PRODUZIONE / FINANZIAMENTI Francia
La Fondation Gan sostiene La Gradiva
- Il progetto di Marine Atlan è tra quelli selezionati per il 2024, tra cui figurano anche Maïté Sonnet, Martin Jauvat, Hu Wei e il duo Marie Amachoukeli - Vladimir Mavounia-Kouka

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The Gan Film Foundation, which has been supporting first and second feature film projects since 1987, has unveiled its list of 2024 works selected for aid.
These include La Gradiva, which will be the first feature film by Marine Atlan who’s mostly known as a director of photography (on The Rapture [+leggi anche:
recensione
trailer
intervista: Iris Kaltenbäck
scheda film], among other works) but who has already garnered acclaim as a director through her medium-length movie Daniel [+leggi anche:
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trailer
scheda film] (awarded a Special Mention in the 2019 Berlinale’s Generation Kplus section). Scheduled to begin shooting in Italy in April next year, the film will revolve around a small group of French high schoolers who set off on a school trip to Pompei. In the midst of this ghost town, they fall prey to vertigo. One by one, James, Toni, Suzanne and their Latin teacher Mrs Mercier are overwhelmed by desire, anger and despair, abandoning themselves to their emotions to the point of losing everything… Production is steered by Inès Daïen Dasi on behalf of Les Films du Poisson.
Another project selected for support is Tu feras tomber les rois, a first feature film by Maïté Sonnet (highly acclaimed for her shorts Massacre and Des jeunes filles enterrent leur vie). Produced by Ethan Selcer on behalf of Quartett Production and due to commence filming in the summer, the film will home in on 13-year-old Sybille who is enjoying a free and happy childhood ensconced in vineyards. But when her little brother is hospitalised due to severe poisoning caused by pesticides, Sybille is left to her own devices facing a new fear: death…
The Gan Film Foundation will also be backing Baise-en-ville by Martin Jauvat (read our article – produced by Emmanuel Chaumet for Ecce Films) and 49 jours, which is Hu Wei’s debut feature film (a director notably nominated for the Best Live Action Short Film Oscar in 2015 via Butter Lamp) produced by Sylvie Pialat on behalf of Les Films du Worso, whose screenplay revolves around a Chinese couple who have been divorced for ten years and who find themselves reunited in Paris, organising the funeral of their only child.
Last but not least, the Foundation awarded its Special 2024 Prize to the animated feature film project Happy End by Marie Amachoukeli (well-known for Party Girl [+leggi anche:
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intervista: Marie Amachoukeli, Claire …
scheda film] and Àma Gloria [+leggi anche:
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intervista: Marie Amachoukeli
scheda film]) and Vladimir Mavounia-Kouka, who also worked together on I Want Pluto to Be a Planet Again (nominated for the Best Animated Short César in 2018). Produced by Emmanuel-Alain Raynal on behalf of Miyu Productions, the pitch for this movie due to be released in 2026 asks what would happen if Death disappeared overnight? And what would this mean for the world and for Bertha King, a former military career woman who is highly suicidal and more than a little aggrieved by this news?
For the record, projects recently supported by the Gan Film Foundation which have distinguished themselves in major festivals this year include All We Imagine as Light [+leggi anche:
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scheda film] by Payal Kapadia, Ghost Trail [+leggi anche:
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intervista: Jonathan Millet
intervista: Pauline Seigland
scheda film] by Jonathan Millet, The Mohican [+leggi anche:
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intervista: Frédéric Farrucci
scheda film] by Frédéric Farrucci, Little Jaffna [+leggi anche:
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intervista: Lawrence Valin
scheda film] by Lawrence Valin and Winter In Sokcho [+leggi anche:
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trailer
intervista: Koya Kamura
scheda film] by Koya Kamura.
(Tradotto dal francese)
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