Yin Lee (Canada)
They Will Be Dust [+leggi anche:
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intervista: Carlos Marqués-Marcet
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Pedro Páramo - Rodrigo Prieto (Mexico)
Viktor - Olivier Sarbil (Ukraine/USA)
Mr. K [+leggi anche:
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intervista: Tallulah H. Schwab, Crispi…
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Triumph [+leggi anche:
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intervista: Kristina Grozeva e Petar V…
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