La 32ma edizione di Hot Docs presenta opere europee in tutte le sue sezioni
di Olivia Popp
- Il più grande festival di documentari del Nord America promuoverà ancora una volta un'ampia varietà di film europei nel corso degli 11 giorni di programmazione, dal 24 aprile al 4 maggio

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Unspooling between 24 April and 4 May in Toronto, Canada, the 32nd edition of Hot Docs will feature 113 documentaries from 47 countries (selected from among 2,662 submissions), including 35 world and 14 international premieres. This year’s line-up features a mix of European feature-length documentary favourites as well as several brand-new premieres across every single strand of the programme, spotlighting the richness of the selection.
The World Showcase programme includes the Canadian premiere of Cutting Through Rocks by Sara Khaki and Mohammadreza Eyni, which premiered at Sundance and follows an elected councilwoman fighting against the confines of patriarchy. Matthias Lintner's My Boyfriend the Fascist will enjoy its international premiere in the section, while Ventura Durall’s Supernatural [+leggi anche:
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intervista: Ventura Durall
scheda film] and Sammy Baloji’s IFFR-premiered The Tree of Authenticity [+leggi anche:
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scheda film] will receive their North American premieres. Two eco-centric European documentaries also feature in this section: How Deep Is Your Love by Eleanor Mortimer and Lichens Are the Way by Ondřej Vavrečka. Other titles with European involvement screening in this section are Always by Deming Chen, Circusboy [+leggi anche:
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intervista: Julia Lemke, Anna Koch
scheda film] by Julia Lemke and Anna Koch, Climate in Therapy by Nathan Grossman, Higher Than Acidic Clouds by Ali Asgari, and Voyage Along the War [+leggi anche:
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intervista: Antonin Peretjatko
scheda film] by Antonin Peretjatko.
The International Spectrum Competition features only world and international premieres, and includes four European works. Holloway [+leggi anche:
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scheda film] by Sophie Compton and Daisy-May Hudson (international premiere) reveals stories about trauma from women’s imprisonment, while King Matt the First [+leggi anche:
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intervista: Jaśmina Wójcik
scheda film] by Jaśmina Wójcik (world premiere) takes us into the world of young Polish sisters as they grow up. Neshoma by Sandra Beerends (international premiere) showcases a Jewish woman’s story in 1920s Amsterdam through letters to her brother, and Walls – Akinni Inuk by Sofie Rørdam and Nina Paninnguaq Skydsbjerg (international premiere) traces the evolution of a journey of healing involving two women united by trauma, a filmmaker and a convicted murderer. The festival’s Canadian Spectrum Competition also features one European-co-produced film, Ghosts of the Sea by Virginia Tangvald.
The Special Presentations programme includes five acclaimed European-co-produced documentaries enjoying their Canadian premieres: 2000 Meters to Andriivka [+leggi anche:
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scheda film] by Mstyslav Chernov, Antidote by James Jones, Apocalypse in the Tropics by Petra Costa, Coexistence, My Ass! [+leggi anche:
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scheda film] by Amber Fares and The Dating Game [+leggi anche:
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scheda film] by Violet Du Feng. The Made in Exile strand features three already-acclaimed European-co-produced documentaries by those affected by war and humanitarian crises: Khartoum [+leggi anche:
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intervista: Ibrahim “Snoopy” Ahmad, Ti…
scheda film] by Anas Saeed, Rawia Alhag, Ibrahim Snoopy Ahmad, Timeea Mohamed Ahmed and Philip Cox, Writing Hawa [+leggi anche:
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intervista: Najiba Noori, Rasul Noori
scheda film] by Najiba Noori, and Yalla Parkour [+leggi anche:
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scheda film] by Areeb Zuaiter. The fourth film is the world-premiering The Longer You Bleed by Ewan Waddell, which follows a group of Gen Z Ukrainians in Berlin, complete with a humorous twist.
Hot Docs’ Nightvision progra mme focuses on films with more boundary-pushing structures and styles, and includes the North American premiere of Ultras [+leggi anche:
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intervista: Ragnhild Ekner
scheda film] by Ragnhild Ekner, which refers to the titular football “uber-fans” who put on arena displays of sound and light. The Persister strand highlights the North American premieres of the mother-daughter tale 9-Month Contract by Ketevan Vashagashvili and The Last Ambassador by Natalie Halla, the story of Afghanistan’s only female ambassador. Ellen Fiske’s Mama Goals will enjoy its international premiere – it follows a woman who gives up a secure job in healthcare to pursue her dream of becoming a comedian, creating tensions in her family.
A brand-new programme, Tipping Point, highlights crucial issues around justice and human rights in documentary film. Featured European works include the NATO documentary Facing War [+leggi anche:
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scheda film] by Tommy Gulliksen and the slice-of-life title Mr. Nobody Against Putin [+leggi anche:
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scheda film] by David Borenstein and Pavel Talankin. Celebrating the power of art and creative pursuits, the Artscapes programme includes the North American premiere of The Flamenco Guitar of Yerai Cortés [+leggi anche:
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intervista: Antón Álvarez
scheda film] by Antón Álvarez (aka C Tangana).
(Tradotto dall'inglese)
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