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IFFR 2025

L'IFFR svela i principali titoli in concorso

di 

- Il festival olandese ha annunciato i titoli dei concorsi Tiger e Big Screen per la sua 54ma edizione, oltre ad alcuni eventi Talks eclettici e pieni di star

L'IFFR svela i principali titoli in concorso
Perla di Alexandra Makarová

Questo articolo è disponibile in inglese.

In an online press conference hosted this morning by festival director Vanja Kaludjercic, International Film Festival Rotterdam (IFFR) unveiled its Tiger Competition and Big Screen Competition line-ups, with the 14 titles in each spanning emerging voices from across the globe. Kicking off the year’s elite festival calendar, the Dutch event will celebrate its 54th edition, taking place from 30 January-9 February 2025.

Unlike previous years, regular festival watchers may not recognise the filmmakers in this year’s Tiger Competition, yet its multi-continental selection is encouraging, with Southeastern Europe and East Asia well represented. The festival describes the 14 world premieres as “exploring personal stories and profound connections to history, identity and place”, with one title still to be announced owing to “sensitivities surrounding its release”. Among them are Stefan Djordjevic’s Wind, Talk to Me [+leggi anche:
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, which has just been picked up for worldwide sales by Heretic; Alexandra Makarová’s Perla [+leggi anche:
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intervista: Alexandra Makarová
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, whose arresting key image can be seen above; and Varsha Bharath’s Bad Girl, continuing India’s run of high-profile festival appearances. The films will compete for the Tiger Award, worth €40,000, and two Special Jury Awards, worth €10,000 each.

The Big Screen Competition is dedicated to paving the way for its titles to secure distribution in the Netherlands, and showcases movies with popular and traditional arthouse appeal. In the festival’s words, the section’s 14 titles express “genre-blurring stories of rebellion, tradition and expression, covering territories from Lithuania to Japan and the Netherlands to Argentina”. Again, the global spread is large, with two films by acclaimed painters immediately catching the eye: these are The Assistant [+leggi anche:
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intervista: Wilhelm Sasnal
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by Wilhelm Sasnal, assisted in direction by his wife Anka Sasnal; and Bad Painter [+leggi anche:
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intervista: Albert Oehlen
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by Albert Oehlen, made in collaboration with alternative icons Udo Kier, Kim Gordon and Grace Zabriskie.

Several world premieres in Harbour and Limelight are important to note, whose directors have won critical acclaim and wide distribution in the past few years: these are Lois Patiño’s Ariel [+leggi anche:
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intervista: Lois Patiño
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, following up his mind-bender Samsara [+leggi anche:
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intervista: Lois Patiño
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; the new feature by veteran Spanish filmmaker Jaime Rosales (Solitary Fragments [+leggi anche:
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, Petra [+leggi anche:
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intervista: Jaime Rosales
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), titled Morlaix [+leggi anche:
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; Courtney Stephens and Michael Almereyda’s John Lilly and the Earth Coincidence Control Office; Wei Shujun’s I Dreamed a Dream, coming after his Cannes 2023 Un Certain Regard selection Only the River Flows was a major box-office hit at home; and Alex Ross Perry’s Videoheaven, an epic celebration of US VHS culture, with a voice-over from Maya Hawke.

The IFFR Talks line-up also whets the appetite, with Cate Blanchett joining Guy Maddin on stage after premiering their very funny political satire Rumours [+leggi anche:
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last year; their conversation will broach the subjects of creative collaboration, film-festival culture as a whole, and the short-film form. Lol Crawley will receive the Robby Müller Award after his sublime VistaVision work in The Brutalist [+leggi anche:
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and will be feted in conversation with The Guardian critic Peter Bradshaw. Music-video pro and cult filmmaker Joseph Kahn, genre master Fabrice du Welz and the aforementioned Ross Perry complete the well-curated line-up.

The festival’s two feature competition line-ups are as follows:

Tiger Competition

First Person Plural [+leggi anche:
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intervista: Sandro Aguilar
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- Sandro Aguilar (Portugal/Italy)
The Tree of Authenticity [+leggi anche:
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- Sammy Baloji (Democratic Republic of Congo/Belgium)
Vitrival – The Most Beautiful Village in the World [+leggi anche:
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intervista: Noëlle Bastin, Baptiste Bo…
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- Noëlle Bastin, Baptiste Bogaert (Belgium)
Fiume o morte! [+leggi anche:
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- Igor Bezinović (Croatia/Italy/Slovenia)
Bad Girl - Varsha Bharath (India)
Blind Love - Julian Chou (Taiwan)
La gran historia de la filosofía occidental - Aria Covamonas (Mexico)
Wind, Talk to Me [+leggi anche:
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- Stefan Djordjevic (Serbia/Slovenia/Croatia)
Guo Ran - Li Dongmei (China)
Im Haus meiner Eltern [+leggi anche:
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intervista: Tim Ellrich
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- Tim Ellrich (Germany)
Perla [+leggi anche:
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intervista: Alexandra Makarová
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- Alexandra Makarová (Austria/Slovakia)
Tears in Kuala Lumpur - Ridhwan Saidi (Malaysia)
Wondrous Is the Silence of My Master [+leggi anche:
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intervista: Ivan Salatić
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]
- Ivan Salatić (Montenegro)

Big Screen Competition

Back to the Family [+leggi anche:
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- Šarūnas Bartas (Lithuania/France/Poland/Latvia)
Raptures [+leggi anche:
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- Jon Blåhed (Sweden/Finland)
Gowok: Javanese Kamasutra - Hanung Bramantyo (Indonesia)
White roses, fall! [+leggi anche:
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- Albertina Carri (Argentina/Brazil/Spain)
Our Father - The Last Days of a Dictator [+leggi anche:
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intervista: José Filipe Costa
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- José Filipe Costa (Portugal)
Orenda [+leggi anche:
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intervista: Pirjo Honkasalo
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- Pirjo Honkasalo (Finland/Estonia/Sweden)
Yasuko, Songs of Days Past - Negishi Kichitaro (Japan)
The Puppet’s Tale - Suman Mukhopadhyay (India)
Bad Painter [+leggi anche:
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intervista: Albert Oehlen
scheda film
]
- Albert Oehlen (Germany/USA)
Macai - Sun-J Perumal (Malaysia)
The Rhine Gold [+leggi anche:
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 - Lorenzo Pullega (Italy)
Idyllic [+leggi anche:
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 - Aaron Rookus (Netherlands/Belgium/Estonia)
The Assistant [+leggi anche:
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intervista: Wilhelm Sasnal
scheda film
]
- Wilhelm Sasnal, Anka Sasnal (Poland/UK)
Soft Leaves [+leggi anche:
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intervista: Miwako Van Weyenberg
scheda film
]
- Miwako Van Weyenberg (Belgium)

(Tradotto dall'inglese)

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