After kicking off in the Paris region on 2 June, the shoot for Shana by Lila Pinell will wrap on 17 July. This is the first solo feature-length fiction film by the director, who hails from the world of documentary and who rose to prominence in Cannes’ ACID in 2017 with Kiss and Cry [+leggi anche:
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Standing out among the cast are Eva Huault (whom the director has been filming ever since her first documentary, in 2009, and who turned heads recently in Baise-en-ville [+leggi anche:
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scheda film] and I Swear), Sékouba Doucouré (glimpsed in films such as A Night Doctor [+leggi anche:
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intervista: Elie Wajeman
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Written by Lila Pinell in conjunction with Catherine Paillé (nominated for the Lumière Award for Best Screenplay in 2017 for Ogres [+leggi anche:
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intervista: Vincent Maël Cardona
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Shana is being produced by Emmanuel Chaumet for Ecce Films (who teams up regularly with the director) and by Charles Gillibert for CG Cinéma, and is being co-produced by France 2 Cinéma. Having been pre-purchased by OCS/Ciné+ and France Télévisions, the feature has also secured support from the Gan Foundation for Cinema, the Cinéventure Sofica and the Procirep-Angoa. The six-and-a-half-week shoot sees Victor Zébo (The Book of Joy [+leggi anche:
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intervista: Camille Lugan
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As a reminder, Ecce Films recently produced Baise-en-ville by Martin Jauvat and Dandelion’s Odyssey [+leggi anche:
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intervista: Momoko Seto
scheda film] by Momoko Seko (both of which were unveiled in the Cannes Critics’ Week, with the latter having also won an award immediately afterwards at Annecy), and it has Affection, affection by Maxime Matray and Alexia Walther in post-production.