The fourth and final selection committee for 2024, organised by Arte France Cinéma (under the aegis of Olivier Père), has committed to co-produce and pre-purchase three projects. Standing tall amongst these is The Revolution According To Kamo (see the article), which will be the ninth feature by Hungarian director Kornél Mundruczó, who has been acclaimed six times within Cannes’ Official Selection (having competed with Delta [+leggi anche:
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intervista: Kornél Mundruczó
intervista: Orsi Tóth
scheda film] in 2008, Tender Son - The Frankenstein Project [+leggi anche:
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scheda film] in 2010 and Jupiter’s Moon [+leggi anche:
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intervista: Kornél Mundruczó
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intervista: Kornél Mundruczó e Kata Wé…
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Arte France Cinéma is also throwing its weight behind Hautfaye, which is French director Vincent Le Port’s second feature film after Bruno Reidal, Confessions of a Murderer [+leggi anche:
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intervista: Vincent Le Port
scheda film] (unveiled in Cannes’ Critics’ Week in 2021 and nominated for the Best First Film César and Lumière trophies in 2023). Steered by Les Films du Losange, his latest opus will be toplined by Belgium’s Arieh Worthalter (awarded last year’s Best Actor César and Lumière awards for The Goldman Case [+leggi anche:
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intervista: Cédric Kahn
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intervista: Arnaud Valois
intervista: Robin Campillo
scheda film] and nominated in the same category last year for Anatomy of a Fall [+leggi anche:
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intervista: Justine Triet
scheda film]). This historical film based on George Marbeck’s book Un crime de braves gens will take us back to 16 August 1870, in the final days of the Second Empire, when a crowd of peasants spend several hours beating and torturing a man before burning him alive. The main individuals responsible for this crime were ordinary people, and it’s their story that the director looks to tell in this tale of two parts, which morphs from a chronicle of peasant life into a tragic criminal trial: "in the context of the Hautefaye tragedy, legitimate popular anger is tinged with sadism and arbitrariness, cowardice is just one of the many understandable forms of fear, and the reason of State reveals itself to be just as cruel and barbaric as a moment’s madness."

Last but not least, Arte France Cinéma is also set to co-produce the animated project Le royaume des oiseaux. This first feature film by Brazil’s Wesley Rodrigues will be a fantasy tale set in the early stages of the Industrial Revolution, in the enduringly wild and agricultural area of Sertão, an arid land where men can turn into birds of prey and where Assum Preto is taken in as a child by Carcará, an outlaw who aspires to becoming a local legend. Production is entrusted to Sacrebleu Productions (France) and Lupa Filmes (Brazil), and is set to kick off in January 2027, with the final product scheduled for completion by spring 2028.

For the record, Arte France Cinéma are also supporting upcoming films by Joachim Trier, Tarik Saleh, Kaouther Ben Hania, Nadav Lapid, Kleber Mendonça Filho, Arnaud Desplechin, Mia Hansen-Løve, Claire Denis, Bi Gan, Kantemir Balagov, Lucile Hadzihalilovic, Hafsia Herzi, Yann Gonzalez, Emmanuel Finkiel, Hlynur Pálmason, Justyna Tafel, Diego Céspedes, Momoko Seto, Charline Bourgeois-Tacquet, Laura Samani, Chie Hayakawa, Zou Jing, Chabname Zaria, Marine Atlan, Jérémy Comte, Hu Wei, Louise Hémon and by the duo composed of Romain Renard and Fursy Teyssier.