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HAUGESUND 2024 New Nordic Films

Il New Nordic Films svela le proiezioni di mercato e i progetti in corso

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- Per quattro giorni, a Haugesund, il principale evento del settore in Norvegia presenterà una vasta gamma di tendenze chiave del cinema regionale

Il New Nordic Films svela le proiezioni di mercato e i progetti in corso
Il regista Erol Mintaş, che partecipa con Earth Song

Questo articolo è disponibile in inglese.

The 52nd Norwegian International Film Festival in Haugesund, running from 17-23 August, will showcase the latest trends from the region at New Nordic Films from 20-23 August. This 30th edition of the market will bring together film professionals from around the globe to celebrate the finest in Nordic cinema. Attendees can look forward to a range of market screenings, work-in-progress presentations, developmental projects, and a variety of seminars and workshops. As the market celebrates this milestone, it will also look to the future, exploring the impact of artificial intelligence and virtual reality on film creativity.

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The market will officially kick off with the world premiere of Way Home, directed by Charlotte Sieling (The Man [+leggi anche:
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), a gripping drama about Christian's perilous journey into war-torn Syria in search of his son, testing his willingness to sacrifice everything for love and forgiveness. This will be followed by the presentation of the six nominees for the Nordic Council Film Prize.

Among the 19 selected completed film titles, four new Norwegian movies will be featured. Dag Johan Haugerud’s Love [+leggi anche:
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concludes his trilogy, depicting a pragmatic doctor and a compassionate nurse exploring casual intimacy after an unexpected encounter on a ferry. Egil Pedersen's debut, My Father’s Daughter, tells the story of confident Sámi teenager Elvira, whose life is upended by the sudden appearance of her biological father. In Yen’s debut, Explosions in My Heart, Billy falls for Nilo, only to learn that she is polyamorous.

From Finland, Long Good Thursday by Mika Kaurismäki (Gracious Night [+leggi anche:
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) presents a touching story of an elderly man rediscovering youthful love, despite his sceptical sons’ concerns. The comedy Butterflies by Jenni Toivoniemi (Games People Play [+leggi anche:
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) features a cynical daughter and her optimistic father navigating personal truths amidst Finland’s chaotic tango festival. Flocks, directed by Hannaleena Hauru (Fucking with Nobody [+leggi anche:
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intervista: Hannaleena Hauru
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) and Katja Gauriloff (Je'vida [+leggi anche:
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), explores the intersecting lives of young adults in Helsinki, dealing with themes of belonging and rejection. Meanwhile, Juho Kuosmanen’s (Compartment No. 6 [+leggi anche:
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) The Silent Film Trilogy comprises three shorts. From Sweden, debutante Maria Eriksson-Hecht will present Kevlar Soul, a teenage drama where brothers Alex and Robin’s bond is tested when the former falls in love, leaving Robin feeling abandoned. Finally, Iceland’s contributions include The Mountain by Ásthildur Kjartansdóttir (The Deposit [+leggi anche:
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), in which a planned family trip to photograph a comet unravels owing to Atli and Anna’s change of plans, dramatically altering their lives (see the news).

A total of 15 projects in post-production will be showcased as works in progress on Thursday 22 August, and one of the highlights, from Norway, is Ida Sagmo Tvedte’s heartwarming family film Stargate, which depicts Ronja and her sister Melissa’s struggle to fend for themselves when their father's temporary job selling Christmas trees falters owing to his distractions at the local pub (see the news). Charlotte Blom’s third feature, Three Men and Vilma, is a warm, funny and poignant exploration of loneliness, belonging and the risks of living, offering a hopeful message even for those feeling most hopeless (see the news). From Sweden, Jon Blåhed (The Count [+leggi anche:
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) returns with the period drama Raptures, where Rakel faces a profound moral dilemma as her husband’s sect threatens her stepdaughter’s safety, compelling her to reconcile her beliefs with his increasingly erratic behaviour.

