Pluto Film vende Night Passengers a Cannes
di Olivia Popp
- La società tedesca porta al Marché du Film il secondo lungometraggio del regista portoghese Pedro Cabeleira, un crime drama che promette emozioni

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Berlin-based sales outfit Pluto Film will be selling Portuguese-French co-production Night Passengers by Pedro Cabeleira at Cannes' Marché du Film (13-21 May), which is also world-premiering in Cannes’ ACID sidebar. The ACID programme describes the Portuguese-language film as a “gangster film like no other”, playing with tropes of the genre and blending crime and thriller elements.
Cabeleira’s first feature, the low-budget film Damned Summer [+leggi anche:
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intervista: Pedro Cabeleira
scheda film], premiered at Locarno in 2017. The director himself was born in the town of Entroncamento, which is the original title of the film and where it is set. In Night Passengers, Laura arrives in Entroncamento, described as a place where “violence, misfortune, greed and loyalty rule the streets”. In this small town, she plans to escape her troubled past and rebuild her life, only to be drawn back in by the promise of fast-earned money and crime.
The film was penned by Cabeleira together with Diogo Figueira. The cast features Ana Vilaça, Cleo Diára, Rafael Morais, Tiago Costa, Sérgio Coragem, André Simões and Henrique Barbosa. Cinematography is by Leonor Teles. The film was produced by Abel Ribeiro Chaves for Portugal’s OPTEC Filmes and co-produced by Edyta Janczak-Hiriart of France’s Kometa Films.
In Cannes, Pluto Film will also continue to sell German thriller Hysteria [+leggi anche:
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intervista: Devrim Lingnau
intervista: Mehmet Akif Büyükatalay
scheda film] by Mehmet Akif Büyükatalay and German family film Circusboy [+leggi anche:
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intervista: Julia Lemke, Anna Koch
scheda film] by Julia Lemke and Anna Koch, which it brought to the Panorama and Generation K+ sections in Berlin, respectively. Hysteria secured the Europa Cinemas Label Award for Best European Film. It will also showcase Xiaoxuan Jiang’s Venice-premiered To Kill a Mongolian Horse, Mathijs Poppe’s intimate documentary The Jacket [+leggi anche:
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intervista: Mathijs Poppe
scheda film], Roya Sadat’s Afghanistan-set historical drama Sima’s Song [+leggi anche:
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scheda film], Eric Lamhène’s psychological sister tale Breathing Underwater [+leggi anche:
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intervista: Eric Lamhène e Rae Lyn Lee
scheda film], Egil Pedersen’s My Father’s Daughter [+leggi anche:
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scheda film], Finbarr Wilbrink and Martijn Blekendaal’s The Underground Railroad, Soleen Yusef’s Winners [+leggi anche:
intervista: Soleen Yusef
scheda film] and Josef Hader’s Austrian comedy Andrea Gets a Divorce [+leggi anche:
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scheda film].
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