From Denmark, Frelle Petersen’s (Forever [+leggi anche:
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) latest drama, Home Sweet Home, features single mother Sofie balancing a demanding new job as a home healthcare worker with her responsibilities at home for her daughter. Jahfar Muataz, a Baghdad-born filmmaker, presents his debut feature, Crossing Lines, a revenge-thriller where gang exit counsellor Cairo’s search for his missing nephew drags him back into Copenhagen’s criminal underworld (see the news). Mads Hedegaard’s action-drama debut, Stranger, set in 4000 BC Denmark, follows Aathi and her brother as they adapt to the tribe that killed their family, grappling with harsh demands and the decision to seek revenge amid a major cultural clash (see the news).

From Finland, Visa Koiso-Kanttila’s (Star Boys [+leggi anche:
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) sophomore feature, Defiance, follows Vilma, a child protective services client who rebels against a boarding school’s abusive staff and a neglectful system. Erol Mintaş (Song of My Mother [+leggi anche:
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) presents his latest feature Earth Song, where Kurdish-Finnish woman Rojin faces a personal crisis when her father’s unexpected visit forces her to confront her troubled past and strained family relationships. Following her debut feature, Eden [+leggi anche:
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, writer-director Ulla Heikkilä presents Summer Is Crazy, an ensemble drama depicting the Eerola family, their friends and their neighbours during the Finnish Midsummer festivities.

Here are the selected work-in-progress projects at the 30th New Nordic Films:

The Badgers - Paul Magnus Lundøt (Norway)
Producer: David Lee Leader (73 Eyes Film Production)

Confessions of a Swedish Man - Hampus Linder (Sweden/Denmark/USA)
Producer: Helene Granqvist (Nordic Factory Film)
Co-producers: Grace Maharaj (Arvet Agency), Rikke Tambo (Tambo Film), Wade Channell (Damn Fool Productions)

Crossing Lines - Jahfar Muataz (Denmark)
Producer: Misam Avaz (Forty Five Films)

Defiance - Visa Koiso Kanttila (Finland)
Producer: Tiina Pesonen (Rabbit Films)

Earth Song - Erol Mintaş (Finland/Germany)
Producers: Mete Sasioglu, Erol Mintaş (Sons of Lumière)
Co-producers: Tanja Georgieva Waldhauer (Elemag Pictures), Anna Blom (Jamedia Productions)

Everything Must Go - Arild Østin Ommundsent (Norway)
Producer: Julia Joner (Chezville AS)

The Home - Mattias J Skoglund (Sweden/Estonia/Iceland)
Producer: Siri Hjorton Wagner ([sic] film)
Co-producers: Elina Litvinova (Three Brothers), Heather Millard (Compass Films)

Home Sweet Home - Frelle Petersen (Denmark)
Producer: Jonas Bagger (Zentropa)

The Polar Bear Prince - Mikkel B Sandemose (Norway/Belgium)
Producer: Cornelia Boysen (Maipo Film)
Co-producers: Viviane Vanfleteren (Vivi Film), Fabrice Delville (Beside Productions)

Raptures - Jon Blåhed (Sweden/Finland)
Producers: Andreas Emanuelsson, Tony Österholm (Iris Film AB)
Co-producer: Tiina Pesonen (Rabbit Films)

Stargate - Ida Sagmo Tvedte (Norway)
Producer: Hege Hauff Hvattum (Motlys AS)

Stranger - Mads Hedegaard (Denmark/Norway/Hungary)
Producer: Andreas Hjortdal (MOTOR ApS)
Co-producers: Maria Ekerhovd, Gary Cranner (Mer Film)

Summer Is Crazy - Ulla Heikkilä (Finland)
Producer: Marja Pihlaja (Tekele Productions)

Three Men and Vilma - Charlotte Blom (Norway/Denmark)
Producers: Cornelia Boysen, Synnøve Hørsdal (Maipo Film)
Co-producers: Christopher Seidelin (Nordisk Film), Linda Netland (Oslo Filmfond)

Zarzis, Waves of Silence - Farzad Samsami (Norway/Sweden/Morocco)
Producers: Farzad Samsami, Trude Refsahl (Gorilla Film AS)
Co-producers: Fotsporfilm AS, Anna Byvald (Silver Films AB), Najib Walid Derkaoui (Cine Scene International)

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